Being a Better Writer: Blending Different Genres

Hey readers! Welcome back to the start of another week! I hope you all had a pretty good weekend! Mine went well. In fact, I’ve got some good news for you.

For starters, Frigid-Reviews asked me to do a special spotlight on how I worldbuild. You can find it over on their site, as well as a number of book reviews—including reviews for Shadow of an Empire and Colony!

Second, Unusual Events: A “Short” Story Collection is on sale today for 99 cents! This price will slowly climb back to the original price over the course of the week, so grab it while it’s cheap!

That’s it for news! Plus, there’s a lot for me to do today, so let’s just dive right in to today’s topic. This topic is … well, it’s a bit of a broad one. I’ve noticed that with these request topics things seem to go one of two ways, broad or extremely specific, so in the future I think I’ll scale back the amount of requests a little to hit some more traditional writing topics as well.

But that aside, this topic is a bit broad because the question behind it concerns genres and how to use them. Specifically, how to mix them together. To get even more specific, the initial question wanted to know how to mix genres that didn’t mesh together, but … Well, I disagree with that. Almost. But since I can’t explain that without a whole lot of other context …

Yeah, let’s just dive in.

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Being a Better Writer: Serving an Idea

Welcome back readers! Sorry for the lateness of the post. There almost wasn’t one this week. Between a work shift today and a family wedding last week (not my own; I’d talk about that) the last few days have been extremely busy, and more than once I’ve been tempted to just skip a week and get caught up with Hunter/HuntedBut then I was talking with someone online this morning about the differences between a couple of different Sci-Fi books with regard to how they approached their stories, and, well, here we are!

So, those of you who are long-time readers of this site may find this post slightly familiar. To be fair, in near five years doing this, I’m frankly amazed that I’ve managed to keep from retreading topics as many times as I have. But even with that, there’s something to be said for coming back at a topic from a new angle and with a different approach or perspective. So read on. Either it’ll be new to you, or it’ll be a different approach that you hadn’t run across before.

So, what are we going to talk about today? Priority of ideas and concepts. More specifically, how you present those ideas, the core concepts of your story, in your story, and how that ends up affecting everything else. Or rather, if it helps, how important those ideas are to the story in its most basic form.

Confused? Don’t be. Or hopefully, you won’t be in a moment. But this does take some explaining.

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Being a Better Writer: Knowing When to Borrow and How

Welcome back readers!

Yeah, I know. It’s Tuesday. I had a work shift on Monday. Sometimes it’s unavoidable. But, as always, that doesn’t mean that the post won’t be made soon!

So, diving right into things: knowing when to borrow and how.

This is a tricky question. Well, or it isn’t. There are some people who worry about whether or not they’re borrowing or copying too much … and then there are those that just shamelessly go for it.

If you’re one of the latter, this post is not for you. If you’re one of the former, well, I have talked about topics before that have spoken somewhat about this. Worrying about copying, duplicating, etc, is a common fear for a lot of young writers, and sands, even longstanding ones. Remember Is It Original or Is it Copying? Well … yeah, that article was written for a good reason.

But today’s topic is different enough that when I saw the request, I felt it did warrant its own post. See, the request wasn’t about how to avoid copying something, it was how to borrow something that worked from another work and use it for yourself without crossing that line.

And the answer? Carefully.

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Being a Better Writer: Writing an Anti-Hero

Well, it’s Wednesday! And here I am with the promised Being a Better Writer post! Plus, as you can likely guess, I survived the MRI of my knee! Now I’m just waiting for the doctor to give me a call and let me know what’s up.

In other, closer to BaBW-related news, however, there are changes coming! I won’t specify anything right now (I’d rather tease), but I will say that the first of them is that Colony finally has advertising! That’s right! Not just word of mouth or what I have here on Unusual ThingsColony is now getting broadcast by Amazon’s Ad service. Which … is actually a lot different from what it was when I first took the time to look at it way back when. It’s changed quite a bit. Anyway, that’s just the tip of the iceberg on some exciting new developments coming. Check back soon, and you’re sure to see some of them!

