The Pricing of Axtara – Banking and Finance … in 1994

Here’s a fun one, folks! About two years ago I wrote a post called The Price We Pay – Are Book Prices Too Much? which investigated a (still) common complain that books were needlessly expensive—yes, even indie books—and that the prices needed to return to what many online remembered them being when they were younger, circa 1994.

This post took that declaration to task, examining it, breaking it down, looking at how the industry operated, then using math the readers could verify themselves to show that memory and nostalgia don’t always line up, and then from there showing that a wide range of books—Indie titles especially—are cheaper than ever thanks to advancements in technology.

The post also noted that where that isn’t true, IE where prices are higher it tends to be the big Trad Pubs who have deliberately eschewed modern advances and then as a cherry on top have sent their prices even higher just because they want more money.

To this day, this post remains one of the most popular on the site, collecting a regular daily stream of readers usually arriving from a Google search like “Why are books so expensive?” or the like.

But there was another factor in that post that made it, at least to me, quite memorable. It was when I went and adjusted the (then—tail prices have since taken effect with a few) prices of my own books back to 1994 cash to see what they were worth. And we got these two nifty little charts:

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OP-ED: Has Trad-Pub Just Become a Vanity Press?

So this question was posed and tossed around the other day in a writing chat after I came out with this week’s Being a Better Writer post (Working with Trad-Pub). Initially launched because someone had asked me if I was going to discuss Vanity Presses in conjunction with Trad-Pub, it later came back up because while the two are still different and separate, that barrier between the two has, from my perspective, shrunk quite a bit.

But before we get into this observation and musing, I do have one bit of news to share. The first draft of Starforge is now at 300,000 words, and about 66-70% of the way done. Step by step, day by day, the finale to the UNSEC Space Trilogy moves forward!

That’s all. Not saying anymore. So let’s talk about this odd question: Has Trad-Pub basically just become a form of Vanity Press? Well … yes? And also no. Vanity Press itself is on the way out, thankfully, due to the changing conditions of the publishing industry (independent authors helped, but print-on-demand is the real heavy hitter), but I’m getting ahead of myself. What is a Vanity Press, for those of you that don’t know?

Basically, back in the day, someone realized that of all those people submitting to the slush pile, there were a percentage of them with lots of money who didn’t have the inside connections that could have gotten them around the slush pile (this was in the days before agents or independent authors). So if they got their hands on a printing press, they could charge these people a large amount of money for their dream. They would provide no editing, no advertising, no marketing, nothing. And there wouldn’t be an advance. But they would deliver completed, printed copies of that “customer’s” book! And then that customer could tell people “Look, I’ve published a book!” which for many of them, was all they wanted to do.

And sure, they might promote the chance of fame and fortune, with a constant reminder that “Hey, that end is on you.” Might be just a little predatory, especially if they’re convincing people to take out loans to meet their printing costs, but that’s the cost of “business,” right?

Yeah, you can see where this is going, as well as why Vanity Press has such a negative stigma. People with a printing press taking folks money in exchange for printing copies of a book 100% as it was from the creator. Vanity Press didn’t provide editing, marketing, promotion, aid for the author (such as flying them to signings, or even setting those up) … none of it. Oh, and the person wanting the book published paid the publisher, not the other way around.

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Being a Better Writer: Working with Trad-Pub

Hello readers! Welcome to another Monday, to Being a Better Writer, and one of the last reader-requested topics of Topic List #16!

Yeah, we’ve come that far once again. There are only a few topics left, and before long—definitely before the month is out—we’ll be putting out a call for new BaBW topic suggestions once again! So, you know, be thinking about what you’d like to hear about!

In the meantime, though, we’ve still got a few posts to go, so it isn’t quite that time yet. But keep it in mind!

So, before we dive into today’s topic, as usual, let’s talk some quick news! Work on Starforge continues, but things have moved into a mad dash now. Literally or on my end, I won’t say, but the story and work on it is moving at a good clip. Might have the draft finished in another few months.

How about Axtara? How’s it been performing? Well, it did have a bit of a boost this weekend when the cover and a little blurb ended up on a Facebook group. The power of word-of-mouth! Those of you that have read it and loved it and want to see more, be sure to tell people you know about it! Or sands, if you’re the kind of person that hangs out on Booktube or frequents some book review sites, let them know about it! That’s how they find out about stuff!

