Being a Better Writer: Bravery

Hello readers! I hope you’re all staying away from groups and doing your part to counter Covid-19 as best you can. Washing your hands, etc. If you are, good! If not, pick up the slack! The better we can do at slowing the spread the better off everyone will be.

Anyway, with that said, let’s get into today’s Being a Better Writer topic: Bravery. Yes, I know that’s a bit of a weird one, but I decided to go with brevity in the the title and expand on it here. Plus, I felt like it was a topic that might ease a few minds outside of the sphere of writing as well. I may be wrong, but nothing ventured, nothing gained, right?

What I want to talk about today isn’t just the concept of bravery, but how to write a brave character.

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Being a Better Writer: Flanderization

Hello readers! First things first, apologies for the lateness of this post! I am still recovering a bit from that con-crud, it would seem, and slept far, far later than I expected to. Right through my alarm, right through everything.

On the plus side, I feel better today than I did yesterday, and yesterday I felt a lot better than the day before. So I’m definitely kicking it out at long last. I hope (meanwhile, deep within me a lone cold virus tapes its knuckles, chews a strand of DNA, and says ’round two” lol).

So, let’s dive into things shall we? First, before we get to today’s post a quick reminder that Kamchatka, episode 1 of Fireteam Freelance, did indeed drop on Saturday, as hoped. Fireteam Freelance is an episodic side series to Colony and Jungle, taking place on Earth and starting during the ending of Colony. Head on over to the Fireteam Freelance page to start reading, but be warned that as a side story, Fireteam may spoil some elements of Colony and Jungle you’d be better of discovering there!

70081760_568294170598543_7425837595373862912_oSecondly, a quick reminder that A Dragon and Her Girl, the second LTUE benefits anthology, is out! Containing twenty stories of heroines and dragons, including yours truly’s A Game of Stakes (in which a woman hires a dragon to find her a husband), A Dragon and Her Girl is not one to miss. Early reviews that have dropped definitely agree!

In fact, I’m even going to drop a link to it right here. Just click that cover over on your left there, and you’ll go right there on Amazon. Available in digital and paperback. Though sadly, signed copies will be hard to find now that LTUE is over. There’s always next year, however!

So then, that’s the news out of the way, let’s talk about today’s topic of choice: Flanderization.

Yeah, it’s a fun word. But you may not have heard of it before. because it’s one that’s growing in popularity. In fact, the word is entirely modern, the term that makes up the first half of it being sourced from the name of Homer Simpsons’ neighbor Ned Flanders. Characters on The Simpsons, which first aired in 1990.

Which makes the term even younger, as the process the character Ned Flanders underwent to coin the phrase didn’t happen overnight, but over the course of several seasons.

In other words, this makes flanderization a uniquely modern term, clearly younger than even I am. In fact, a quick good wasn’t even enough to know when this term first appeared. Maybe no one’s done any research on it? Grad students, take note, this could be your big break for a fresh paper on language! Track this one down!

Okay, so the term flanderization is younger than thirty years at the very least (and, this is just guessing, but I’d put it probably around twenty-two or twenty-four, as that was the “golden era” of The Simpsons, making it the most likely time for the term to have cropped up). But what does it mean? And how’d it get that bizarre but memorable name?

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Being a Better Writer: Character Flaws

Hello readers! Welcome back to Unusual Things and Being a Better Writer! I trust you all had a fairly good weekend?

Mine was nice. Got more done on Fireteam Freelance, including finishing another character interview and getting about halfway through a third. Plotting for the main arc is starting to come together. Once the interviews are done, I believe I’ll have enough planned out to start the first chapter! Which means it’ll show up on the site some time after that … So get ready folks. While I’m not close enough to it yet to want to drop a release date for certain, I’d guess that you’ll all see the first chapter of Fireteam Freelance before LTUE!

Also don’t forget that LTUE is coming! We’re just sixteen days out from one of the best Fantasy and Science-Fiction writing conventions of all time! In fact, this week I’m making a run to my local print shop to get a few things printed up for it (not books, but closely related)! If you’re looking at that acronym in puzzlement, check out the full write-up I did on LTUE and the panels I’ll be at this year, then go check out the official site to secure your registration or find more panels to be at!

70081760_568294170598543_7425837595373862912_oAlso, in that vein, don’t forget that A Dragon and Her Girl, LTUE’s second benefit anthology, launches February 13th and is now available for pre-order! Again, there’s a write-up on the site about it you can go check out if you missed it. Featuring twenty stories from accomplished authors old and new about dragons, heroines, and everything in-between, A Dragon and Her Girl is absolutely something to grab if you’re a fan of any of that! Additionally, proceeds from sales of A Dragon and Her Girl are used to keep attendance prices at LTUE low, specifically the $5 student ticket. So by purchasing a copy you’re helping keep the student admission price to LTUE affordable and cheap! Click on the image to the right and go right to the pre-order page on Amazon!

Okay! That was a lot of news, but hey, there’s a lot coming up in the next few weeks. I all honesty, I probably could have talked about some other stuff as well. But … I’d rather get into this week’s BaBW post! So, let’s talk about character flaws.

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Being a Better Writer: Avoiding One-Note Character Pitfalls

Welcome back readers! It’s Monday, and you all know what that means!

Also, brief news, just a refresher, but LTUE, the writing con to beat all writing cons, is coming! Be there if you can!

