Being a Better Writer: Keeping Characters From Being One-Note

Welcome back writers! It’s Monday already, and that means that we’re once again back with another installment of Being a Better Writer. A little late, and I do apologize for that. But there is a lot going on at the moment. That’s right, before we dive into today’s writing topic, I do have some news to reveal and discuss.

First up, today I can officially reveal that A Power in Ink, one of the shorts I wrote last year, has been accepted for the upcoming LTUE Benefit Anthology Troubadours and Space Princesses! Now, this is the collection for 2024, so you won’t be able to get it for a bit of time yet, but it’s on its way!

Second bit of news, also pertaining to a release, but an even bigger and more urgent one—which I left as the second bit of news because most of you likely already know. But here it is again: Starforge is releasing November 29th. That’s right, the third and final installment in the UNSEC Space Trilogy is arriving at last, six years after Colony made its grand debut. And you won’t want to miss it. You can check out more news about that at this link and get some specific details about Starforge, read some excerpts from the first review, go right to the books tab and pre-order a copy, or find some previews (including the latest) at this tag.

Again, Starforge releases November 29th! So get those pre-orders ready!

Now, third bit of news we need to talk about. Once Starforge releases, most of my books will be going up in price. I’ve spoken about this before, but the short of it is that my prices have not changed in almost ten years and no longer reflect the current value of the dollar.

If you’re alarmed, don’t be. The prices will simply be reaching equilibrium with what price point direction I chose when I started publishing back in 2013. Tail-prices will be maintained. There will be a future post about this in the coming weeks explaining the details, but the gist of it is that everything is still going back to the price of a paperback in 1994. It’s just that that is ten years more than it was when I last set my prices.

There’s a second meaning to this, however: If you’re looking to grab something, now is the time. Prices will see a bit of a bump once Starforge is out. A dollar or so for most titles, but it’s still a bump.

All right. One last bit of news, and then we can dive into today’s—quite late—Being a Better Writing post. And this last bit of news is a bit of a downer, actually. But I’ve been having problems with my right wrist and arm. I think it has to do with all the repetitive work of editing on Starforge causing the muscles in my shoulder to tighten and cause a cascading effect down into my forearm, hand, and wrist—and this is the hand and wrist I nearly lost in that workplace accident a few years back, so it has a pre-existing set of scars to amplify that—but the truth is I don’t know and won’t know until I see a doctor. I’m letting all of you know on the chance that it impacts my writing in the weeks ahead. For now, I’m just doing Copy-Edit work on Starforge before release, which is work done with an ebook reader in my hand and moving around taking notes, so that’s all right, but it’s still something I need to keep an eye on. With luck, it’s just an out of position shoulder and getting it taken care of will result in the rest of the arm feeling fine again, but I’m giving a heads-up anyway just in case things take a turn.

Okay. That’s everything. A lot happened over the last week, didn’t it? But we’re all caught up. So, let’s hit the jump, and let’s talk about keeping characters from being one-note.

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Being a Better Writer: Planning and Executing Heavy Worldbuilding

Welcome back, writers! It’s Monday, and it’s also Halloween! Not usually a vacation holiday, so I don’t plan on taking one. You know, as evidenced by the fact that you’re looking at this post right now.

But before we get talking about writing for this week and wrap up October, I do have one little tidbit to remind you all of: Dead Silver is on sale for 99 cents until midnight tonight! This spooky little (it’s a full novel, but by my standard) tale is perfect for Halloween and hey, it was my second published book, so it’s got a soft place in my heart. Following Hawke Decroux as he heads out to the sleepy New Mexican mining town of Silver Dreams to help Jacob Rocke catch a chupacabra, things soon take a turn for the worse, Silver Dreams seemingly caught in events more out of a nightmare than a dream.

Like I said, 99 cents until Halloween is over. You can click the link above or click the cover on the right. Either way, I hope you have a spooky and thrilling—in a good way—Halloween!

Now, with that all said, this is still a post about writing, so how about we get down to it? Today we’re going back to a classic topic that’s on a lot of minds. So much so, in fact, that the tag for it on the site is … substantial, to put it lightly.

But it’s a commonly discussed topic for a multitude of reasons, one being that it’s such a vast topic, but second to that because a lot of writers find it to be both a major source of inspiration and a major stumbling block in equal measure. Thus, it will not be a surprise to many of you to learn that today’s topic is a reader request from our last topic call!

