Being a Better Writer: Currency

Welcome to Monday, readers! And to another installment of Being a Better Writer! Where today, we’re going to talk about something worldbuilding related: Money!

Now, those of you who’ve been following things since I announced that Shadow of an Empire would release on June 1st (and you can pre-order it now!) may have caught on that BaBW posts since then have been kind of tied into something to do with Shadow. Which makes things easier on me at the moment, to be sure. But those of you who have may be wondering how currency as a topic ties into Shadow. Well, outside of “Hey ho, I can’t wait until Shadow of an Empire launches and I start making a return on it!” Which, to be perfectly fair, is a 100% reasonable reaction from a content creator. We like to be able to afford rent.

But that aside (Order Shadow of an Empire!), how does currency tie into Shadow? Well, to be perfectly frank, it doesn’t … in any more or less capacity than it would tie into any other book taking place in its own little world.

Let’s step back for a minute. Say you’re writing a … oh, let’s go with the Fantasy genre. So you’re writing a fantasy story, and you’ve got your group of characters out on the road for an adventure or whatever. They come across an inn and stop for the night, expecting to buy dinner and a few rooms. Now, quick pause here: how are they going to pay, and with what?

Well, if your character were having a fantasy adventure in the United States, it’d be with US currency. If they were journeying in the Indrim Empire, they’d need to shell out some Imperial Marks, hard metal coins minted by the empire, or sign a bank writ of sale. If they were in Sheerwater, they’d use reeds—basically metal straws of varying values and make. And if they were at the Leaky Cauldron of Harry Potter fame, they’d need to produce knuts, sickles, and galleons.

The reason I bring this up is because currency is one of those facets of basic life that most take for granted, so much so that it often seems to slip beneath the cracks in a lot of basic worldbuilding (nod your head here if you’ve ever read a book or played a game that’s defaulted to simplified gold, silver, and copper “pieces” without even a name or mention of mint). A lot of novels and worlds simply … skip, I think would be the best term … this aspect of worldbuilding. They go with the aforementioned copper, silver, and gold pieces, because … well, to be perfectly frank, that’s usually the system they know, the one that they’re most familiar with next to whatever they use each day.

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Being a Better Writer: Cover Art

Hello readers! Welcome back to a Monday edition of Being a Better Writer! I know, it’s almost sad that I have to celebrate the posting of a Monday-centric series on a Monday, but my other job lately has been nuts. As in, I could write an entire post about how it’s an example of the dumpster fire that corporate America has created/become. I sort of want to, for my sanity as well, because … well, that’s a tale for another time. Or day.

Thankfully, things with this job are going pretty awesome. How so? Well, you might have missed it if these posts are the only ones you ever check out, but Shadow of an Empire (the snazzy cover you saw in the featured image) is available for pre-order! That’s right! It comes out June 1st, and joins my slowly-but-ever-expanding roster of adventures. If you’ve been reading Being a Better Writer but haven’t checked out any of my books yet, this is the point where I tell you that you definitely should. You’ll get to see all of the topics, elements, etc, that I talk about in these BaBW posts on display in some awesome fiction.

Also, if you haven’t, this week’s News Post is pretty packed-full of cool news and updates. Price drops, Reddit AMAs … check it out!

Okay, news and stuff out of the way! Let’s talk about a really tricky, often dividing topic among authors and writers: Book covers.

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Being a Better Writer: Research and Ramifications

Welcome, readers! Before we begin with today’s post, an obligatory plug, if you will. If you somehow missed it, Shadow of an Empire‘s cover has been revealed in all its glory! You can check it out here! And yes, that does have to do with the slight redesign of the site and its colors. Shadow of an Empire is releasing June 1st, and will be available for pre-order later this week!

Excited? Good! I know I am.

So, that out of the way, let’s talk about today’s topic: Research and the ramifications that come with it. Because, as with most things in the writing world … it’s not quite so simple when you get down to it.

Now, I’ll be clear up front: This is a request topic. Actually, it’s a pretty common request topic. Which, as often as I hammer the point home of “always do the research” doesn’t exactly surprise me. I’ve made a point of it time and time again in my posts here on the site and elsewhere around the web—and even in person! If you want to be an author, and write a story about anything … Do. The. Research. Learn about that thing. And learn well.

Naturally, this second bit is the crux of the topic today. At least at the outset. Because while it’s one thing to say “do the research,” for some it’s a bit like telling someone to build a boat. I say “do the research” and there are a cluster of authors new and old who respond with the concerned question of “Okay, how?” And yes, I say old as well as new because there are plenty of authors out there I’ve read that clearly have no idea how to do even the most basic research.

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Being a Better Writer: Keeping Character Variety

Welcome back readers! If you’re seeing this early early early Monday morning, that means that I succeeded in getting it written on Saturday before my work shift … so that I wouldn’t have to worry about not having written it during my Monday and Tuesday work shifts.

One day I’ll move into that 20% of authors that don’t need a second job. Someday …

But for today, we’re back on track with Topic List 11 and chugging right along with a particularly interesting request topic: keeping characters fresh.

Now, granted, this request came with a bit of an explanation, which I’ll give to you now (and is reflected in the title). Our intrepid seeker of knowledge wasn’t asking about keeping a character constantly “fresh” over the course of the story (that’s another topic for another day) or how much tupperware they’d need to keep them from going stale. No, what they were asking after was another kind of freshness: how to keep their new characters from simply being photocopies of prior ones?

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Being a Better Writer: Subverting Tropes

Something you’ll often hear when picking up reviews or word-of-mouth for new books that happen to be particularly praiseworthy is that something is “fresh” or “clever.” Maybe that it “does something new with the genre” or that it’s managed to put a “new twist on old ideas.”