But, before we get started, I need to issue a warning. No, not a news warning, but a warning about today’s post. Why? Because some people are going to find it controversial. Or, if they stop in the first few moments and don’t go past the opening, perhaps even “offensive.” Largely because they didn’t bother to read further and will be upset with the opening example, real as it may be. But I promise there’s a purpose and a point to it, though it will touch on an area of writing these days that will immediately make hackles rise. So just push through it, all right? It’ll make sense.

Okay, so to start with on today’s topic, I’m going to give you a character bio. Now, this character bio is real, a composite of several dozen real character bios across the web from various sources. But with one detail flipped. Which, as soon as you read it, you’ll likely pick up on. In fact, these bios (and the stories that resulted) were what prompted this post. Ready? Here we go. Again, this is a composite bio, built out of real bios, with one thing flipped, and once you see it, you’ll get it.

NAME: Bjorn the Mighty
Age: 37
About: Bjorn the Mighty prefers sex with women.

Okay, do I even need to ask? It’s pretty obvious what’s wrong with that bio. It consists of nothing more than who this character wants to have sex with, a name, and an age. There is literally nothing else save the inference from the “the mighty” part of their name.

If you’d like to know what I flipped from the real bios this is based on, it’s … Well, it’s which sex Bjorn likes to have sex with. And I can hear torches and pitchforks coming out from here, folks, hold up, hold up. Put the axes down. Stop revving the engines.

The point isn’t that someone “isn’t allowed” to flip that so that it says “Bjorn the mighty prefers with men.” The point is that too many authors as of late have fallen into a trap of letting that be the only point to the character’s character.

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Being a Better Writer: Taking the Lumps

Hello readers! Welcome to another Monday! I know for many Monday is seen as a bit of a drag, being the start of the workweek and all that, but for me? Well, I always get to look forward to them because it means another Being a Better Writer post! And I kind of hope that in a way, a lot of you look forward to, if nothing else, at least this part of Monday because of BaBW.

Really quick, I do have some nice news, too, which also helps. Hunter/Hunted? Going into Beta. Look for a cover and a release date soon, fans! And Jungle? In Alpha, with a release planned for end of summer/early fall depending on the speed of editing. All I’ll say on that one is … dang. Rereading it and polishing it up, I’d forgotten how tense it got!

While I’m on the subject, Colony picked up two more Five-star reviews over the weekend across Goodreads and Amazon! Woo-hoo! One step closer to global domination!

Okay, got the news out of my system. So let’s talk about improving your writing. “Taking the Lumps?” What does that mean?

Well … interestingly enough, this is kind of, in a way, a related follow-up post to an incredibly popular BaBW post from two weeks ago on the Strong Female Protagonist. Not 100%, but … well, you’ll understand in a moment.

See, what inspired this post was a news article I read elsewhere on the internet. Well … read half of it. I started skimming when it got foolish, and then didn’t finish. Why? Because … it was bad. Terrible, actually.

I’ll give you the rundown. And, fair warning, it’s a bit of a socially charged article, which was the root of part of the overall problem with it. Just go with me for a moment.

The article was in effect a complaint piece. And half rage. And what it was complaining out—or at least, thought it was complaining about—was misogyny in a story series the author’s article followed.

Long story short, this was one of those “We want strong female characters articles” (and yes, this is putting it very simply and bluntly). The author really, really wanted all the male characters of this series stripped out and replaced by women characters.

Pitchforks down. Though that is a topic, really, all in and of itself, it’s not one we’re discussing today. Because in this case, they’d gotten their wish. The male characters had been sidelined, the female characters were the new leads … and the article writer was upset and offended.

Why? Because the female characters were suffering losses, injury, and even death, just as the male team had. And as the article writer felt, that was ‘misogynistic and sexist.’

Yeah, that’s why I stopped reading. It was a pretty dumb article. However hyperbolic it was, though, it was something that got me thinking, because the mentality behind it isn’t something that’s unusual or new. In fact, it’s been around for a long time. Regardless of the reasons we’re beholden to a set of characters, from gender to backstory to … well, any number of things that make a character appealing to us, there’s a constant we should never forget.

Struggle means risk. And risk can—and should—mean loss.

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Being a Better Writer: The Strong Female Protagonist

Welcome back readers, to another Monday edition of Being a Better Writer! Today is … well, I’m sure you can see from the title that it’s going to be an auspicious post. Today’s topic is a rather popular one right now. In fact, I could easily say that it’s a current issue in a lot of story circles. For varying reasons depending on how you talk to.

But thankfully, I don’t plan on getting into any of the more social-political angles of this topic, because I’m not interested in that. I’m interested in one thing only with these posts: how to write, and write well.

Which—okay,  maybe a tiny bit into social-politics—is why this post has been requested and hotly anticipated by a lot of readers. Because right now there’s a whole—well, I’d call it rediscovery, really—of the strong female protagonist. But with that rediscovery comes a whole new crowd trying to figure out what a strong female protagonist is for the first time. And with a lot of different voices out there, it can become very easy for their to come with a healthy dollop of “confusion” as people try to determine exactly what “strong,” “female,” and “protagonist” mean in the same sentence.

And, if I’m honest, some of this confusion comes from the very root of the sentence “strong female protagonist” and its particular phrasing.

I can hear some of you sparking torches from here. Relax. You’ll see what I mean in a moment. Hit the jump and let’s get started.

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