Being a Better Writer: Chemistry

Welcome back readers! It’s Monday, which means it’s time for Being a Better Writer! But first, some quick news. Really quick. Then today’s topic.

Prior Alpha readers, look for an Alpha invite in your e-mail box today! For something short; the Halo novel pitch! That’s right, I’ll be sending out Alpha read e-mails for that today. Just for three chapters, since it’s a pitch.

Meanwhile, the Hunter/Hunted Alpha is about two-thirds of the way done. Then Beta! The next project for me? Getting Jungle into Alpha, and then writing Axtara: Banking and Finance, followed by Fireteam Freelance.

That’s the news. So, chemistry …

It was my worst topic in school. No joke. It took … I want to say the fifth time someone explained the periodic table to me for me to get it. Chemistry in the science portions of my education was always a struggle.

Thankfully, when we start talking about chemistry in a book setting, it often takes on a different meaning. Unless you’re writing a chemistry book. Or a character that’s a chemist.

See in stories something you’ll hear a lot, discussed everywhere from movies reviews to games, is chemistry between the characters. If you’ve ever read a review, or talked about a film you enjoyed (or didn’t) you’ve probably heard someone comment on the characters, saying something like “Oh yeah, those two really did have chemistry.” Or maybe, if it wasn’t good something like “those two had no chemistry.”

Sure, you’ve heard it. But what does it mean?

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Being a Better Writer: The Mysterious Character

Emergency update: Got my right arm smashed at work Saturday night. Seven stitches. All is recovering well, but can’t type well and am restricted from hand use until at least Wednesday. Further updates will come when I can give them.

 

Welcome back readers! Today’s post was written in advance since I’ve got a shift at my part-time this morning (when I would normally be writing the post). So I’m sacrificing my Saturday—or chunks of it anyway—to bring you this post!

With that said, there’s not much news out there to bring up save the slow climb of the reviews and ratings left on my books. The end-goal by year’s end is 400 ratings and reviews between Amazon and Goodreads, and as of writing this everything is sitting at 193! Only seven more to go to the halfway mark, and it’s only February!

That is literally the only news I have for you all this Monday. Or at least it was at the time of writing. Only future-me knows for sure. But since I lack the capacity for time-travel on that scale, let’s dive right into today’s topic: the mysterious character.

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OP-ED: Disney’s Star Wars Doesn’t Understand Strong Female Characters

Hoo boy. I know this topic is getting tagged with “Controversial” without even having finished it. Crud, it’s controversial just from the title. Discuss anything to do with female characters, strong or otherwise, and you’re painting a gigantic target on yourself.

Which is why I’d like to point out, for those sharpening their pitchforks before they were even finished reading the title, that I’ve had some experience with strong female characters of a wide variety. Yeah, it sucks that I have to lead with a disclaimer, but people are just that trigger happy these days. But I’ve written some very well-received female protagonists who are strong and capable, whether they be Meelo Karn, the Imperial Inquisitor of Shadow of an Empire, with her quick, deductive mind and talent for investigation, or Samantha, a young journalist determined to be the first to interview her city’s elusive superhero.

Crud, I’ve written Being a Better Writer articles on here before about gender in stories, and in those admitted that I have a fun habit of flipping a coin for secondary characters just to keep things fresh and fun. I don’t have a problem with strong female characters. The world needs strong women and strong men. Neither should be excluded.

Which, in a way, is where Disney is getting things wrong. And with that, we get to the point.

Disney’s Star Wars, as well as the company itself, has come under fire as of late. Once maligned for being a house proposing (generally) only a singular type of female character, Disney has in recent years worked to round themselves out, giving us characters like Moana or Rapunzel that are more varied than their female protagonists of the past.

Unfortunately, some aspects of Disney have shown they don’t quite understand what this approach entails, and have simply flipped everything as far the other direction as they can manage. The result is, well … bad. And I don’t just mean cringeworthy, but flat-out showing that the folks making the decisions don’t understand A) What a strong female character is and B) How to make one.

Still puzzled as to what could have made me write this post? No, it wasn’t The Last Jedi, though that movie falls into many pitfalls that are only expanded on what you’re about to see. And yes, I do understand that this now means there needs to be a BaBW post on strong female characters. It’s now on the list.

But that’s for a Monday in the future. For the here and now, I want to talk about Disney’s new Star Wars Galaxy of Adventures.

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Being a Better Writer: Small Windows of Character

Life, The Universe, and Everything is this week!

Yeah, that’s an opening of excitement. I love attending LTUE (which if you’ve somehow missed or not heard of, is a Fantasy/Science-Fiction convention that focuses foremost on authors and writers; check out their site here). Tomorrow I’ll throw my schedule up here on the site, ie what panels I’m interested in attending, where I’ll be, etc, but no mistake, if you spot me and want to say “Hello!” do so! I love attending this convention not just to both learn and pass on knowledge, but also to run into people and chat about books, writing, games … the works!

Okay, I’ll stop disrupting today’s Being a Better Writer post now. Well, save for one small detail:

My entire lexicon (as in, all of my books) will be on sale during LTUE. Starting a day beforehand—this Wednesday—and running through the weekend. This will be a great chance to catch up on any you’ve missed, let friends who might want a copy of one know,  share a link on Facebook (hint, hint), etc. It’s the LTUE sale!