Of course, if you’ve hung around authors, particularly a group of young ones, you may have also heard this phrase repeated: Nothing new under the sun. A common enough colloquial, especially if someone new enters a well-established writing group and claims to have written something “new.” Older members will often toss this phrase back at them, sometimes as a dismissal, sometimes as a warning of “Be ready, it may not be as new as you think.”

Notice a disparity here? If there’s “nothing new under the sun” then how do new books get praise such as “new to the genre,” “fresh,” etc, etc? Well, let’s make something clear: Those reviews aren’t lying (well, not outside sometimes well-intentioned misinformation). They’re not misrepresenting something.

Don’t worry, this all ties in to the topic at hand.

See, the crux of it really comes in that last bit I gave from common reviews up in that first paragraph. This idea of a “new twist on old ideas.” Which is why I (and, in my experience, many other authors) don’t quite fully agree with the “nothing new under the sun” sentiment. Because sure, if you strip an idea down to the bare-core, suddenly it sounds like almost any other idea. Boy without parents learns he possesses a rare power and with the aid of a mentor must do battle against evil. Is that Harry Potter? Or is that Star Wars? Or is it any other of hundreds of very different stories out there starring a boy who has a rare power and fights evil. Crud, open up the floodgates there and replace “boy” with “protagonist” and now we have every story under that umbrella as well that has a female protagonist. And suddenly such a blanket statement applies to, well, a good portion of all stories ever written.

Which is why when experienced authors utter the phrase “nothing new under the sun*” there’s always that little asterisk at the end. Because these authors know that it’s a generalist statement used with a large caveat attached. Taking it literally is much like saying that both Boeing and General Dynamics make jet aircraft, therefor both make the same product … when one makes passenger and cargo jet airliners, while the other makes the deadly F-16. Yes, both are jet aircraft … but both are so different from one another you could only that they are the same by boiling the debate down to the most basic of points (such as “This is an aircraft, yes/no,” at which point you’ve lost almost all understanding of the two in the first place).

Okay, I promised this had to do with writing (and the topic at hand), so … how?

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Being a Better Writer: When Do You Publish?

We’re going to do a shorter one today, folks, so that I can get back to editing (post-edit: It was not that short). Or rather, I’m going to keep it short. So that I can get back to, well, my bit in the topic at hand. Because this is the process I’ve been going through for a few weeks now.

Okay, so let’s just say it outright: How do you know when to publish something? What’s the point where you sit back and say “this is ready?” How do you know when you’ve reached that point?

Well … I’ll be honest, this is one of those answers that’s probably a little different for everyone, where each author is going to have their own “stance” on what being ready to publish actually means, or what “being published actually entails.” For example, for some authors, being “ready to publish” may mean “This story is ready to send to my editors and start the process.” while for others, like myself, it can mean “This story is ready to sell to the public.”

In addition to that, the “when” has a bit of a broad meaning in addition to what can be meant by “publish,” based on the context of that publish. The first one, the “send to the editors” one, is going to have a whole different set of criteria from the second, because, well, after all, what you send to your editors is going to be far different from what you send to the buying public. So in that context “knowing” that a story is ready is going to be different.

So let’s break these down and talk about them separately. Starting with the earlier one: How do you know your story is ready for editors?

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Being a Better Writer: Character Matters

So, last week I was browsing the web (one of my favorite pastimes for finding interesting details and acquiring knowledge) when I came across a very … shall we say, interesting post. It was on a book forum, where someone was, if I recall the context correctly, talking about a specific Sci-Fi book they tried to read. A recent award winner, again if I recall correctly, from one of those snooty ‘literary’ awards. Anyway, they mentioned that they’d tried reading it, but had given up because, as they explained, all the characters fell flat. Or rather, were flat, simply mouthpieces to explain the story’s science. They had no other character or uniqueness other than a name. They were just there as, well, robots, to drive the science forward. Other than that, they were simply flat caricatures. As a result, the reader had given up on the book, because there was no character to revolve around.

Now, this post jumped out at me for two reasons. The first, but not the foremost, was that it lined up with a news article I recall reading a few years ago about in which a major publisher, faced with the falling sales of their Sci-Fi and Fantasy, conducted a nationwide survey of their former readers (no idea how they pulled that off, but they have to have some metric for it) asking why their former readers had abandoned them. The answer? That too many of their books just didn’t have good characters anymore, or worse, had characters that were just ideological mouthpieces for the science/social angle of the book. Without strong, compelling, or real characters, their readers had abandoned them.

The second reason that this post jumped out at me was the response to it. This was on a forum that is … Well, let’s just say they’re the kind of readers that the current publishers want to have in greater number. The response was immediate and, shockingly, angry. We’re talking caps and exclamation marks about how dare this reader put down a book because the characters weren’t good. Because—and understand I’m summarizing a number of posts here—characters aren’t important. They’re just mouthpieces to present the science. You’re not supposed to care about them. Or find them interesting. If you do, that’s a bonusnot a requirement. Blah blah blah, you read the book for the message, not for the characters, who cares if they’re shallow, etc etc etc.

Reading over this led me to this post. Where I’m going to say something flat-out.

That stance? That characters don’t matter? It’s wrong. From start to finish. This isn’t even a matter of opinion. That’s why the survey sprang to mind. That survey said that people do care about characters, that people are invested in how characters act and why. And do you know why?

Because they are! Great characters make stories come to life! They sell stories. Not science or social messages. Those can be pandered anyone in a deadpan monotone and still find their audience of those already subscribed to the idea. But a story? That takes characters.

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