So, let’s get down to it. Let’s talk about heavy worldbuilding. The in-depth, up-to-your-elbows-in-it sort of stuff. But with one gigantic context: making it useful, and then executing on that vision to craft a story, not just a bunch of excess files cluttering up a hard drive somewhere.

Hit that jump. Let’s talk worldbuilding.

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Being a Better Writer: The “Perfect” Book Is an Awful Read

Hello again writers! Welcome back, and welcome to Topic List #21! That’s right, we’re on a new list, with new concepts and ideas to explore! Writers, there is still time to make a request for additional topics to add to it over at the topic call post, but only for a few days more!

Anyway, how was your weekend, writers? Feeling recharged and reinvigorated? I am, and it was desperately needed. Not only was I able to get some relaxation and decompression in, but I also woke up today to some fantastic news: Axtara – Banking and Finance has cracked 50 reviews on Amazon.

Like I’ve said, she keeps sailing. I don’t doubt that before long Axtara will be neck-and-neck with Colony. Though the leader of the UNSEC Space Trilogy isn’t taking it lying down, especially as over the weekend we saw our first tease from Chapter 1 of Starforge. To applause, no less. It was clear to me from the number of hits that a lot of you were interested in that.

Banking dragon versus a Sci-Fi tale of empires old and new. Will Axtara tighten the race? Or will Colony pull ahead? I don’t know, but I’m thrilled either way as both take strong strides in bringing me toward that 10,000 copies sold milestone.

Anyway, that’s the news, writers. Keeping it short and sweet today so that I can dive into the first topic on our new list. Which is … a contentious one, to be sure. I already am aware that by the title alone there will be many who will be lighting their torches and gathering their pitchforks, ready to defend an incorrect philosophy that they themselves will likely never test.

Today, we’re going to talk about the “perfect” book. And why you’d never want to read it.

Hit the jump, folks. Let’s talk about writing.

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Being a Better Writer: The Problem With Proper Nouns in Sci-Fi and Fantasy

Hello writers, and welcome back to another installment of Being a Better Writer, where today we’re going to discuss something that’s actually quite topical! So topical, in fact, that this discussion wasn’t even on Topic List #20. Instead, it was prompted over this last week by some real-life work and discussion.

It’s also a topic that is going to directly reference via-link someone else’s writings on the subject. But with that, I feel we need to move into an explanation directly.

See, the genesis of this post comes from my editing on Starforge. This titan of a book is now in the Beta phase, which means looking for typos, misspelled words, misplaced quotation marks, and all that jazz. However, it also means going through and ensuring proper capitalization of proper nouns. At which point, I ran into a bit of a conundrum. Said conundrum led me to Google, which in turn pointed me to this post from 2009 concerning a similar issue in Fantasy writing—though note that it does address Science Fiction as well.

Anyway, what is this conundrum? Well, before we dive into it directly, I have a sort of pop quiz for you. You can do it in your head, but if you’re really determined you can bring out a pen and pencil and do the classic grade-school exercise. It’ll only take a moment either way, but here we go. Correctly capitalize the following sentence:

The terran vehicle rolled up the hill, backed by dozens of terran marines.

That’s it. Got it? Placed those capital letters where they belong? Okay, check out the answers after the break.

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Being a Better Writer: Music to Write To

Welcome back readers!

Yeah, I know. That introduction has been said hundreds of times with Being a Better Writer … but that doesn’t make it any less true. Besides, I don’t have much else to say. While I’m writing this at my desk it’s in advance, because when this post goes up I’ll be out and away, so even if there were news to be had, I wouldn’t be able to comment about it.

Anyway, while I’m out and about, this post can still go on. So enough with my ramblings! Let’s talk writing. Or more specifically, music and writing.

I’ll admit, this is kind of an odd post, though it’s been one of the more requested topics I used to get back in the day. I just … didn’t quite know what to make of it, and there were always more important, immediately applicable posts to talk about.

However … recently I was thinking back on some of those old, odder requests and thought “You know, I could cover that. It’d be a bit strange, but I think I know what I could do for it.”

