Being a Better Writer: Holidays

Hey there readers! How were your weekends? Healthy, I hope. I spent all of mine inside working on Starforge, Axtara, or recuperating. My Covid-19 test came back negative, but that just meant whatever I did have likely wasn’t Covid. It was still something, so I skipped church on Sunday (doing the smart thing) and gradually felt better as the weekend moved on.

Either way, due to that, I really don’t have much in the way of news to report or talk about from this weekend, so there’s not much for me to do here but dive into this week’s topic. Which, as you might have noticed, is a little … seasonal.

Yeah, I’ll admit this wasn’t on the list. Rather I thought of it over the weekend and once the bug was in my head, couldn’t shake the idea because it was, I felt, a good one that deserved talking about. Not a game changer, probably, but one of those “little details” that can take a story from a nine to a ten.

Yes, we’re still talking about writing. When I say “Holidays” I do so in the sense of a recognized celebration date, not a vacation from things. Those of you waiting for that kind of post are looking at the wrong job.

I kid. Mostly. A writer is almost never truly on a vacation. Our work tends to be … consuming.

Anyway, with that clarification out of the way, let’s talk about holidays.

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Weekly Update

Short and sweet here guys. I’m still pretty tired. And was tested for Covid-19 last night so … yeah. 72 hours until the results come back. Only symptoms fatigue (a lot of it) and the occasional light headache.

But enough of that. Book updates!

Starforge is now at 163,500 words. I’m running a little slow right now, just doing 2,000 a day instead of 3,000-4,000 and I’m tired through it, but I can’t stop. This story is too important.

Axtara updates: I am still trying to find someone to do a cover. Most artists I’ve tried to contact are either busy or not doing art right now because of what I’m guessing are Covid-19 related issues. If any of you readers know of anyone who can do art like this and is looking for commission work, let me know.

That’s it for today. Tired now. Going to rest for a bit.

Being a Better Writer: Doing Good Research

Hello again readers! I hope you’re well and healthy. Me? A little funky. Really tired. No other symptoms that—to my knowledge—line up with Covid-19, but I’m considering if I feel funky tomorrow calling and scheduling a test anyway, just to be on the save side. And if it isn’t going to bankrupt my bank account.

Anyway, I hope none of you feel funky, but are staying in feeling healthy and hale. Watch that pandemic people! Do your part to fight the menace and stay home.


And with that, I’m going to dive right into today’s topic. Which, if you’re a long-time reader of Being a Better Writer, is one of the more common recurring topics. It wouldn’t be, except that time and time again so many authors, editors, and publishers get it wrong, or don’t even bother to try getting it right.

Note: This may be short. I feel funky.

For example, some of you may recall a hilarious error earlier this year when a historical novel released to the world from a major publisher … only for readers to quickly notice that a segment on dying cloth had some very interesting ingredients listed. Such as “keese’s wing” or “Lizalfos tail.”

If you’re not familiar with those odd-sounding items, it’s because they’re not real, and certainly didn’t exist back in ancient Greece or Persia or whatever either. They’re ingredients from the Legend of Zelda: Breath of the Wild video game, which had just come out when the author was writing the book. So when they Googled “Making X color dye” one of the most popular results at the moment was a guide for making the dye in Breath of the Wild using these fantasy ingredients.

Now, you’d think that someone would have noticed the video game screenshots, or maybe the address of the webpage, maybe checked the credentials of the site offering this information, but no. None of that was done. Instead this “historical” novel passed by a pack of Trad pub editors and readers with not a single person questioning “Keese’s wing” or any of the other ingredients as appearing in a dye, nor the very simple, video-game methods by which said dye was prepared (combine in pot, apply).

End result? A lot of embarrassment for the publisher and the author when they had to admit that they hadn’t checked things as closely as they should have. And the rest of the “historical novel” was suddenly under suspicion, because if the author couldn’t be bothered to check if the dying process wasn’t from a video game, what else in the novel hadn’t been properly researched? Were bandits going to set upon travelers with the warcry “Never should have come here?”

Thing is, this isn’t an isolated incident. This kind of thing happens all the time. It would seem that most Trad pubs are interested in getting a book out as quickly as possible over doing, say, actual editing and checking things for accuracy, even in Sci-Fi and Fantasy.

“Accuracy?” you might say. “In Sci-Fi and Fantasy?” Yes, actually, Sci-Fi and Fantasy, while being fantastic, still subscribe to certain rules. If you’re writing Sci-Fi, for example, you’ll want to run the numbers on your science, and make certain that they actually make sense.

For example, a recent Sci-Fi release from a major publisher featured an astonishingly glaring oversight when it came time for the author to describe the muzzle velocity of their new weapons. They described—get ready for this one—a railgun autocannon on an atmospheric fighter that fired rounds at .1c. That is, for those of you who don’t use “c” often enough, ten percent the speed of light (“c” being the speed of light).

