Don’t forget, Unusual Events: A “Short” Story Collection is out now!
This post was originally written and posted December 15th, 2014, and has been touched up and reposted here for archival purposes.
If there was ever a topic that I felt needed to be discussed with young writers—crud, or at the very least referenced in a basic high school English education—that sadly seems to be completely overlooked or ignored, it would have to be pacing. A measuring stick of the writer’s toolbox, pacing is a lot like the sextant—an ancient, invaluable tool in many scenarios, but completely ignored by most because they’ve never been taught what it is or how to use it. Worse, there’s no modern equivalent of it such as a GPS to replace it, which means that many simply stumble through their works, never once picking up this ancient ruler and measuring their story with it.
Alright, you’re probably getting the idea. Pacing is important. But what is this “pacing” of which I speak? As I’ve pointed out, it’s something that isn’t really understood or taught to a lot of people. While most young writers have certainly heard the term, the actual application of it often doesn’t come with it. Most more experienced authors will mention the term from time to time—usually with a quick mention of how important it is—but unless you’re attending a panel or workshop on it, hardly anyone ever actually spends time explaining what pacing is, or better yet how to use it.
So then, let’s start with the basics: what is pacing?