So today, we’re going to talk about a very odd writing subject: Music. Not writing about it, but what to write to. Because like a lot of other things with writing, it’s not quite as straightforward as it at first appears.

And then? Well then, we’re going to have some fun. So hit the jump, and let’s talk music,

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Being a Better Writer: The Post Labor Day Grab Bag

Welcome back readers! To both of us, actually! I am back at my desk again this Monday, returned from Alaska (which you might have noticed if you saw this post).

So then, what’s today’s Being a Better Writer about? Well … It’s a collection, actually. Long story short, this is my first Monday back, and last Monday, which had a post, shouldn’t have. Yeah, it was Labor Day, one of the few holidays I’ve regularly taken on the site. Except that this time I didn’t, as I was absent, and I hadn’t checked ahead with my scheduler to note that it was a holiday.

Now, normally I’d take today completely off to compensate, but I’m not doing that either, because while I was gone and had a bunch of BaBW posts going up via scheduling, they didn’t get nearly as many eyeballs as they normally would have.

Why? Well because I couldn’t schedule the promotions that take place on a lot of other sites for these posts. So those of you that relied on the site feed to see each new post saw it. Those of you that relied on other site feeds to see each new one, well … You didn’t. I can see the numbers, so I know that.

Thing is, all those posts are still there. And now that I’m back, I can put each of them out in those other places for you to peruse.

Which is what we’re going to do today. While I catch up with a few things and get stuff on my end running smoothly once more for next week, this week I’m going to be delivering a summary of everything that went up on remote last week, so that those using other feeds finally get their due.

So enjoy, and hit the jump to see what posts you might have missed!

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Being a Better Writer: How to Be a Good Editor

Hello readers! Welcome back to the last of the pre-scheduled posts! Huzzah! Yeah, I’m probably back by now, but just in case, I wrote this in advance anyway. And this one? It’s a reader request! Yeah, we had a reader out there that wanted to know how they could go about being a good editor.

You know what? It’s a really good question. One more people should ask, personally. Because here’s the thing: There are a lot of ways to be a good editor. And an equal amount of ways to be a bad one.

Now, there is something I’m going to lead this post with: If you want to be a professional editor, and I mean have that on your door, working either freelance or for a publication somewhere, that is an entire college track. It’s a career. This post? If you want to be a professional, make your living at it editor, then this post’s advice is to go to an education course for that. Pick a school, use legal means to acquire enough wealth to purchase a house so that you can afford a semester or two without incurring crippling debt, and become an editor that way. I realize that’s perhaps not the advice you wanted, but the truth is that if you want to be a professional editor there’s a lot to learn, from various literature standards held across different forms of print to when and how certain rules get broken and why.

Being an editor is not something someone decides they are because they are really anal about grammar and got an A in their high-school English class that one time, or used to subscribe to a magazine about literature. Sorry internet trolls, but the actual requirements for being a professional editor are a bit stricter than “tell everyone else how wrong they are.” Most of us that spend a decent amount of time online inevitably run into these folks, and none of them make for good editors.

So, if you want to be a professional editor and work at a publisher somewhere, or a magazine, or a paper (though both of those last two are getting unfortunately rare as both papers and magazines make cost-cutting measures), there’s a whole degree you can acquire in that, and I would urge you to do so, because there’s a lot of knowledge to gain.

But what if you’re not looking to be a professional editor. What if (as I somewhat suspect this reader was asking) you’re looking to be a helpful volunteer “editor” for a friend’s work? Or on a fanfiction site? What about then? Not professional, but at as hobby element?

If this is you, even just tangentially, then yeah, there are some definite pointers to give out. Hit the jump.

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Being a Better Writer: Pricing and Publishing Options for Ebooks

Hello readers! First, apologies for the lateness of this post, first of all. I got my day started a bit later than I expected to. Second, thank you new readers for all the new reviews I’ve picked up in recent weeks! They’ve been wonderful to see popping up, and with impressive regularity as well! As always, thank you for sharing your thoughts on my work, as there exists a whole spectrum of people out there who find new works to read based on reviews and ratings. The more there are, the easier it is for those people to make their decision.

Granted, my reviews being massively positive certainly doesn’t hurt. Colony is absolutely spreading as a must-read Sci-Fi in a lot of circles, from the sound of it!

So, a big thank you to everyone leaving reviews and telling their friends about Colony and my other works. Their popularity continues to grow!

