The Publishing Treetops Shake

So the last few weeks have been full of interesting news for the book industry. In fact, I was planning on posting on this last week, since it was more topical then (and I would have found easy access to the relevant links, now I’m just going to talk about it) but had that run-in with a falling teen from the sky and ended up a little out of it.

So we’ll discuss it right now instead, between bits of pre-work on Starforge. So then, what’s to talk about?

Well, when I say “book industry” I really mean one area: Traditional publishing. To be more specific, the big five. The last few weeks have seen a number of shakeups across the big five, from Simon & Schuster switching CEOs (even as they’re up for sale) to other publishers replacing high-up corporate positions, funneling their long-held higher officials out and bringing in new ones with the hope that they’ll bring change.

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Being a Better Writer: Pricing and Publishing Options for Ebooks

Hello readers! First, apologies for the lateness of this post, first of all. I got my day started a bit later than I expected to. Second, thank you new readers for all the new reviews I’ve picked up in recent weeks! They’ve been wonderful to see popping up, and with impressive regularity as well! As always, thank you for sharing your thoughts on my work, as there exists a whole spectrum of people out there who find new works to read based on reviews and ratings. The more there are, the easier it is for those people to make their decision.

Granted, my reviews being massively positive certainly doesn’t hurt. Colony is absolutely spreading as a must-read Sci-Fi in a lot of circles, from the sound of it!

So, a big thank you to everyone leaving reviews and telling their friends about Colony and my other works. Their popularity continues to grow!

All right, back-slapping part of this post ever. Let’s talk writing. Or in today’s case, publishing. Because today we’re talking about the final topic on Topic List #14, and it’s a contentious one.

Yes, you read that properly: Book Pricing can be contentious, and no, I just don’t mean with readers (thought that’s certainly true). It’s a dicey topic among authors as well. Just this last LTUE I ended up participating in a somewhat heated debate over book pricing and what would or “would not” work. It never moved past the stage of debate, but heated it was, with one author declaring to another that they had effectively destroyed their own career over their prices … even though the numbers didn’t support that.

What I’m getting at here is that no matter what I write, even trying to show the various
“styles” of publication pricing that are out there right now, someone is likely going to show up, read it, and think “Well that’s all wrong!” And perhaps even comment with their own opinions and thoughts on the matter about why one is right or wrong.

Why? Because publishing is basically a straight-up stormy sea right now, with everyone clinging to their own raft or boat to ride out the waves as the entire industry undergoes a lot of change. Sands, Simon and Schuster is up for sale, and could cease to exist, being the first of the big publishers to collapse (they’re up for sale as their parent company, Viacom, doesn’t see print as an area they wish to be involved in, and S&S has been delivering steady losses now for three decades).

So yes, there are a lot of conflicting opinions out there about book pricing and availability because the market right now has never been in such upheaval. So today, we’re going to talk about a couple of the different approaches there are to pricing your book and figuring out a cost.

Now, two words of caution before we begin: This is something you should could be considering even before your book is done. Why? Because some of these options will affect how your book is written. So you should at least have in the back of your mind a basic idea of “That’s what I’d like to go for” because deciding after the book is written, edited, etc, may make for a lot of changes. Changes to the level of “complete rewrite” in order to have a functioning product.

Second, this will not cover everything or every approach. Publishing right now is in such a flux that it’d be impossible for me to cover every approach, so don’t take what’s offered here as a the “only ways” to price and publish a book. For all I know there’s a young author out there who’s about to release a book in an entirely new way that’ll hit this list like a broadside wave out of the storm. But I can give you the methods of pricing and publication that I’m familiar with.

So, with that all in mind, let’s look at some various approaches to pricing and publishing your book.

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What’s the Next Big Shift in Publishing, and When Will it Hit?

Hey folks! Post-LTUE post here, based off of a couple of conversations I had at LTUE with other authors (be they at the green room, signings, panels, etc). It’s straightforward enough to jump right to the point, so I’ll ask it:

When will the next big shift in publishing hit?

Over the course of LTUE I ended up talking with several different authors on topics that all orbited around (or outright addressed) this idea: That publishing is seeing shifts. Ebooks and indie pubs, for example. And right now, tension is (according to a few authors) building for another. When it hits, what will it be?

This isn’t just from a publishing perspective, but also from an audience perspective. One author I spoke with pointed out that right now the real money for them was in selling short serials on Amazon, but admitted that they didn’t know if that would change soon or not. Would Kindle Unlimited suddenly be their big bank, or would it dry up entirely? There were a little hyperbole-ish about it, but at the same time I could see their point. Publishing right now is more tumultuous than it has ever been thanks to the rise of ebooks and indies, and no one really knows what’s going to happen next. Big publishers are fighting against the change, while authors are scrambling to embrace it, but ultimately where that will put things … well, no one knows, but there’s a lot of theory flying around.