Oh, and the invitation is still open for pictures of Axtara copies spotted in the wild! I’ve started seeing listings for it pop up in various bookstores (a number of them in … Germany?), so I know she’s out there!

And that’s it for the news! There isn’t much to talk about during the slump between books, I know. So, without further ado, let’s talk about the subject of today’s Being a Better Writer post! Let’s talk about working with Traditional Publishing.

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Weekly Update: It’s Full of Stars and Lovecraftian Monsters – Happy Thanksgiving!

Hey readers! I’ve decided that, at least of the foreseeable future, this Wednesday night update will be a regular feature. A progress report, and a little bit of news!

So, first up, let’s talk Axtara – Banking and Finance. I appears I’ve found a cover artist at last! Good news, I know. With that finally happening, that means I can aim at December release! Ebook first, paperback ASAP (but hopefully before Christmas, for all you book-givers out there).

Excited! I am. Axtara was an absolute joy to write, and I can’t wait for all of you to meet her at long last. Keep watch on things, because there’s going to be more news coming!


Now onto Starforge. As of today, the first draft is sitting at 177,000 words. And I’d say I’m about halfway through the second quarter, so … 37.5% or so. Roughly.

This is the “stars and lovecraftian horrors” of the title by the way. Though the All are easily a more tangible “eat your face off” sort of horror as well. They’re just kind of lovecraftian in their scope.

This book is shaping up to be awesome though, It just keeps picking up speed.

All right, that’s the update. There is some news from the book industry I want to mention, but I’ll put it after the jump. Hit it if you’re curious, otherwise, have a Happy Thanksgiving!

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Being a Better Writer: The Expectation of Instant Success

I’ll lead with a fun fact: This post was originally going to be an OP-ED last week, until I was barely into writing it and already switching into “and here’s how this comes up in writing,” at which point I realized that this was becoming a Being a Better Writer post despite what I had originally presumed about it. So it shifted over to the Topic List, and today … Well, you can clear see.

All right, so we’re diving in without a preamble: What on Earth—or whatever world you happen to be reading this on—is this all about? Most of you reading the title are probably going to guess that it’s going to be addressing the creator, and be about “tempering expectations.” And it’s not. We’ll address that briefly, but instead this post is going to be coming from a slightly different direction: that of the public.

But let’s not get ahead of ourselves just yet. Let’s start at the beginning. Or rather, what the public often sees as the beginning: The publishing of the first book.

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The Publishing Treetops Shake

So the last few weeks have been full of interesting news for the book industry. In fact, I was planning on posting on this last week, since it was more topical then (and I would have found easy access to the relevant links, now I’m just going to talk about it) but had that run-in with a falling teen from the sky and ended up a little out of it.

So we’ll discuss it right now instead, between bits of pre-work on Starforge. So then, what’s to talk about?

Well, when I say “book industry” I really mean one area: Traditional publishing. To be more specific, the big five. The last few weeks have seen a number of shakeups across the big five, from Simon & Schuster switching CEOs (even as they’re up for sale) to other publishers replacing high-up corporate positions, funneling their long-held higher officials out and bringing in new ones with the hope that they’ll bring change.

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Want Diversity? Start Supporting Indie

Hey readers, got a short post for you here today. It may not have escaped your notice in recent weeks (or maybe it did, and you’ve spent your time better than I) that the book industry, specifically traditional publishing, has been under fire.

Okay, in fairness, that’s nothing new. The traditional publishing industry has been suffering for years. That’s why Simon & Schuster is up for sale. But right now it’s under fire from readers for a reason that, given the current political climate in the United States, you can probably guess at.

Yup, the publishers are under fire for diversity. Or rather, for a lack of it.

Before I go further with this post, I want to make one thing clear: I actually agree with this concept, but for entirely different reasons than most locked in this battle would probably agree with. Most of them are painting, as they put it, a lack of books from certain ethnic groups or a lack of good royalty for those books as a deliberately targeted act of racism.

