Audience

Being a Better Writer: Age and Audience

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Welcome once again, writers! It’s another Monday installment of Being a Better Writer, but … something’s different?

Oh, that’s right. It’s that I’m not here. This post was written in advance of my trip to Alaska. So right now I’m off of the grid and disconnected from civilization, so this post has been prepared in advance and uploaded for you to enjoy.

So, that means the new category is a little light, and we’re going to dive right into today’s topic. Which from the title, might seem a little surprising or odd to some of you, but I think you’ll find that it makes sense.

But first, really quick, just a reminder that this Being a Better Writer post, and all others like it, are free, both to read and of advertisements, but the effort that goes into writing them isn’t. If you’d like to support Being a Better Writer, please consider either becoming a Patreon Supporter or purchasing a book from the Books tab. Unusual Thing’s archive of Being a Better Writer articles, ten years’ deep, is a writing resource almost unmatched across the web—and almost anything that does match it is either supported by advertising or requires payment to access.

Spiel over, but I hope you consider either method of support. Being a Better Writer is a valuable resource, offered openly. Speaking of which, let’s get on with it and talk about today’s topic. Hit that jump!

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Being a Better Writer: Don’t Get a Sensitivity Reader, Get an Expert

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I can hear the torches being lit from here with a title like that. Like the Beacons of Gondor, save instead of summoning riders, they’re summoning an unhappy bunch.

And … I kind of get it. Today’s title is a controversial one which just so happens to take a stance that would see you broadly booted from many online spaces without even a question (but with lots of irony).

But as usual, and before with some of the more controversial subjects this series has discusses, I’m asking you, readers, to extend a bit of trust. Yes, I acknowledge that today’s topic will not be to everyone’s taste. As noted above, there are spheres on the web where such a suggestion would instantly see you banned without question, defense, or even time to say “I was just kidding!” Point being, there are people for whom the idea of a “sensitivity reader” is sacrosanct, even more important than an editor or a copy-edit session.

Thing is, this doesn’t usually produce good books, because there are fundamental issues with sensitivity readers and what they do. One that makes them ideologically appealing to certain circles but an unfortunately toxic tool in many instances.

So, let’s dive into it. Let’s discuss the post that’s probably going to be the most controversial thing I write all year. Hit the jump, and let’s talk about why instead of getting a sensitivity reader, you should probably just track down an expert.

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Being a Better Writer: Nintendo’s Rule of Three

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Welcome back, writers! It’s the first Being a Better Writer article post LTUE! So, in fact, maybe that should also be “Welcome, new writers,” because there may be a number of you checking out Unusual Things for the first time post-convention.

Now, if you are new and looking at that title wondering “What? I know Nintendo. That’s video games. What does that have to do with writing?” you’re probably one of a few. And it’s a fair question. But as prior followers of the site will attest, knowledge of writing and application can come from some very unique and unexpected sources. So there are often titles that may make one wonder “How on Earth could that have anything to do with writing?” that then go hard into the details and end up a pleasant—and educational—surprise.

So, don’t fret that you’ve arrived on the wrong site just because of the word “Nintendo” up above. You’re in the right place, and today we’re talking writing.

Well, as soon as we get through the usual allotment of site news. Most of it’s what you would expect: LTUE happened this last weekend, and it was an absolute blast. You can check out the write-ups for more details, but the short of it is that I had a great time, appeared on some fantastic panels, rubbed shoulders with some great folks and fellow writers, and sold out on Axtara before the third day had even hit noon.

Yeah, she’s really soaring. Shadow of an Empire paperbacks were selling as well, but in an inverse of last year, this time it was Axtara‘s turn to fly for the sky.

Anyway, LTUE is an awesome and fantastic experience that as always, I recommend wholeheartedly. I ran into several first-time attendees, and they were amazed and excited by the breadth and depth of knowledge on display at the con.

Okay, enough about LTUE. Some of you are probably tired of it or rolling your eyes. It’s awesome, this last weekend was great, and after a nice Sunday spent recharging via sleep and decompressing via some relaxation, I am so pumped to finish up this Jacob Rocke novel and get to work on Axtara – Magic and Mayhem.

But first. we’ve got today’s Being a Better Writer to discuss. So, without further ado, let’s get to it, and talk about Nintendo’s Rule of Three, and how you can apply it to your plotting to make a better story.

Weird, I know. But trust me. This is cool. Hit the jump.