All right, back-slapping part of this post ever. Let’s talk writing. Or in today’s case, publishing. Because today we’re talking about the final topic on Topic List #14, and it’s a contentious one.

Yes, you read that properly: Book Pricing can be contentious, and no, I just don’t mean with readers (thought that’s certainly true). It’s a dicey topic among authors as well. Just this last LTUE I ended up participating in a somewhat heated debate over book pricing and what would or “would not” work. It never moved past the stage of debate, but heated it was, with one author declaring to another that they had effectively destroyed their own career over their prices … even though the numbers didn’t support that.

What I’m getting at here is that no matter what I write, even trying to show the various
“styles” of publication pricing that are out there right now, someone is likely going to show up, read it, and think “Well that’s all wrong!” And perhaps even comment with their own opinions and thoughts on the matter about why one is right or wrong.

Why? Because publishing is basically a straight-up stormy sea right now, with everyone clinging to their own raft or boat to ride out the waves as the entire industry undergoes a lot of change. Sands, Simon and Schuster is up for sale, and could cease to exist, being the first of the big publishers to collapse (they’re up for sale as their parent company, Viacom, doesn’t see print as an area they wish to be involved in, and S&S has been delivering steady losses now for three decades).

So yes, there are a lot of conflicting opinions out there about book pricing and availability because the market right now has never been in such upheaval. So today, we’re going to talk about a couple of the different approaches there are to pricing your book and figuring out a cost.

Now, two words of caution before we begin: This is something you should could be considering even before your book is done. Why? Because some of these options will affect how your book is written. So you should at least have in the back of your mind a basic idea of “That’s what I’d like to go for” because deciding after the book is written, edited, etc, may make for a lot of changes. Changes to the level of “complete rewrite” in order to have a functioning product.

Second, this will not cover everything or every approach. Publishing right now is in such a flux that it’d be impossible for me to cover every approach, so don’t take what’s offered here as a the “only ways” to price and publish a book. For all I know there’s a young author out there who’s about to release a book in an entirely new way that’ll hit this list like a broadside wave out of the storm. But I can give you the methods of pricing and publication that I’m familiar with.

So, with that all in mind, let’s look at some various approaches to pricing and publishing your book.

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Being a Better Writer: Entertainment Value VS Quality

Hello readers! Welcome back to the start of another week, and with it a new episode of Being a Better Writer! I hope you all enjoyed your weekend. I certainly did. The conference I watched was a truly splendid experience, one that I would recommend to anyone looking for a little peace and thought with everything else that’s been going on across the world.

This weekend also saw the release of episode three of Fireteam Freelance, which resulted in a couple of surprised and curious comments at the end. It looks like readers are enjoying it!

And me? Well, aside from the conference, it’s all Alpha editing on A Trial for a Dragon! Making lots of little changes with this one, bits and pieces where a single word in the right place (or the wrong on) makes all the difference … and that was an unintentional G-Man, I assure you. Anyway, tweaking A Trial for a Dragon just so is time-consuming, but by the end, this story is going to shine bright, people. Which is good, because the clock is ticking on that April 30th submission date!

Anyway, I could go on and on about that and how fascinating the editing process can be (a single word, folks) but this isn’t a post about Trail for a Dragon, it’s for Being a Better Writer. And more, it’s a requested topic, so let’s talk about it!

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Being a Better Writer: The Path to Publication

Welcome back readers! In lieu of news, let’s just dive right into things! Over the weekend I ran into quite a few people who had writing questions for me, but one that kept coming up from a wide range of people (after the usual “What have you written”) was “What’s the process of publication like?”

In a nutshell. The questions were pretty varied from “How do you get a book ready for publication?” to “What’s the best avenue for publishing right now?”

Later, as I was thinking ahead to this week’s topic for Being a Better Writer, it occurred to me that I’ve not really talked too much about the process of making that happen after we’ve written our draft. I’ve talked about it with my own work, but usually in the context of “Here’s the part of the process I’m at now.” And not with regards to other options for getting one’s book published. After all, I’m indie, but that’s hardly the only venue available out there to up-and-coming authors (though it is an extremely attractive one … if difficult).

So, you’ve reached the end of your draft. The story is done. Let’s talk getting that book ready for the public.

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