I’m not so sure. At least, not in the way most of the accusers seem to think. Personally? I think it’s far more likely that it’s the same story repeated a thousand times with the traditional publishers: They’re out of touch, behind the times, and refusing to adapt to the modern era. They’re “risk averse” to anything they don’t understand, and buddy, there’s a lot they don’t understand.

So basically, while many are accusing book publishers of being deliberately racist, I think that’s giving the publishers too much credit. It’s an “achievement” of ignorance as much as anything else. Ignorance and willful refusal to adapt. Not at all helped by many publishers trying to kill as many birds with one stone as possible and push out books that “hit” every margin the publisher hasn’t at once.

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News: Fireteam Freelance Episode This Saturday + Simon & Schuster Sale

Heads-up readers! It’s time for a news post! Quick and dirty before I dive back into work on an as yet untitled short for Parliament of Wizards (see yesterday’s post), but a news post all the same!

Okay, first and foremost (and most important for many of you who are regular readers) episode two of Fireteam Freelance, titled Blackout, drops this Saturday! That means it’s time to find out what Adah, Owl, Ursa, and Anvil are up to after the Kamchatka job, and what new threats lie in front of them!

This one was a lot of fun, so I hope you’ll come Saturday to check it out!

Now then, onto this second bit of news. Long-time followers of the site know that I’ve been one of the authors saying that the big traditional publishers couldn’t last with their current approach to the market. As recently as last week I’ve talked about how indie authors and publishing are a storm breaking over the industry and that the next decade would see a lot of interesting changes, most likely including some of the big five trad pubs changing completely or ceasing to exist.

Well … as of yesterday … it’s happened. Viacom CBS, owners of Simon & Schuster (yes, that S&S, one of the big five) have announced that the publisher is on the chopping block. They’re looking to offload it. Which means someone could buy it wholesale or  (and personally this is more likely) it’ll get chopped up into pieces and sold off.

That’s right, one of the big five is being sold off. Maybe even chopped up.

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What’s the Next Big Shift in Publishing, and When Will it Hit?

Hey folks! Post-LTUE post here, based off of a couple of conversations I had at LTUE with other authors (be they at the green room, signings, panels, etc). It’s straightforward enough to jump right to the point, so I’ll ask it:

When will the next big shift in publishing hit?

Over the course of LTUE I ended up talking with several different authors on topics that all orbited around (or outright addressed) this idea: That publishing is seeing shifts. Ebooks and indie pubs, for example. And right now, tension is (according to a few authors) building for another. When it hits, what will it be?

This isn’t just from a publishing perspective, but also from an audience perspective. One author I spoke with pointed out that right now the real money for them was in selling short serials on Amazon, but admitted that they didn’t know if that would change soon or not. Would Kindle Unlimited suddenly be their big bank, or would it dry up entirely? There were a little hyperbole-ish about it, but at the same time I could see their point. Publishing right now is more tumultuous than it has ever been thanks to the rise of ebooks and indies, and no one really knows what’s going to happen next. Big publishers are fighting against the change, while authors are scrambling to embrace it, but ultimately where that will put things … well, no one knows, but there’s a lot of theory flying around.

For example, one conversation I was involved in basically boiled down to “Which of the big five trad pubs is going to fall first?” The question among the authors present wasn’t “Will one fall” but which one and when?

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Being a Better Writer: The Path to Publication

Welcome back readers! In lieu of news, let’s just dive right into things! Over the weekend I ran into quite a few people who had writing questions for me, but one that kept coming up from a wide range of people (after the usual “What have you written”) was “What’s the process of publication like?”

In a nutshell. The questions were pretty varied from “How do you get a book ready for publication?” to “What’s the best avenue for publishing right now?”

Later, as I was thinking ahead to this week’s topic for Being a Better Writer, it occurred to me that I’ve not really talked too much about the process of making that happen after we’ve written our draft. I’ve talked about it with my own work, but usually in the context of “Here’s the part of the process I’m at now.” And not with regards to other options for getting one’s book published. After all, I’m indie, but that’s hardly the only venue available out there to up-and-coming authors (though it is an extremely attractive one … if difficult).

So, you’ve reached the end of your draft. The story is done. Let’s talk getting that book ready for the public.

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