In atmosphere.

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Op-Ed: Rebooting America’s Education System

This post has been a long time in coming. It’s one I’ve wanted to make for months, almost a year, really, but just kept putting off because of everything else that was going on. But at last, the time is here, and I’ve got a bit to talk about it.

I’m going to start out with a few obvious disclaimers: I don’t work in education. I came through the US education system, but I don’t work in it. I’ve taught, but on panels and in places like Sunday School classrooms, where attendance is pretty voluntary, and that’s a pretty different experience.

Second, I don’t wish for this post to be taken as “How dare you attack our teachers!” at all. Because it’s not. Most of the best teachers I’ve known have been hard-working individuals who cared a lot more about the job than the paltry paycheck they got in return would have indicated (much of which went right back to paying for things their school couldn’t).

This isn’t to say that there aren’t awful teachers out there, but they’re a symptom of the problems with the US’s education system and only a partial cause rather than the full cause.

I’m also not trying to say that the US’s education system has been flawed from the beginning. It wasn’t. Not initially. But … Well, I’m getting ahead of myself. Let’s start where this whole thing for me started: With the biggest missed opportunity in decades.

The quarantine.

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Being a Better Writer: The Art of Scene Transitions

Or: Yet Another Way to Manage Pacing.

Welcome back readers! How are things going with you? Well and healthy I hope? Washing your hands? Using a mask? Doing your part?

I hope so. Globally, it’s still a pandemic, and we shouldn’t forget that.

Anyway, I’ve got no other news, so let’s just jump into today’s topic, which is another reader request, and talk about scene transitions.

Now, I’m going to kind of do a two-fer here, because I might as well. I’m going to talk about both in-chapter transitions, the kind of thing where you get that little asterisk or line divider like so—

* * *


—and then jump into the new action elsewhere, as well as ending chapter transitions today. Because, well, both are kind of similar.

But we’ll start with in-chapter transitions, just as soon as we hit a transition of our own …

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Just a News Update. Nothing Spectacular.

So … the title says it all. This is an update on things. Nothing big. Mostly Starforge. And why I’ve been quiet this week.

Honestly? I’ve got a little list of non-writing topics I want to throw out some paragraphs on here on the site, but … This week had enough going on, I think.

How bad is it? Well, let me put it this way: Facebook refused to let me run boosts for this week’s Being a Better Writer, because it asked people to go vote.

That’s it. Didn’t say who to vote for. Just to study and vote. And Facebook tagged that as ‘attempting to influence the election’ and refused to let me boost the post.

Yeah … so I figure “Why risk it?” and just didn’t do any more articles this week. I spent my time on Starforge instead.

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Being a Better Writer: Why Stories Need Conflict

Hello readers! Before we dive into today’s (somewhat delayed) Being a Better Writer post, I have an urgent PSA for all of you residing in the United States.

Go VOTE. Election day is November 3rd, 2020—which should be a national holiday, and the fact that it isn’t tells us a lot about what the government thinks about our involvement in matters. Look up all your candidates. Study them. Learn about them. Don’t just watch their ads and a three second clip of the “News” and decide you’re good. Do some digging. Read about tbe results of their policies and approached. If you’re religious, pray for some guidance. Whatever means available to you, make use of them to learn about the candidates running for all the various positions you’ll be voting on, and then go out and vote.

Yes, I know this year has made it a mess. Voter suppression has been pretty flagrant and open, as has complete ignorance of the current pandemic sweeping the nation. Keep that in mind when you vote too, or rather when you’re looking at candidates. If you’re in one of those counties where for “safety reasons” five polling places were reduced to one, consider who made that decision, how safe it really is, and whether or not you want someone with the governmental mindset of UNSEC in office again.

All right. PSA over. But it was an important one. And it’s probably going to be scrutinized by the ad-checkers, or even demonized by a few people who take issue with it.

Whatever. Go. Vote. Don’t let anyone stop you. Unless, you know, you’re not registered, in which case you should regretfully acknowledge that you didn’t prep for this one. But on the bright side, you’ll most likely have four years to correct that mistake.

Now, with that PSA said, let’s move onto today’s BaBW post! Which is an interesting one! Today’s topic was posed by a reader after they encountered a post on a writing forum where the OP (original poster, for those of you not familiar with internet parlance) argued that stories did not need conflict to be stories, and in fact (IIRC) that whole genres such as ‘slice of life’ shouldn’t have them. The reader posted here asking if that was or wasn’t possible (suspecting, again if I recall correctly, that it wasn’t) and asking me to do a bit on it.

Well, reader, here you are! And let me clear this up immediately, and with a declarative statement:

A story without a conflict is not a story, but merely a series of words laying out a disconnected summary, lacking events.

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