Being a Better Writer: The Post Labor Day Grab Bag

Welcome back readers! To both of us, actually! I am back at my desk again this Monday, returned from Alaska (which you might have noticed if you saw this post).

So then, what’s today’s Being a Better Writer about? Well … It’s a collection, actually. Long story short, this is my first Monday back, and last Monday, which had a post, shouldn’t have. Yeah, it was Labor Day, one of the few holidays I’ve regularly taken on the site. Except that this time I didn’t, as I was absent, and I hadn’t checked ahead with my scheduler to note that it was a holiday.

Now, normally I’d take today completely off to compensate, but I’m not doing that either, because while I was gone and had a bunch of BaBW posts going up via scheduling, they didn’t get nearly as many eyeballs as they normally would have.

Why? Well because I couldn’t schedule the promotions that take place on a lot of other sites for these posts. So those of you that relied on the site feed to see each new post saw it. Those of you that relied on other site feeds to see each new one, well … You didn’t. I can see the numbers, so I know that.

Thing is, all those posts are still there. And now that I’m back, I can put each of them out in those other places for you to peruse.

Which is what we’re going to do today. While I catch up with a few things and get stuff on my end running smoothly once more for next week, this week I’m going to be delivering a summary of everything that went up on remote last week, so that those using other feeds finally get their due.

So enjoy, and hit the jump to see what posts you might have missed!

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Being a Better Writer: How to Be a Good Editor

Hello readers! Welcome back to the last of the pre-scheduled posts! Huzzah! Yeah, I’m probably back by now, but just in case, I wrote this in advance anyway. And this one? It’s a reader request! Yeah, we had a reader out there that wanted to know how they could go about being a good editor.

You know what? It’s a really good question. One more people should ask, personally. Because here’s the thing: There are a lot of ways to be a good editor. And an equal amount of ways to be a bad one.

Now, there is something I’m going to lead this post with: If you want to be a professional editor, and I mean have that on your door, working either freelance or for a publication somewhere, that is an entire college track. It’s a career. This post? If you want to be a professional, make your living at it editor, then this post’s advice is to go to an education course for that. Pick a school, use legal means to acquire enough wealth to purchase a house so that you can afford a semester or two without incurring crippling debt, and become an editor that way. I realize that’s perhaps not the advice you wanted, but the truth is that if you want to be a professional editor there’s a lot to learn, from various literature standards held across different forms of print to when and how certain rules get broken and why.

Being an editor is not something someone decides they are because they are really anal about grammar and got an A in their high-school English class that one time, or used to subscribe to a magazine about literature. Sorry internet trolls, but the actual requirements for being a professional editor are a bit stricter than “tell everyone else how wrong they are.” Most of us that spend a decent amount of time online inevitably run into these folks, and none of them make for good editors.

So, if you want to be a professional editor and work at a publisher somewhere, or a magazine, or a paper (though both of those last two are getting unfortunately rare as both papers and magazines make cost-cutting measures), there’s a whole degree you can acquire in that, and I would urge you to do so, because there’s a lot of knowledge to gain.

But what if you’re not looking to be a professional editor. What if (as I somewhat suspect this reader was asking) you’re looking to be a helpful volunteer “editor” for a friend’s work? Or on a fanfiction site? What about then? Not professional, but at as hobby element?

If this is you, even just tangentially, then yeah, there are some definite pointers to give out. Hit the jump.

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Being a Better Writer: Pricing and Publishing Options for Ebooks

Hello readers! First, apologies for the lateness of this post, first of all. I got my day started a bit later than I expected to. Second, thank you new readers for all the new reviews I’ve picked up in recent weeks! They’ve been wonderful to see popping up, and with impressive regularity as well! As always, thank you for sharing your thoughts on my work, as there exists a whole spectrum of people out there who find new works to read based on reviews and ratings. The more there are, the easier it is for those people to make their decision.

Granted, my reviews being massively positive certainly doesn’t hurt. Colony is absolutely spreading as a must-read Sci-Fi in a lot of circles, from the sound of it!

So, a big thank you to everyone leaving reviews and telling their friends about Colony and my other works. Their popularity continues to grow!