Oh, and Shadow of an Empire is close to beta. That is all I’ll give away for now, but if you’d like to get a sneak-peek, keep your eyes posted on this site in the coming weeks. Or you can support over on Patreon for an early look at the first seven chapters of the Alpha Reader copy!

Right, enough news! Let’s talk business. Specifically the business of the last topic from Topic List Ten! And a request topic:

How to write an anti-hero.

Now, we’ve talked about anti-heroes on here before, and in fact if you have not read that post I’m going to stop you right here and make a very strongly worded “request” that you go read it. Sands, even read it before writing this post, not only to refresh my memory on anti-heroes but to check up against what I’ve written before on the topic. And this post will be written with the full assumption that you have read said post immediately before reading this one, because it provides a lot of background context on anti-heroes that I’m going to be assuming you’re already aware of in order to tackle today’s topic without spending several thousand extra words on it that I’ve already written.

So, let’s get down to business. You’re going to write an anti-hero. Or, at least, you want to. How do you go about this?

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Being a Better Writer: Good Subversions

Welcome back, readers, to another Being a Better Writer post!

Okay, so it’s not that surprising. After all, these things have been dropping like clockwork each Monday for almost five years now, so any surprise at this point either means you’re new or really poor at picking up on patterns. But in any case, it’s Unusual Things‘ … well, thing!

Anyway, I got all relevant news out of the way last week with the last news post, and there’s nothing new that’s worth bringing up at this time, so let’s just dive in to today’s topic shall we? And, oh yes, this is a request topic (clearing out the last of Topic List Ten, so get ready to suggest new topics), one that’s been a long time coming!

So, today we’re going to talk about writing good subversions. Which, almost immediately, means that our first question is going to be “What is a subversion?”

Well, it’s both simple and more complicated than it seems at the same time. But a subversion is when the story sets up an expected path, event, trope, etc, and then when the moment arrives to bring that same event/trope/story element to its expected conclusion … something happens to turn everything the reader expected about said element on its head. It’s called a subversion because when you subvert something, you undermine the established “traditional” narrative, or disrupt it. In other words, you—the author—have become a subversive element to an established trope, event, etc.

Let’s talk examples, and pick one of the more famous ones: The classic fantasy damsel in distress. We’ll start with an even more common story-arc in this formula, that of the princess being kidnapped by a dragon, and a heroic knight sent out to rescue her in return for her hand in marriage. That’s the classic setup echoed across fairy-tale and folklore for the longest time.

Now? Let’s subvert it! Sat we follow this story, it’s novella length, from the knight’s perspective as he travels across the land, in pursuit of this dragon and hunting for its lair. Then, after a time and some arduous travels, he arrives to find … That the princess doesn’t want to be rescued, thank you very much. She’s best friends with the dragon, been pen pals for years, and her dragon friend wasn’t kidnapping her but saving her from … Oh, an abusive parentage, or an arranged marriage of political convenience that the knight was specifically not told about (so that the king can conveniently backstab him later). The princess isn’t being poorly treated, but in fact is living well and finding her true calling as a baker …

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Being a Better Writer: Overpowered and Beyond Characters

So, this topic is an interesting one. In a way, it’s sort of the inverse of a prior Being a Better Writer post on Overpowered and Underpowered characters. Or perhaps an extension of that same post. I’ll let you be the judge, though both probably work depending on what part of that post stood out to you.

In any case, today’s topic comes via a request from a reader, who was wondering how one could write characters that were bonafide reality warpers, like the imfamous Q from Star Trek: The Next Generation, without breaking their story. A valid question, considering that such characters are typically powerful enough to solve a story’s problems with a snap of their fingers … or at the very least usually a similarly light level of exertion. How can one have a story while still playing around with a character that’s capable of solving everything with a flick of their near-omnipotent wrist? How do you have any sort of tension with a character like that around?

