Being a Better Writer: Character Voice

Hey readers! Welcome back!

I know. It’s been a slow week from your perspective. The last major post here was another Being a Better Writer post last Monday. I said nothing else all week.

It’s because I was keeping busy. I’ve thrown myself headlong into Jungle edits, currently on  chapter … 37? Of 42. I think. Not important. The vital detail is that I edited something like 120,000 words last week. This week will see every single chapter up for the current group of Alpha Readers.

Oh, Hunter/Hunted beta calls will go out this week, too. I gotta finish up some of these plates so I can stop juggling them. And then pick up more.

This week there will be more than just Being a Better Writer, so check back. Got some thoughts on things here and there, as usual. But that’s for later.

For now, I want to talk about character voice.

Character voice is one of those unique elements that can make or break your story. Imagine, if you would for a moment, that you’ve gone to see an animated movie. The particular film doesn’t matter. Picture a favorite. You pull out the Blu-ray, walk into the theater, whatever, sit down, and the first character comes up and speaks. There’s their voice. Cool. Whatever.

Then the second character opens their mouth to respond … and it’s the same voice. The same VA, clearly the same person who did the first voice. And they do the third voice. And the fourth. And the fifth.

No changes. No switches to pitch or inflection, or any of the standard talents voice actors use when fulfilling multiple roles. Just the same voice for every character.

I’d imagine a viewer would find that both difficult to keep track of and outright annoying, wouldn’t you?

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Being a Better Writer: Your Opening Tone

You know, this is the first time I think I’ve had a post fall on April 1st, also known as April Fools’ Day. And part of me really wondered if I should do an April Fools’ Day post with this week’s Being a Better Writer.

But I decided against it. For starters, while it’d be fun for the holiday, then there’s the catch of it being left up for the rest of the internet to stumble across, ignore the date, and quite possibly take very seriously. So that ruled out gag advice.

So I figured why not do a normal post and just roll with it. It’ll probably get no views until tomorrow, because you can’t really trust anything today, and well, oh well. It’ll be written and out there helping folks out, and that’s what really matters.

So then … why not jump into it. As you can see from the title, today I want to talk about your opening tone.

Confused? It’s fine. This is a high-end concept that doesn’t get brought up much, But it’s best illustrated, of all things, with a Pixar film. Ever seen Monster’s Inc.?

I really hope so, because it’s a fantastic film. Today I want to start by talking about the opening of the film. Or rather, the two openings and how they affect the film.

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Being a Better Writer: What to Cut?

Wait? Could it be? Is this a new post? A new Being a Better Writer post, back on its Monday schedule?

It is! Your eyes do not deceive you! I am writing!

Now, granted, this post will still probably be a little shorter than normal. My wrist is still a good ways from being normal. But hey, who cares? I’m back!

So, really quick, some one-sentence updates/recaps in case you’ve missed them before we get onto the post. First, if you’re a Patreon Supporter, check out the newest supporter reward, because it’s a short story! Second, if you’re Alpha reading Hunter/Hunted be sure you’re leaving comments so I can track the progress! Third, if you want to be an Alpha Reader on Hunter/Hunted let me know, as the sooner the Alphas get through the sooner Beta can start! And fourth, if you have suggestions for future BaBW post topics, post them so I can see about adding them to the list!

Right! News is done! So, let’s talk about editing. Because yes, that’s what we’re looking at today. Specifically, one of the most difficult parts of editing: knowing what to cut.

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LTUE Video Archive

Quick post here, once again extolling and reminding everyone of the awesomeness that is LTUE! The advance sign-up ends soon, so if you’re going to go, get your ticket now!

But maybe you’re a little hesitant. You’ve not heard of Life, The Universe, and Everything before and you’re wondering if it’s worth taking the plunge for. Well, maybe what I’ve got to share with you right now can help make that decision.

See, turns out LTUE has a recording department, and one of their heads pinged me on another site to plug their YouTube Archive Channel! It’s pretty much what you’d expect: A whole slew of videos of various panels from several years worth of conventions. Sadly, the 2017 Fantasy-Romance panel I didn’t find in their (the funniest panel I’ve attended hands down) but there are a lot of other interesting panels on topics from guns—

—to magic systems—

—all from a variety of skilled authors.

So, if you’re missing this weeks Being a Better Writer post and looking for some brain food, or if you’re unsure that LTUE will be worth your time and money, again, hit the link! See what you’d be in for, what you can learn, and what the place is like! There’s a huge amount of video at that link, and it barely scratches the surface of what LTUE delivers each year.

Hope to see you there this year!