All right, back-slapping part of this post ever. Let’s talk writing. Or in today’s case, publishing. Because today we’re talking about the final topic on Topic List #14, and it’s a contentious one.

Yes, you read that properly: Book Pricing can be contentious, and no, I just don’t mean with readers (thought that’s certainly true). It’s a dicey topic among authors as well. Just this last LTUE I ended up participating in a somewhat heated debate over book pricing and what would or “would not” work. It never moved past the stage of debate, but heated it was, with one author declaring to another that they had effectively destroyed their own career over their prices … even though the numbers didn’t support that.

What I’m getting at here is that no matter what I write, even trying to show the various
“styles” of publication pricing that are out there right now, someone is likely going to show up, read it, and think “Well that’s all wrong!” And perhaps even comment with their own opinions and thoughts on the matter about why one is right or wrong.

Why? Because publishing is basically a straight-up stormy sea right now, with everyone clinging to their own raft or boat to ride out the waves as the entire industry undergoes a lot of change. Sands, Simon and Schuster is up for sale, and could cease to exist, being the first of the big publishers to collapse (they’re up for sale as their parent company, Viacom, doesn’t see print as an area they wish to be involved in, and S&S has been delivering steady losses now for three decades).

So yes, there are a lot of conflicting opinions out there about book pricing and availability because the market right now has never been in such upheaval. So today, we’re going to talk about a couple of the different approaches there are to pricing your book and figuring out a cost.

Now, two words of caution before we begin: This is something you should could be considering even before your book is done. Why? Because some of these options will affect how your book is written. So you should at least have in the back of your mind a basic idea of “That’s what I’d like to go for” because deciding after the book is written, edited, etc, may make for a lot of changes. Changes to the level of “complete rewrite” in order to have a functioning product.

Second, this will not cover everything or every approach. Publishing right now is in such a flux that it’d be impossible for me to cover every approach, so don’t take what’s offered here as a the “only ways” to price and publish a book. For all I know there’s a young author out there who’s about to release a book in an entirely new way that’ll hit this list like a broadside wave out of the storm. But I can give you the methods of pricing and publication that I’m familiar with.

So, with that all in mind, let’s look at some various approaches to pricing and publishing your book.

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Being a Better Writer: Entertainment Value VS Quality

Hello readers! Welcome back to the start of another week, and with it a new episode of Being a Better Writer! I hope you all enjoyed your weekend. I certainly did. The conference I watched was a truly splendid experience, one that I would recommend to anyone looking for a little peace and thought with everything else that’s been going on across the world.

This weekend also saw the release of episode three of Fireteam Freelance, which resulted in a couple of surprised and curious comments at the end. It looks like readers are enjoying it!

And me? Well, aside from the conference, it’s all Alpha editing on A Trial for a Dragon! Making lots of little changes with this one, bits and pieces where a single word in the right place (or the wrong on) makes all the difference … and that was an unintentional G-Man, I assure you. Anyway, tweaking A Trial for a Dragon just so is time-consuming, but by the end, this story is going to shine bright, people. Which is good, because the clock is ticking on that April 30th submission date!

Anyway, I could go on and on about that and how fascinating the editing process can be (a single word, folks) but this isn’t a post about Trail for a Dragon, it’s for Being a Better Writer. And more, it’s a requested topic, so let’s talk about it!

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Being a Better Writer: The Path to Publication

Welcome back readers! In lieu of news, let’s just dive right into things! Over the weekend I ran into quite a few people who had writing questions for me, but one that kept coming up from a wide range of people (after the usual “What have you written”) was “What’s the process of publication like?”

In a nutshell. The questions were pretty varied from “How do you get a book ready for publication?” to “What’s the best avenue for publishing right now?”

Later, as I was thinking ahead to this week’s topic for Being a Better Writer, it occurred to me that I’ve not really talked too much about the process of making that happen after we’ve written our draft. I’ve talked about it with my own work, but usually in the context of “Here’s the part of the process I’m at now.” And not with regards to other options for getting one’s book published. After all, I’m indie, but that’s hardly the only venue available out there to up-and-coming authors (though it is an extremely attractive one … if difficult).

