Being a Better Writer: Selling Emotion in a Written Medium

Hello readers! Welcome back after the (for many) Thanksgiving Holiday Weekend! A bit of an odd one given the pandemic issues sweeping the country at the moment, but a Holiday Weekend all the same. Like many, I stayed home, making a Thanksgiving meal for one—by which I mean I’ll be eating leftovers for a while now—and then got all my Christmas shopping done in a single, several hour stint of buying on Friday. It’s a bit easier when you’ve had some gifts in mind for a while.

Anyway, it was a pretty nice weekend past that. Got a bit further in The Pinch, which I’ll be talking a little bit about when I’m done, and also tore through Ori and the Will of the Wisps, which I can absolutely recommend as a worthy successor to the first title, Ori and the Blind Forest. Very evocative story-telling, to the point that yes, just like with the first game I teared up a little. Moon Studios is really good at getting that Pixar-like empathy with the audience going, all without dialogue.

Which actually ties in to what I wanted to talk about today, actually! Because yes, both Ori titles do a fantastic job of selling emotion, in a way that’s very reminiscent of the opening to Pixar’s Up (yes, that opening), and selling emotion like that is what we’re talking about today. So hit that jump, and let’s get started!

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Being a Better Writer: The Art of Scene Transitions

Or: Yet Another Way to Manage Pacing.

Welcome back readers! How are things going with you? Well and healthy I hope? Washing your hands? Using a mask? Doing your part?

I hope so. Globally, it’s still a pandemic, and we shouldn’t forget that.

Anyway, I’ve got no other news, so let’s just jump into today’s topic, which is another reader request, and talk about scene transitions.

Now, I’m going to kind of do a two-fer here, because I might as well. I’m going to talk about both in-chapter transitions, the kind of thing where you get that little asterisk or line divider like so—

* * *


—and then jump into the new action elsewhere, as well as ending chapter transitions today. Because, well, both are kind of similar.

But we’ll start with in-chapter transitions, just as soon as we hit a transition of our own …

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Being a Better Writer: Concluding a Subplot

Hey people! First off, apologies for being a bit late today. I stayed up late making sure the ad campaign for the Big 300 Sale had properly launched, slept late as a result, and then got sidetracked by a lot media news (Bethesda, if you’re curious).

So yes, this post is late. But for a good cause: The Big 300 Sale! Which I’ve mentioned twice now, so some of you are probably wondering “All right, what is that, and is it a sale like the name implies?”

The latter first then: Yes! It is a sale. The biggest one I’ve ever done. And that name?

Last week I hit a major milestone. I now have, across my books, more than 300 reviews and ratings in total. It’s a milestone I’ve been working towards for some time now and have finally achieved. Oh, and the other good part of that news?

My average review score is still 4.6 Stars out of 5. That’s right. Over 300 reviews on my work from readers and fans, and I’m still sitting at a 4.6-Star Average. On a 10-point scale that’s a score of 9.2.

That is a reputation I feel quite proud of.

Anyway, you can check out the sale on my Amazon page here. Everything is 50% off or more. To lay it out, this means—

One Drink is free. Dead Silver is $0.99. Shadow of an Empire is $2.99. Colony is $1.99, while the sequel Jungle is $3.99. And Unusual Events: A “Short” Story Collection is also $1.99.

So yeah, whole lot of value there. The sale runs through this Friday, so grab them while it’s hot!

All right, now that you’ve heard the news … Let’s talk writing. This week, we tackle the penultimate topic on Topic List #15 (so again, get those suggestions ready). Today, we’re going to talk about concluding subplots.

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Being a Better Writer: Escalation

Welcome back readers! I trust you had an enjoyable weekend? For many of you given current conditions I imagine it wasn’t too different from the actual week.

So, a quick bit of news: A Trail for a Dragon is now in Alpha! That’s right, readers have been poring over it and offering feedback, suggestions, and more of the usual Alpha stuff. Plus enjoying it. From some of the comments, quite a bit! If you are an Alpha Reader but haven’t gotten to it yet, please do ASAP, as there’s a deadline on this story and it’s always better to beat those as cleanly as possible!