Being a Better Writer: The Five-Man Band

Welcome back, readers, to another Monday! Which of course means another Being a Better Writer post. I do want to keep these to Monday if at all possible. Work shifts permitting.

But first, some news. I’ve picked up a few more reviews, moving my total ever closer to my year-end goal. Who says you can’t get started early? If I do the math, I’m currently sitting at, between Goodreads and Amazon, a grand total of 190 reviews and ratings. Pretty much an even split, numbers-wise, between the two.

By the end of the year, I’d like to double that. 400. That’s the goal, and I’ll be keeping a tally going, mentioning it on here from time to time.

The next milestone? 200. I’m only 10 away. Then 300, and then the goal. As for what will happen when I hit these? Well, outside of celebration, I’m not really sure yet. Probably something cool.

Aside from that, there isn’t too much news to wax on. Progress on Hunter/Hunted moves toward its conclusion. I’m somewhere in the final act, and finally getting a handle on some of the story’s more difficult concepts and elements. Since it’s a freebie fan-project and not something for sale, as usual I’ve experimented with some new things and choices. We’ll see what readers make of them, but I’ve definitely already come away with a few lessons of “that worked, that didn’t” to keep in mind for future projects.

And crud, I may as well mention that I missed a project for this year when I spoke about upcoming work in a recent post. I didn’t forget Fireteam Freelance. Or Starforge. Or the yet-unnamed-Halo-novel pitch. But I did forget a big one:

Axtara: Banking and Finance.

You might not remember this one; it was the first “short” story I wrote for the LTUE Dragons anthology, only for the story to quickly balloon out of the realm of “short” (always a stretch for me, even by the collections broad definitions) and into “Novella or Novel.” So it got set aside in favor of A Game of Stakes, which has already been submitted (so now we play the waiting game).

definitely have to devote some time to Axtara this year, as the idea is far to fun to leave untouched. A dragon going into investment banking? Yes, there’s a fun story there. It just wasn’t a short one.

Okay, and with that, enough news! Let’s talk about writing! Specifically, about the Five-Man Band.

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Being a Better Writer: Creating a Paragraph

Welcome back readers! And welcome to the year 2019! Which, as we all know, is either infested with replicants or about to become the battleground once again between that blue robot known as Megaman and his nemisis, Dr. Wily.

Huh, now that I think about it, a lot of fictional movies, games, and books with robots took place in the “20XX” date arrangement. Granted, Megaman at least has some leeway with a few of their titles because “20XX” is nebulous enough to be “2047” but Blade Runner on the other hand …

Then again, mad replicants could explain a lot of our politics and news commentators.

But enough about politics, it’s 2019, and my holiday break is over. Which means that it’s time to once again resume posting Being a Better Writer! A day late, but let’s face it, thanks to my constantly chaotic shift schedule, BaBW is practically a Monday-or-occasional-Tuesday feature rather than straight Monday anymore. But that aside, what’s today’s topic?

Paragraphs.

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Classic Being a Better Writer: A Beginner’s Guide to Fights

Welcome, readers, to a returning feature: Being a Better Writer- Classic Edition!

Yep, that’s right. Given that there are over five years of BaBW posts that have come by, it only makes sense to dig back into the past from time to time to revisit the wisdom of old. Today we’re looking at fights! You want combat? Broken bones? Riveting fight scenes? Here’s how to get started!


 

Anyway, let’s dive right into today’s topic, since my brain is definitely drawing a blank for welcoming chatter. Today I want to talk about fights. Because this is a popular topic posed by beginning writers just about anywhere. You search the forums of a writing site such as this one? Questions about fights. You go to a creative writing class? Questions about fights. Even a writing convention like LTUE … odds are, if there isn’t a panel about fights—and sometimes even if there is—this is a question that will pop up with regularity.

Because as both readers and writers, we enjoy fights. Fights are fun. They’re exciting! They’re a chance for the protagonist to show off their skills and talents, a chance for the reader to be tugged along by a rapid, dangerous, and exciting narrative. They’re a moment of tension, a moment that can thrill both the author and reader. And writers—even the new ones—understand this. For some of them, this may have been why they wanted to be a writer in the first place. They had some idea, some concept for some really cool scene, and they wanted to let the rest of the world experience it. Then they say down at a keyboard and discovered that writing is hard.

But, never one to give up, they push forward, and before they realize it, they’re sitting in a forum somewhere, their hand raised in the air, waiting to ask the question “How do I write a fight?”

Well, today, I’m going to do my best to answer that. Today, we’re looking at the act of writing and figuring out fights for beginners. If you’ve never written a fight scene before, or have and have felt/realized that it could be better, or even if you’re just looking for a constant reminder of the basics of what you should know for a fight scene—this is the post for you.

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