So, you’ve reached the end of your draft. The story is done. Let’s talk getting that book ready for the public.

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Being a Better Writer: Voice VS Grammar

Welcome back readers! It’s Monday, and that means Being a Better Writer! So, our topic for today? We’re going to start off with a little quiz. Nothing complicated, just pick answer A or answer B.

The setup? Picture a man sitting alone in a train car. He’s alone in his berth, the other three seats unoccupied. He keeps glancing out the window. His leg is bouncing up and down in a rapid rhythm. His clothes are wrinkled, unkempt. He looks as though he may have missed his last shower. His fingers keep beating a nervous, staccato beat against the arm of his seat.

The door is open, and he jerks his eyes to it as a trolley stops in front of it. The man behind the trolley politely asks if the occupant would like anything.

The man in the berth opens his mouth and says—

Option A) “No, thanks.”

Option B) “No thanks.”

So, which option is correct?

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Being a Better Writer: So You’ve Discovered Writing is Work, Now What?

Hello readers! Welcome back to another glorious Monday Being a Better Writer post! Yeah, I’m in a good mood this morning. The Halo novel pitch draft is coming along nicely, I’ve got a fairly relaxed topic for the day, and a bunch of new music to listen to while I work!

This work included. Which doesn’t include too much in the way of news before I dive into it. Just one or two things coming up worth discussing.

First, the long-promised wrist post, complete with pictures and a sequence of events, will go up this week. Look for that around Wednesday or Thursday. I have to keep the actual date a little fluid, because tomorrow I find out whether or not I’m going back to work Wednesday, and from what I understand my job has been extremely strapped for workers lately.

It’s amazing. It’s like locking wages for seven years and paying below average market value with really bad hours (9 PM to 4 AM is common, with no compensation like most jobs would have for such a late shift; in fact it’s the lowest-paid job in the place) makes it really hard to keep employees. Especially in a place where the cost of living is currently skyrocketing. It’s like people want money or something in exchange for their labors. Weird, right?

Anyway, long way of saying that they may, if I am cleared for work tomorrow, have me in ASAP because yeah, they don’t have nearly enough employees.

Second bit of news? My books are almost at the halfway point for the end-year goal of 400 reviews and ratings. Seriously, three reviews away. 197 out of 200. So … close!

And that’s it for the news! Like I said, just one or two things. Now, onto today’s post!

So, this post may sound a little familiar to many of you. And that’s because I’ve written a bit on the subject before. Today’s is just from another angle, because surprise surprise, this topic is one I hear requests for constantly.

And in part, it’s because there are a lot of young writers out there who, well, to put it bluntly, with no sugar, think that they are different, that their situation is unique and different from the other new writers when it’s really not. I’m sorry to have to pull the band-aid off, but let me make something clear: It’s not. You may feel that because of the story you’re writing, or your circumstances, or your characters, or your genre, or any number of other reasons, that your story is unique, that if you were working on any other story or if it were some other individual’s writing, the trials you’re facing in these early moments wouldn’t occur.

But you’re wrong. Sure, there might be a small detail here or there that can make your situation a bit different, but at the end of the day?

Writing is work. Even when you love it.

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Classic Being a Better Writer: Some Advice for Starting Your First Book

Afternoon readers!

My arm is still recovering. I’ve regained some finger movement but my wrist is still heavily restricted and even this little bit of typing hurts. So writing a new post is out of the question.

Good thing I’ve got several years of archives, right? So that’s what we’re looking at today. Today’s post will be a classic Being a Better Writer from time past. In this case, we’re jumping back to February 1st of 2016, with a post for those who’ve always said they’d like to write a book but just never quite gotten around to it. The leader will be in italics, but after the jump you’ll find yourself in the original post itself.

In the meantime, I’ve got to get some stitches taken out and some editing to (hopefully) manage!