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Being a Better Writer: Cursed Problems in Story Writing

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Welcome once again writers! Just as with each Monday before it, it is time for Being a Better Writer to make its mark on the world! And this week, we’ve got an interesting topic to discuss. One that you might have heard in a different context—and if so, you and I probably watch similar video channels.

Really quick, though, before we dive into things, a reminder that LTUE is next week! That’s right! February 16th-18th is just around the corner! I’ll have a more in-depth post on this later this week, but for now, just keep in mind that the day is fast approaching! By now, you should know what LTUE is, but if not, I’m just going to drop a link rather than bother explaining it, since I want to dive into today’s topic. Partially because I’ve got a lot to get done today, and getting right to the meat of Being a Better Writer will save me time. And because there’s not really much to chat about in terms of news. Writing progresses, and that is that!

So then, with our update delivered, let’s spring right back to where we were a paragraph ago and get talking about these cursed problems.

I chose to put this topic on the list because personally, I felt it was a fascinating way to look at potential problems with a creative work. Especially when applied to writing. See, in writing it’s generally held that there isn’t a “problem” that can’t be overcome by a skilled enough author. And … yes, this is pretty true. Usually however, when we think of “problems” of this nature, we’re thinking of common bits of bad advice, like “nothing new under the sun” or “there are bad ideas.”

But a few months ago, as I was watching a GDC video on “Cursed Problems with Game Design,” I realized that the video was alluding to something that also applied to writing. My mind started working on it, and I realized this was something that I wanted to spend a BaBW post on. It would be a little strange, a little different, and a little contrary to most common ideals of writing … But that’s exactly why I think it should be something that’s kept in mind when we’re working out what our next story should be.

Now, that is the first warning of today’s topic, and there might be a few more. Today’s writing topic is a bit more conceptual than some of our other writing discussions. Because here’s the thing about cursed problems, before we even define what they are: they’re something that can seem achievable with just a little tiny tweak, meaning that we’re right on the cusp of being able to solve them.

Except we aren’t. Figuring out, then, what a “cursed problem” is as compared to a problem we can solve with a little work, is part of the puzzle.

But we’re getting ahead of ourselves. First, we need to define what a “cursed problem” is. And for that, you’ll need to hit the jump.

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Being a Better Writer: PLS Explain Book

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Or, recognizing disparate audience expectations.

Welcome once again writers, to another Monday, and therefore another installment of Being a Better Writer. This week we’ve got an interesting topic for all of you, one that doesn’t get talked about much even inside writing circles, but in my personal opinion should be acknowledged more. In addition, it’s a topic that like our last few seems to be gravitating toward audience, making our recent string of posts discussing such a bit of a trend.

Now, as usual, before we dive into things in earnest, there are a few small news tidbits that we need to talk about. The first is that either today or tomorrow will see a version 1.01 update for Starforge. A few attentive fans have caught a few typos that slipped past our editing team—not out of the ordinary, especially for a 500,000+ word book—that have now been fixed, and we’ll be pushing that fix out ASAP. Anyone who downloads the book to read after that fix goes out will get the tweaked version, while those of you that have already downloaded your copy via a storefront will just need to refresh it. It’s not a lot of fixes, however (about six or seven across the whole book), so that’s why it’s a 1.01 update. But it will be going out soon.

Second, we’re nearing the end of Topic List #21. Which means that in the coming weeks we’ll be hosting a topic call for new Being a Better Writer topics to discuss. So put your thinking caps on and starting thinking about what writing concepts you’d like to hear about that BaBW hasn’t discussed before, or perhaps needs to discuss in a new fashion.

I know, that’s daunting. At this point Being a Better Writer totals some four hundred or so posts. But the world of writing is vast, and we’ve tackled topics a second or even a third time before.

So, there’s a new topic call coming, so if you’ve got a topic you’d like us to cover, jot it down on a slip of paper, or make a note on your phone—whatever it takes so that you’re ready when the topic call arrives!

All right, there’s one more news item to discuss: Life, The Universe, And Everything.

Yes, that capitalized letter on the “and” is intentional. That’s because Life, The Universe, And Everything, or LTUE, is a writing con that is once again upon us!

That’s right, it’s nearly time for LTUE 2023! Once again hordes of writers and other Fantasy/Sci-Fi creators are gearing up to descend en masse to Provo, Utah for a convention that’s all about the creation of Sci-Fi and Fantasy, be that in writing, sculpture, comic, or film.