Second bit of news: Expect more Fireteam Freelance this weekend! We’ve got episode three almost ready for its big appearance, so if you’re a fan of Adah, Ursa, Anvil, and Owl, be sure to come back this weekend for their latest op!

Okay, that’s the news. Anything else that wasn’t brought up will get it’s own post later this week. So now let’s get to the nuts and bolts of this post so many of you came for, and let’s talk about escalation.

I’d wager that a few of you came this far simply on the curiosity of what I mean by the term escalation. So without much further ado, let’s get into that.

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Being a Better Writer: Tension

Welcome back readers! I hope you had a good Thanksgiving weekend! Or, if you’re from a place that doesn’t celebrate that fairly American holiday, a good weekend all the same.

Now, due to the holiday, there isn’t much news to speak of. The only thing I really want to bring up? That later this week (possibly tomorrow) you’re all going to get a post on the success of Jungle so far. And yes, it is a success. How much of one, I’ll leave to the later news post, but I will point out that it’s sitting at five stars on both Amazon and Goodreads so far, which is quite respectable. Given the size of the book, it’s not at all unlikely that more ratings and reviews will trickle in as more people finish it.

Oh, also, apparently you can leave ratings on Amazon now rather than a review? I don’t know what their criteria is for it, but apparently that’s a thing you can do now!

Anyway, Jungle is doing really well, and you’ll all find out how well later this week. For now, I want to talk about tension for this week’s Being a Better Writer, so let’s get right to it!

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Being a Better Writer: Checklisting

Hey readers! Welcome back to another installment of Being a Better Writer. Not only that, but it’s a normal installment! That’s right, the Summer of Cliche Writing Advice is over and done!

It was a huge hit too, especially with some of the more common sayings. However, just because it’s over doesn’t mean that if you missed it all is lost. Just check out the tag ‘Summer of writing advice” to locate the whole set once more if you’re looking for them.

So, we’re back to regular Being a Better Writer posts, which means we’re back to discussing the topic of writing and all the various aspects of it we can improve at. So, for today? I’ve got an interesting topic for all you readers and writers out there. Readers, I’m sure, have noticed it, as I myself have found it on display in more than one book. And writers? Well, let’s just say this is a common error that anyone can slip into. Even with Jungle I’ve found this issue cropping up more than once and had to make some edits. Today’s trap is something all writers, novice and experienced, can fall into.

Today, I’m talking about checklisting.

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Being a Better Writer’s Summer of Cliche Writing Advice: Show the Monster Last

Welcome back readers, to another installment of Being a Better Writer‘s Summer of Cliche Writing Advice. This time, flu-free.

Okay, that may not make much sense if you missed last weeks post. Last week’s was a bit light because I was battling the flu, and it was all I could do to get a basic, simple post up and then go take a nap. Ah well. But it got done! And so, this week, we continue with the Summer of Cliche Writing Advice but now with cognitive abilities back at full strength!

Okay, so if you’ve just stumbled across Unusual Things, you might be wondering what this post is. So, a bit of quick background. Being a Better Writer is a weekly feature that’s fairly self-explanatory: Each week it takes a look at some facet of writing and talks about it, from character development to pacing to genre, with the goal of doing exactly what its title claims and helping those who read it improve their writing skill.

The Summer of Cliche Writing Advice, then, is a special summer feature this year talking about all those bits of easily repeated, cliche advice that seem to follow authors like moths around a light. Little bits of advice like “Show don’t tell” or “Nothing new under the sun,” those phrases that authors new and old hear constantly spouted by a well-meaning public.

But … here’s the thing. A lot of short, easy to recall phrases tend to be oversimplified versions of the originals, to the degree that quite often they’re not as nuanced as the originals, or in some cases have taken on entirely different meanings altogether in the process of being stripped down. Which means a lot of this advice directed at authors? Well, it’s befallen the same fate. Some of it is useful … and some of it can be useful or even flat out harmful, the original phrase so far removed from the short, easy to remember version that its meaning has gone a very wrong direction.