Well, the answer is at once both simpler and more complex than you might expect. The first, because there are some pretty common workarounds to the “problem” a reality-warper character presents for your narrative. And complicated because, well, while the solution sounds simple, pulling it off poorly leaves the reader with a bad taste in their mouth. A case of “simple solution, tough execution” if you will.

We’ll start with the simple bit: Give them limits. Yes, reality-warpers and nigh-omnipotent beings. Limits. It may seem like a contradiction, but if you recall the post on overpowered and underpowered characters linked at the beginning of this blog, having characters with limits, and then exploring how that character overcomes them, create some of the best narrative experiences.

Now, I can already see some of you younger readers shaking your head and saying “Limits? But an all-powerful character can’t have limits. That’s the point!”

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Being a Better Writer: Getting in the Zone

Welcome back, all, to another Monday! I’ve got to type fast with this post, as I’ve got another shift at my part-time today. This time, it’s in the afternoon rather than the morning, however, so as long as I keep my fingers moving, you’re getting a Monday post! Really quick, however, before I get started: some quick news updates!

Jungle is currently sitting at about 190,000 words (check the “Current Projects” page) and is over 50% done! The only part that saddens me about this is how long it has taken me—now I fully see the effect of working part time and trying to write a book: I just don’t have the same amount of time. I’ve been cutting back personal time, however, and gotten my monthly goals back on a somewhat reduced track … but it still sucks, because I’d really like to finish up Jungle and get started on the editing for Shadow of an Empire so that I can get that out by the end of the year. Granted, I could just stop writing massive epics … but what’s the fun in that?

Discord Day Care, meanwhile, is almost ready to go up. I’m going through the last stages of Beta right now, giving it the final polishing touches. That just leaves me with a cover to find, and to get it all uploaded and ready to post. The publishing schedule for the story, I have decided, will follow the timeline of the story itself. Each chapter will be published as it occurs in the story, in real-time. The only thing that won’t match up will be the dates. I debated back and forth about the best way to do this, but concluded that for Day Care, a publishing schedule like this one should work best. So be excited, it’s almost here at last!

Just a bit more, I promise, then we’ll dive into this week’s topic. First, last month’s Patreon supporter post was a pretty in-depth look back on the origins of my first book, One Drink. It’s something I’ve meant to do for a while now, and yes, for those of you supporting me on Patreon, you can expect in-depth retrospectives on each of my other works to make their way to you as time moves on. Those of you who are not Patreon supporters, it’s only a $1-pledge to become one, and you’ll get access to some behind-the-scenes stuff and previews. Plus, you get the satisfaction that your dollar helps support content like Being a Better Writer!

Now, last, I swear, and then we’ll be on topic: The Rolling Sale. No defined date on this one yet. I’m still working out some details. But the general idea is that it will be a month-long or so event, starting with One Drink and stretching up to Colony. The general idea will be that the first title in the chain will go on sale, alongside an announcement of tiers for the next sale. The more copies go out, the deeper the discount on the next book in the chain. Ditto for when the sale shifts to that title. Kind of a “the more people take advantage of this, the better it gets for everyone” angle.

Right, that’s all the news. Now on to today’s topic: getting in the zone.

So I’m fairly certain that some of you may be scratching your head over this title … and that’s partially my fault. After all, there are a lot of “zones” authors tend to get into when writing. There’s getting in the character’s heads. There’s getting into the world so it feels like we’re living and breathing it. And there’s even just hitting our stride and typing out endless chains of smooth sentences that come together to build the perfect paragraph. Technically, there are a lot of zones in writing.

But today, I’ve going to talk about the most general ones. This is, actually, a requested topic from a reader who wanted a bit of advice on this matter. I don’t recall their exact, word-for-word question, but it went a little something like this: When you sit down in the morning and get ready to write, how do you get yourself into the mindset to write? How do you clear your head? How do you pull yourself away from the rest of the world and immerse yourself in whatever fantastical world you’re putting together?

And … the truth is, this time, that there’s actually a magic bullet.

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