And, like I said, it’s only through the weekend, starting one day before LTUE does (so that you’ve got a day beforehand if you really don’t want to be distracted during the con).

With that, all LTUE news is over for this post (tomorrow is another story). I hope to see you there! And yes, tomorrow I’ll give you some helpful identification in tomorrow’s post plus a picture if you’re looking to say hello.

Now, news out of the way, let’s talk about today’s BaBW topic. Which is … well, a bit of an interesting one. I’ve been thinking a lot lately about characters, or specifically, what makes them unique and have depth to a reader.

Which is, to be fair, nothing new. But today I wanted to talk about a specific aspect of giving our characters depth and how we approach it, because as I’ve been thinking upon it, I think that this is a delicate area that many authors accidentally overstep or underutilize for one reason or another.

With that, I’m starting to worry that I’m getting a little too nebulous here, so let’s just dive into it. Today, I want to talk about character quirks and how we use them.

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Being a Better Writer: Character Development, Worldbuilding, or Empty Fluff?

Hey readers! Welcome back to Being a Better Writer, the regular Monday feature where we talk about writing ins and outs!

Most of you knew that, but I have to assume there are some new folks popping in for each post. Because there are, according to the stats I see. So, welcome newcomers, and welcome returning readers. Since I wrote up a good-sized news post last week, there’s nothing that keeps me from diving right into this, so let’s do that.

So … Character Development, Worldbuilding, or Empty Fluff? Where am I going with that? Well, this post topic comes from a few sources, but there’s a core cause of it that spawned this topic on the list. There’s a book out there that I read, along with many others that … well, let’s just say that its “character development” is left a little lacking. This post actually was conceived when I stumbled across someone talking about the book online who posted an entire topic about the book’s “character development” asking how it was character development because it just felt like a bunch of constant, rambling scenes that really didn’t contribute anything except maybe some worldbuilding, but after that just endlessly repeated.

And, since this is the internet, a huge debate ensued, with some attempting to defend the book, while others agreed that yes, it was just empty fluff that the author seemed to think was character development. Those who defended it assured folks that the author had done it and it involved the protagonist, so anything involving the protagonist meant that automatically, it was character development. Also, being the internet, a consensus was not reached.

In turn, that made me pick up my pen and jot down another topic on the list, because if you’re going to write a book, you definitely don’t want to get character development and worldbuilding mixed up. Worse, you don’t want either of them replaced with empty fluff.

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Being a Better Writer: The Five-Man Band

Welcome back, readers, to another Monday! Which of course means another Being a Better Writer post. I do want to keep these to Monday if at all possible. Work shifts permitting.

But first, some news. I’ve picked up a few more reviews, moving my total ever closer to my year-end goal. Who says you can’t get started early? If I do the math, I’m currently sitting at, between Goodreads and Amazon, a grand total of 190 reviews and ratings. Pretty much an even split, numbers-wise, between the two.

By the end of the year, I’d like to double that. 400. That’s the goal, and I’ll be keeping a tally going, mentioning it on here from time to time.

The next milestone? 200. I’m only 10 away. Then 300, and then the goal. As for what will happen when I hit these? Well, outside of celebration, I’m not really sure yet. Probably something cool.

Aside from that, there isn’t too much news to wax on. Progress on Hunter/Hunted moves toward its conclusion. I’m somewhere in the final act, and finally getting a handle on some of the story’s more difficult concepts and elements. Since it’s a freebie fan-project and not something for sale, as usual I’ve experimented with some new things and choices. We’ll see what readers make of them, but I’ve definitely already come away with a few lessons of “that worked, that didn’t” to keep in mind for future projects.

And crud, I may as well mention that I missed a project for this year when I spoke about upcoming work in a recent post. I didn’t forget Fireteam Freelance. Or Starforge. Or the yet-unnamed-Halo-novel pitch. But I did forget a big one:

Axtara: Banking and Finance.

You might not remember this one; it was the first “short” story I wrote for the LTUE Dragons anthology, only for the story to quickly balloon out of the realm of “short” (always a stretch for me, even by the collections broad definitions) and into “Novella or Novel.” So it got set aside in favor of A Game of Stakes, which has already been submitted (so now we play the waiting game).

definitely have to devote some time to Axtara this year, as the idea is far to fun to leave untouched. A dragon going into investment banking? Yes, there’s a fun story there. It just wasn’t a short one.

Okay, and with that, enough news! Let’s talk about writing! Specifically, about the Five-Man Band.

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Being a Better Writer: Self-Deceiving Characters

Hello readers! How was your weekend? Get any good reading in? I did. Working my way through Jack Campbell’s second Lost Fleet series, which has been good fun. Spoilers, but he has an interesting approach to alien life.

Anyway, there’s not much in the way of news (outside of the Beta Call for A Game of Stakes having gone out a couple of days ago, so check your inboxes) so we’re going to jump right to today’s topic. Which, by the way, is a companion piece to a Being a Better Writer post a month or so back on Ambiguous stories and characters.

See, over the course of that post it became clear that there was one aspect which needed its own time set aside. Sure, we can have a plot, events, or characters that is ambiguous or deceptive to the reader, and even to other characters through lack of information, the wrong information, or even the wrong position (all of which, if memory serves, came up in that other post), but what about a character who is ambiguous about things because they themselves refuse to acknowledge them. As in, well, the title today: A character that deliberately deceives themselves?

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