For example, one conversation I was involved in basically boiled down to “Which of the big five trad pubs is going to fall first?” The question among the authors present wasn’t “Will one fall” but which one and when?

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The Uncertain Future of Amazon (and Indie) Advertising

So this one’s been on my list to write about ever since Jungle launched. Things have been … pretty busy, which is why it’s taken this long to get to it. But no matter where I’ve been, or what I’ve been doing, this topic has weighed on the back of my mind (even when sick, lol).

Why? Well, because I think it may have a lot of impact on the publishing future going ahead.

Look, let’s all be on the same page here: Indie publishing is the juggernaut change that the book industry is dealing with right now. Traditional publishers are fast falling out of favor, doubling down on archaic models and methods that haven’t made financial sense in two decades, while authors jump ship to newer, smaller indie pubs or just go completely independent on their own. And right at the middle of this swirling maelstrom is … Amazon. The world’s largest bookstore. Who basically looked at publishing and said “Oh, how cute and quaint. Well, you keep doing that, but we’re offering the future.”

Okay, what they really did was throw their doors wide open, say “Hey, anyone can sell a book here, and here’s your 70% royalty,” and let logic do the rest. Because few authors were going to stick with a traditional publisher model where they owned nothing and worked for a royalty so small they’d need to sell a hundred books just to make $10 when they could instead keep all the rights and sell two books to make $10.

Anyway, that’s ancient history by now, and the market is well on its way through the reactionary shift to this change, with traditional publishers struggling to stay relevant through all sorts of questionable actions like cutting author royalties even further or attacking libraries.

But this isn’t about that. Well, sort of. That’s all background to bring us up to speed so I can get to the real meat of today’s topic: Amazon’s Advertising system.

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Being a Better Writer: The Path to Publication

Welcome back readers! In lieu of news, let’s just dive right into things! Over the weekend I ran into quite a few people who had writing questions for me, but one that kept coming up from a wide range of people (after the usual “What have you written”) was “What’s the process of publication like?”

In a nutshell. The questions were pretty varied from “How do you get a book ready for publication?” to “What’s the best avenue for publishing right now?”

Later, as I was thinking ahead to this week’s topic for Being a Better Writer, it occurred to me that I’ve not really talked too much about the process of making that happen after we’ve written our draft. I’ve talked about it with my own work, but usually in the context of “Here’s the part of the process I’m at now.” And not with regards to other options for getting one’s book published. After all, I’m indie, but that’s hardly the only venue available out there to up-and-coming authors (though it is an extremely attractive one … if difficult).

So, you’ve reached the end of your draft. The story is done. Let’s talk getting that book ready for the public.

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The Price We Pay – Are Book Prices too Much?

Honestly, I was going to hold off on a second post this week until Thursday (I’m blitzing through edits on Jungle right now) but this post had already been on my mind, and then a discussion yesterday online regarding MacMillan’s continued crusade against libraries basically poured gasoline over the spark and, well … Here we are.

Look, something that I see brought up constantly online, including in the very post that kicked this whole chain of thoughts off, is the price of books. It’s a hot topic anywhere. There are a lot of people who see them as too expensive, too overpriced, whether digital or not.

And you know what? I think they’re wrong.

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The Escalation of the Advertising Game

So I came across something interesting in my feeds the other day. This one on a Facebook feed. Facebook, for those of you who don’t use it, is a social networking site ostensibly about linking you up with friends and family to share pictures and goings on, but really more about collecting and selling your data while funneling ads at you (I get, on average, about one message or e-mail a day from them urging me to give them money to advertise this website). So, if you’re like me and attempting to use to to keep up with the goings-on of friends and family, that means that you end up seeing a lot of ads.

One of these ads I usually shoot by caught my eye, because it was a Science-Fiction movie trailer. Which you’d think Facebook would have figured out is the kind of ad I don’t mind seeing, but with their usual “show them how to think” mantra, most of the movie ads I see tend to be for films my interest rating is around zero in.

I digress. So hey, Sci-Fi movie ad! I’m game! So I started watching it. It looked a little low budget, and I don’t recognize any of the actors … But I’m not very in tune with Hollywood stars anyway (save a few) and it could be a SyFy flick.