Seriously, LTUE is awesome. And not just because once again I’ll be paneling (though you should definitely attend those panels if you’re writing). This year the guest lists includes Phil Foglio and Nina Kiriki Hoffman, among others. It’s three days of book signings, panels by authors you know and love on every writing topic under the sun, and more.

Basically, if you like Being a Better Writer, you’ll love LTUE. Check out the site here, and I hope to see you there.

Oh, and if you’re a student of some kind, your entry fee is $5, the cost covered by the sales of LTUE’s excellent collection of anthology short story collections such as A Dragon and Her Girl. So definitely swing on by!

We’d love to see you there. Now, on with the post! And you know what? We’re not going to spend time on the preamble before the jump. So just go ahead and hit that link, and let’s dive into the post proper. See you on the other side!

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Being a Better Writer: Different Types of Fantasy

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Happy Monday writers! How was everyone’s weekend?

Mine was pretty good. Spent quite a bit of time working on the tabletop campaign I’m running this year, since it’s a revision of the tabletop system I used for my Gears of War campaign a few years ago, bur refined and improved in multiple areas. Of course, building a tabletop system from scratch—or even rebuilding one—is a ton of work, so it’s not unexpected that my time this weekend was taken up in a good portion by it. I foresee this being the case for the next few months, easily.

But that’s not all that’s coming up, either! We’re nearly through January, and that means that we’re day by day coming closer to LTUE 2023! Look for a post about that on its own soon, but the gist of it for now if you’re out of the loop is that LTUE (or Life, The Universe, and Everything) is a writing convention given by those who do write and create Sci-Fi and Fantasy for those who want to do so. That means panels on aspects of writing are given by authors who have written those topics. You can check out the guest list of just a few of the guests of honor here, but that should give you an idea of the kind of folks that show up at LTUE each year.

February 2023, three days, this year the 16th through the 18th. Be there! And while you’re at it, swing by a few of the panels I’ll be on.

That said, if you’re unable to make it this year, at least you’ll always have Being a Better Writer to fall back on. So, without any further ado, let’s just jump into today’s topic. Which … is a bit of a departure from our usual writing topics.

Oh, don’t get me wrong. It still very much relates to writing. But what we’re going to talk about today is more of a foundational element, while at the same time not being set in stone at all.

Let me explain: The past few weeks we’ve had a post or two where we’ve talked quite a bit about audience and knowing what sort of audience you’re writing for. Today we’re going to talk about something that a lot of audiences use as a guide for finding material that they like and enjoy.

Yes, today we’re talking about genre. But specifically one type of genre and it’s subgenres. Today, we’re going to talk about different types of common Fantasy and what goes into them.

Now, I’m going to stress something before we start. None of these subgenres is a cut-and-dry. It’s possible for stories to blend them, or start in one subgenre and transition to another. Often, when we say “This book belongs in this subgenre” what we really mean is that the primary attributes of the story that caught our attention were most identifiable with that specific subgenre, though it may have had heavy elements from others.

In other words, what we’re talking about today can run the gauntlet from very straightforward to incredibly nebulous and may be so precariously balanced that it might be hard to tell what subgenre a book is.

But that’s not why we’re talking about it. We’re not talking about the subgenres of Fantasy so that you can try and lock in other Fantasy books you’ve read. No. That’s not the goal here.

The goal here is so that when you think “Hey, I want to write a Fantasy story” but are unsure of what type of Fantasy story that should be, you can look at the various subgenres and what elements identify them, in order to help narrow down what sort of story you want to tell by the elements you may want or not want to include.

In other words, what we’re looking at here today should be considered a set of guidelines, not rules, that can be helpful to you to set a tone or basic feel for what you want to write.

Note really quick that we’re not discussing all the various subgenres out there. The more precise one gets, the more these can multiply, but the less there is different between them. We’re just going to discuss the big ones.

A second note (I know) in that not everyone is going to agree with these definitions. Sands, in pulling up a list of common Fantasy subgenres, I opened two pages that almost completely disagreed about what made a common subgenre. So yeah, while some are agreed upon, some are not. You can still use them

You ready? Then hit that jump, and let’s talk about different types of Fantasy.

