I apologize for the lateness of this post. Despite not having work at my part-time due to a knee injury yesterday, this post ended up so long (my longest yet) that it wasn’t done in time to post.
Man, it feels like I’ve been writing about endings a lot lately, at least to me personally. Maybe that’s just because that topic sticks in my mind fairly vividly. Or maybe I’ve been covering endings too much lately and you’d all rather here me talk about something else. In which case, let me know in the comments! After all, there is Topic List X coming (currently I’m on IX)!
Right, no beating around the bush today. I want to dive right in. Let’s talk ending types.
Okay, some of you might be scratching your heads at this one. After all, an ending is an ending, right? I’ve talked about endings before. What more could I have to say?
Well, as it turns out, a bit. Because as I’ve said before in another post, endings are a bit like a keystone: Everything moves toward them. Every story has to have one. Or, again as I’ve said before, the whole thing falls apart.
But there is something I’ve not talked about with regards to these endings yet: What type of ending you want to have. Or, to put it another way, the various ways you can close your story based on what you expect to make of it at a later date.
Yes, today we will be talking about sequels. And lack of sequels, though neither of those is the total topic. No, we’re still going to be talking endings. Just the different kinds of endings your story can have to make those work or not work.
Or perhaps “endings” isn’t the best way to put it. After all, many people tend to use terms like “the ending scene” or the like to talk about a climatic battle, rather than the actual ending. So perhaps I should say “conclusion,” or maybe “resolution,” and frame our discussion in terms of that. Or maybe even “approach.”
Why? Because again, as I’ve said before, everything in your story points toward the ending. The conclusion. So the type of conclusion you want your story to have? Well, it’s better if you know going in so that you can adjust the rest of your story to fit. Know which one you’re going to want to pull out of your writer’s toolbox to frame the rest of the story. Just like keystones can be in varying shapes and sizes, so can endings.
A minor note here: What I’ll be talking about today is somewhat flexible. More than one story has been written with one type of conclusion in mind only to deliver another, and while yes, this does affect how the story is received … it’s not the end of the world. It’s a bit like having … oh, a keystone that isn’t cut quite right but still does its job when slotted into place. It might not fit perfectly, and the top might be a little uneven … but it still does its job. However, much like a paving stone that is raised or lowered slightly above or below that of its fellows, it still may feel odd to the pedestrian, and the discrepancy will likely be noted. If you’d like an example of this, think of any movie or book that in the last moments made a sudden sweep into sequel territory. Makes you stumble a bit, doesn’t it? Even if it doesn’t necessarily not make the rest of the story worth it.
Point being, today’s topic is very much a question of making everything line up right. If you happen to swap ending “types” at the last minute, well, your story isn’t going to come apart. Not in this context, anyway. But if you know beforehand what you want, you can lay the groundwork of the story much more carefully so that everything lines up nice and neat at the end.
Got it? We’re talking about types of conclusions you can make your story work toward. Types of endings, in other words, you’ll see in various media, and when and how to make them work, or what you’d need to do to pull that off.
So, preamble done, let’s start with the most basic type of ending.