So, this is it. The time has come. You’ve finally decided. You’re going to sit down and start that new book you’ve been waiting to write. You’ve done other projects before, short stories and the like, but this time, you’re going for the novel. Long chapters. A compelling plot. You can see the final scenes in your head. You grin with glee, sit down at your keyboard, and …

Nothing. You wait for the words to spring forth, but they aren’t coming. You’re paralyzed by indecision. Suddenly you’re aware what a huge project this is. You’ve never attempted something of this size before! Your fingers seem frozen.

Relax. It’s understandable. Starting a book is a big project, one that brings a lot of pressures and requests to the table. And it’s different from a short story, fundamentally so. It’s going to take some alternative approaches to how you’ve worked before.

Maybe this is you. Then again, maybe it isn’t. Maybe you’ve sat down without any prior writing experience whatsoever and tried to write out a book only to realize you weren’t quite sure what you were doing. Maybe you’re struggling through it anyway and want some tips. Or maybe you haven’t started one yet, but you’ve been watching this blog like a hawk, thinking “Soon, my time will come.”

Well, today might be that time, because today?

Today we’re talking about what goes into starting a book.

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Being a Better Writer: Micro-Blast #7 – The Anti-Story, Sleep, Knowledge, Capitalism

Welcome back readers! And welcome to the new readers! Life, The Universe, and Everything is over, but I can already see from the stats page that we have some newcomers! Welcome! Whether you’re here to look at my books, or here for some weekly Being a Better Writer, welcome all the same!

So then, let’s get down to business with this week’s post, which is … a Micro-blast. Number seven, to be exact. What’s a Micro-blast? Well, it’s what happens when I near the end of a list of writing topics I’ve made for BaBW, and some of them just aren’t quite worth a full post, but are still worth discussing. Micro-blasts are a good way to bridge the gap, combining several shorter topics into one post so that there’s still a decent amount of material covered. Readers get a variety of subjects, and I get to clear some shorter topics and concepts off of my list.

Sound pretty straightforward? Good! Then let’s go!

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Being a Better Writer: Subverting Tropes

Something you’ll often hear when picking up reviews or word-of-mouth for new books that happen to be particularly praiseworthy is that something is “fresh” or “clever.” Maybe that it “does something new with the genre” or that it’s managed to put a “new twist on old ideas.”

Of course, if you’ve hung around authors, particularly a group of young ones, you may have also heard this phrase repeated: Nothing new under the sun. A common enough colloquial, especially if someone new enters a well-established writing group and claims to have written something “new.” Older members will often toss this phrase back at them, sometimes as a dismissal, sometimes as a warning of “Be ready, it may not be as new as you think.”

Notice a disparity here? If there’s “nothing new under the sun” then how do new books get praise such as “new to the genre,” “fresh,” etc, etc? Well, let’s make something clear: Those reviews aren’t lying (well, not outside sometimes well-intentioned misinformation). They’re not misrepresenting something.

Don’t worry, this all ties in to the topic at hand.

See, the crux of it really comes in that last bit I gave from common reviews up in that first paragraph. This idea of a “new twist on old ideas.” Which is why I (and, in my experience, many other authors) don’t quite fully agree with the “nothing new under the sun” sentiment. Because sure, if you strip an idea down to the bare-core, suddenly it sounds like almost any other idea. Boy without parents learns he possesses a rare power and with the aid of a mentor must do battle against evil. Is that Harry Potter? Or is that Star Wars? Or is it any other of hundreds of very different stories out there starring a boy who has a rare power and fights evil. Crud, open up the floodgates there and replace “boy” with “protagonist” and now we have every story under that umbrella as well that has a female protagonist. And suddenly such a blanket statement applies to, well, a good portion of all stories ever written.

Which is why when experienced authors utter the phrase “nothing new under the sun*” there’s always that little asterisk at the end. Because these authors know that it’s a generalist statement used with a large caveat attached. Taking it literally is much like saying that both Boeing and General Dynamics make jet aircraft, therefor both make the same product … when one makes passenger and cargo jet airliners, while the other makes the deadly F-16. Yes, both are jet aircraft … but both are so different from one another you could only that they are the same by boiling the debate down to the most basic of points (such as “This is an aircraft, yes/no,” at which point you’ve lost almost all understanding of the two in the first place).

Okay, I promised this had to do with writing (and the topic at hand), so … how?

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