Plot sounded … interesting. Not super attention grabbing, but at least decently interesting. A spin on the “last man” trope, one of those stories that opens after everything has fallen apart and the survivors have picked up the pieces, only to have someone come along and disturb the apple cart again. You know, familiar enough, but constantly on the rebound because it is a solid trope.

So I’m watching people run with desperate looks on their faces, shadowy figures raise guns, etc … and the accolades start popping up on screen. You know, the kind of thing where critics who have seen the film already or been given previews deliver quotes to make you excited for the film?

Except … these weren’t film critics. And my brain did a sudden, jarring “Wait, what?”

They were book reviewers. I wasn’t watching a movie trailer. I was watching a live-action trailer … for a book.

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Being a Better Writer: When Do You Publish?

We’re going to do a shorter one today, folks, so that I can get back to editing (post-edit: It was not that short). Or rather, I’m going to keep it short. So that I can get back to, well, my bit in the topic at hand. Because this is the process I’ve been going through for a few weeks now.

Okay, so let’s just say it outright: How do you know when to publish something? What’s the point where you sit back and say “this is ready?” How do you know when you’ve reached that point?

Well … I’ll be honest, this is one of those answers that’s probably a little different for everyone, where each author is going to have their own “stance” on what being ready to publish actually means, or what “being published actually entails.” For example, for some authors, being “ready to publish” may mean “This story is ready to send to my editors and start the process.” while for others, like myself, it can mean “This story is ready to sell to the public.”

In addition to that, the “when” has a bit of a broad meaning in addition to what can be meant by “publish,” based on the context of that publish. The first one, the “send to the editors” one, is going to have a whole different set of criteria from the second, because, well, after all, what you send to your editors is going to be far different from what you send to the buying public. So in that context “knowing” that a story is ready is going to be different.

So let’s break these down and talk about them separately. Starting with the earlier one: How do you know your story is ready for editors?

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Op-Ed: The Fall(out) of Barnes & Noble

This is a post I’ve wanted to write for a while now, but basically been bouncing back and forth on exactly how since while I have some insight on the subject … I really don’t have a lot compared to some others. Put plain and simply I don’t deal with Barnes & Noble. At least, not as an author. Very rarely, as a customer, but that frequency has dropped from a couple of book-buying visits a year to a visit every couple of years, and even then it’s rare that I walk out with something.

Which doesn’t paint a rosy picture of their business in the first place, if my and my friends experiences are anything to go by (or B&N’s own reports). But as an author, I don’t deal with B&N at all. Most notably because I’m indie, and B&N has never really had much to offer authors in that regard.

Oh sure, you could sell on their Nook service for a small royalty. But the Nook has always been such a niche market that it never really seemed worth it. Now that B&N has cut the Nook, that seems like a smart proposition (especially considering I heard nothing but mixed messages from it when it was around).

Right, I feel like I’m either getting ahead of myself or slightly off-topic. Only slightly, as B&N’s treatment of the Nook does seem to illustrate how we get to today. But let’s wrap that back in. Effectively, what I’m saying is that while I’m curious and intrigued about what the fallout of, well, we’ll talk about that in a moment, but let’s just call it “it” for now, is going to be … I’m on a side of the publishing industry that doesn’t rub up against B&N too much, so a lot of what I think could happen is mostly speculation—light speculation—about the shockwaves rolling through a side I don’t really know. I know there’s going to be a lot of fallout, just as one knows when a nation topples that the status quo has just been upset … but in the spirit of that analogy I’m on the other side of the continent, or maybe even across an ocean. All I know is that when someplace like Rome falls, everyone feels it.

That clear as mud? Okay? Well, then let’s talk about “it.” The big deal. I’ve talked about it before on here, but only in passing. To put it simply, however …

Barnes & Noble is going under.

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2017 in Review—The State of Unusual Things

Before you start, there’s a Christmas Sale on! Colony and Dead Silver both are reduced prices through Christmas! Perfect for last minute gifts!

This year … was rough. I’m not going to lie.

To be fair, that wasn’t the writing’s fault. More it was other circumstances. Like the knee injury I acquired in June (which is still healing) and every thing that it brought with it. Okay, mostly it was the knee injury. Pretty much just that. With the knee injury came medical debts, which brought extra work shifts, and that then led to less writing time, and …

Well, let’s just say it’s not been the best year. Which is kind of a lousy lead-in to a year in review article, but it was bound to happen sometime, right? I mean, no matter what, one of the years writing had to be a rough one.

Anyway, 2017 marks the third year of Unusual Things being up and open. Which means that despite how rough this year was, it’s time for another look back at the year in review to see how I did compared to years prior, and make plans for what’s coming.

You ready? Let’s take a look.

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