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Being a Better Writer: Realism, Storytelling, and Suspension of Disbelief

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Welcome back writers! It’s another Monday, and that means it’s time for another Being a Better Writer post! There’s not much news to discuss, or really any since everything immediately relevant was discussed in last Thursday’s post about what occurred last year and what’s coming down the pipeline right now, so rather than spend any text on that, today we’ll just dive right in! With a brief aside to say that if you are curious about what’s happened and what’s on the way, check out that post.

Anyway, today’s topic is, fittingly enough for the new year, a Reader Request! The last one on Topic List #21. Which I will add is getting a bit empty these days. We’ll be looking at #22 soon enough!

But anyway, today’s topic was requested with what I see as darn good reason, because it’s actually part of an almost endless debate that circles online communities and critics alike. In fact, it’s such a common debate that to start us off today, I’m actually going to request that you read this Schlock Mercenary strip, which will open in a new tab. Don’t worry, it’s digestible without context.

Once you’ve done that, don’t get sucked into the archive (at least, not right now), but come back, hit the jump, and let’s talk about it.

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Being a Better Writer: Balancing Beats and Exposition

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Welcome back, writers, to the final Being a Better Writer installment of 2022!

I know, right? It really doesn’t feel like we should have come this far already, but … here we are. 2022 is drawing to a close in less than three weeks. As to why that would make this post the last of 2022, I still need my Christmas Vacation, which is usually around two weeks this time of year. Which means that, to my surprise, when I looked at the calendar today to check my schedule, I realized that if I wanted my customary vacation, this was going to have to be the last BaBW post of 2022.

Now, this doesn’t mean all the posts will vanish for a while. There’s always a Christmas post. And there are usually a few other posts scattered in there about the usual odds and ends. Plus my vacation won’t officially start until next week. So this week I’ll continue to chug along on that latest Jacob Rocke book, plus keep up with the usual (or is it “unusual” right now?) stuff.

Anyway, if you find yourself hungering for Being a Better Writer while I’m on my Christmas break, you can always browse a selection of the site’s classic posts! At this point, pretty much typing any writing question into the site’s search bar will bring you a BaBW post that touches on the topic. Nine years of Monday updates (since August of 2013) will do that.

All right, so that’s the Christmas break discussed, but we’ve got a few other items of important business to tackle before we get down to nuts and bolt’s with today’s post. The largest of which is pretty easy to guess: How’s Starforge doing?

The answer is pretty awesome: It’s doing great. The whole trilogy is. Now that another week has passed it’s pretty clear that this is definitely one of my strongest, if not the strongest, launches ever. Starforge is tearing it up on page reads and purchases, along with both the first two books in the trilogy. I’m not certain if anyone’s managed to finish it yet, since it is such a titan (you could fit six large paperbacks inside this juggernaut), but from what I’m hearing and seeing everyone’s loving the journey.

Although if you have finished it, do please consider leaving a rating or a review on Amazon, Goodreads, or wherever you read and rate books. Ratings help new folks who haven’t heard about the series via word of mouth if they want to pick it up!

Now, related to this news item, and honestly the other big news item of the weekend, is a little snippet about Colony, the first book in the trilogy. It is a quarterfinalist in the Self-Published Sci-Fi Contest! The reviewers had some pretty nice things to say about it as well. Now it moves ahead to the next phase of the annual contest: culling for the finals!

We’ll see if it makes it. I hope it does. Regardless, it was pretty nice to see out of nowhere a bunch of nice words lavished on Colony about how much it was worth reading.

Okay, one last bit of news. I promise. And it’s short. If you haven’t seen it already, be sure you don’t miss last Friday’s post on the Ten Year Price Update. This weekend most of the price changes on a number of my books went through, but there are still a few that haven’t been completely updated (for boring technical reasons, quite honestly), but will in the coming weeks. The new prices are now up, the chart explains them in full, and if you’re curious about any of them you can hit that link to the above post.

Got it? Okay, good. It’s time to talk about today’s topic. Which, I will note, is a request topic! That’s right, we’re finally getting around to it! And I can very easily see why it is a request topic: because it’s a hard one!

If you hadn’t gathered the full nature of today’s topic from the title—and no shame there, don’t worry—the request for this post posited how one could properly balance their story beats with their exposition. This is a completely understandable topic to have concern about.

That said, it’s also a difficult skill to properly pull off in any book. How difficult? I’ve read award-winning titles that have swept notable awards from “important” organizations that have flummoxed their exposition and their story beats. This is something that writers of all experience levels struggle with.

It’s also something that you are not going to be getting perfectly the first time around. Or the second. Or the third. You can work on it, you can improve it, but the odds are that this is going to be one of the things your early editing folks look for. In fact, this is one of the things that the Alpha Reading looks for during that stage of editing. And wouldn’t you know it, I know for a fact that authors that sell tens of millions of books still have folks going through their manuscripts looking for exactly today’s topic and helping the author refine things.

My point being that this is a lifelong struggle for every author, and very much a part of the job that every author and writer, from the newest noob to the most decorated of wordsmiths has to pay close attention to.

I realize that may be upsetting to some of you, including perhaps the individual that requested this topic, but it shouldn’t be. Learning how to balance your exposition with your story beats—or better yet, carefully interweave them—is akin to learning exactly how much traction a race car’s tires have on each spot of pavement during a complicated, winding course. In other words it isn’t something you learn about and then forget, but something that will be important to keep in mind with every twist and turn of your book.

Okay, so with all this said, let’s hit the jump and start talking about the how as opposed to anything else. You ready? You know what to do.

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Being a Better Writer: What Makes a Fantasy?

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Hello writers!

You know, if I’m honest it feels like it’s been more than a week since the last Being a Better Writer. That’s probably because I had numerous days last week where I was up well past midnight on account of editing Starforge. One week kind of stretched into two.

But, the good news, as many of you saw Saturday, is that Starforge will be going into Copy-Edit this week. Which also means that yes, pre-orders will be opening at last.

This also means that the long-promised pricing adjustment for the rest of my books is on its way, so if you’re looking to grab anything before the prices go up to reflect the last ten years, do so now. Though again, the whole point of this pricing adjustment is to bring the prices in line with inflation-adjusted prices based on paperback prices from 1994. There’s gonna have to be a new post about this to update the old The Price We Pay article.

Anyway, lots to come in the next few weeks. You know, including Starforge itself at long last. You’re all finally going to be able to get it! So keep watching this space.

But right now? Let’s talk about today’s Being a Better Writer topic.

Tackling discussion of a whole genre has always been a dicey proposition, not that we haven’t done it before. BaBW has discussed Science-Fiction, Westerns, and Mystery in posts prior, and each of those is a pretty broad genre all said and done. Especially Science-Fiction, which is both broad and controversial these days (some of the arguments I’ve seen over what is or isn’t Sci-Fi online …).

Fantasy is just as broad a genre, really, though many don’t think of it as such. Which is in part why we’re going to be talking about it today.

So hit the jump, and let’s talk about what makes something a Fantasy. I’ll give you a hint: It isn’t magic.

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Being a Better Writer: Reading VS Hearing

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Welcome back writers! It’s Monday, and you know what that means. That, or this is your first time stumbling across this corner of the web and are just in awe or suspicion of what you’ve found. Maybe both.

Well, if you’re a writer or looking to do some writing, let me reassure you. This is Being a Better Writer, and you are in the right place.

Now, a quick aside before we dive into today’s promised topic, which is a … contentious one, to say the least. If you’ve not been on the site over the weekend, then you might have missed out on Saturday’s Starforge preview, which gave everyone their first look at what’s become of Annalyne Neres since the end of Jungle, plus her first steps in the finale of the UNSEC Space Trilogy. Action-packed steps, of course.

In related news, Starforge is getting closer to release with each passing day, but also now closer to a pre-order date. The Copy-Edit is nearing, and once the novel is in that phase, the pre-orders can go live. I’ll keep you all up to date on that as things progress.

Now, one more bit of spooky news before we head into today’s topic. Because it is the Halloween season, Dead Silver will be on sale starting tonight at midnight, and will remain on sale through October 31st. You can click that link there or find the book via the Books tab, but keep that in mind if you’ve not read it. It’s a perfect little spooky mystery for the Halloween weekend, so if you’re reading this after midnight, October 24th, do yourself a favor and snag a copy! It’s spooky good fun, and an enjoyable read.

All right, that’s all the news and whatnot taken care of. Now lets get down to business and talk about todays—as I warned—contentious topic.

This one I think is going to puzzle some, while being a revelation others. It’s one of those aspects of writing and publishing books that you really have to be immersed in some part of the production or output of to be aware of, but again as previously stated it’s also something that brings with it no small amount of controversy, especially among certain circles and with regards to both writing and editing a book.

You ready? Then hit the jump. Let’s talk about reading versus hearing.

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