Hence, this series, where we take a look that these phrases and short bits of advice and see what really makes them tick. Are they useful? Good? Bad? What do the really mean?

So, with that in mind, let’s get to it and take a look at this week’s bit of cliche advice:

Show the monster last.

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Being a Better Writer’s Summer of Cliche Writing Advice: Let Your Readers Breathe

Hello readers! Today’s post is going to be short and sweet because … well, to put it bluntly, I am majorly under the weather. Fever last night and through the night, stomach doing more flips than a circus acrobat, and other, less savory stuff.

Anyway, I’m pretty wiped, but I’ve got a drive to deliver to you readers what I’ve promised. So we’re going to go with a shorter post today (I hope) because I do want to curl into a ball somewhere for a little while and just close my eyes.

But first, before I get to that, there were two posts I made this weekend that drew a large number of traffic, and if you’re not a weekend frequenter (it’s not my usual time to post) you may have missed them. There was on titled What Can You Do For Your Favorite Authors about, well, what readers can do for authors they enjoy. Then there was a second post behind it called Invisible Censorship and Books which definitely got some attention, and if you haven’t read it, you should.

Okay, enough of that. I’m going to write about writing now. Or rather, writing advice. That is what the Summer of Cliche Writing Advice is all about. One thing life as an author brings is cliche bits of writing advice from every relative or well-meaning stranger out there.

The thing is, this advice usually comes in the form of quick, easy-to-recall statements that are simple to repeat, and sure, based on actual advice from somewhere. However, as we’ve discovered this summer, the act of truncating these sayings down to something that’s so quick and easy to remember, well … Sometimes it makes it less than useful advice.

Sands, sometimes it wasn’t very good advice to begin with, or has been taken painfully out of context. But either way, we take a look at it, dive into what makes it tick, and whether or not it’s worth following or repeating.

So this week? We’re going to look at a slightly less-common bit of advice, but one many young authors have still likely heard.

Let your readers breathe.

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Being a Better Writer’s Summer of Cliche Writing Advice: Don’t Be Boring

Welcome readers, to the fifth installment of Being a Better Writer‘s Summer of Cliche Writing Advice! That’s right, this is entry number five! For some of you, you know what that means, but there may be some newcomers here (as this summer series has pulled in a number of new readers) saying “Hey, what is this?”

It’s pretty straightforward, really. One thing you’ll notice as an author or even just as a fresh writer starting out is that once you openly declare yourself as such, advice just comes out of the woodwork. Everyone and their dog (and possibly their cat) just starts tossing advice at you that they heard … somewhere. Most of them probably couldn’t say where, or they’ll ascribe it to someone famous they’re fairly certain wrote a book. But they heard it, and they’ve been told it’s good advice, and when they hear that someone is planning on writing, well … they share it. They share all of it.

In other words, authors new and experienced often face a deluge of writing advice in the form of short, easily remembered phrases. Phrases that can quickly be read and repeated at a moment’s notice. Phrases that sound pretty helpful.

But are they really? That’s the real question here, and what Being a Better Writer‘s Summer of Cliche Writing Advice is all about. Are these short, simply sayings worth repeating? Are they useful to a new writer, or even an experienced one? Or are they the equivalent of a passer-by telling a mechanic to “check the brake pads” while they work on a transmission problem?

Each week, we look at a different cliche saying that writers hear constantly or see repeated online. We break it down, examine it, and see if it’s really worth listening to, acknowledging, and passing on … or if it’s something that does more harm than good, something that sounds good, but really isn’t helpful.

With that said, let’s get to it! And this week, we’ve got a classic to look over. This week, we discuss …

Don’t be boring.

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Being a Better Writer: Cliffhangers

Afternoon readers! I hope your weekend was exemplary! Mine was actually pretty rough: I twisted my lower back again and got a vertebrae out of position. It’s … not  comfortable, especially as it aggravated a muscle imbalance in my pelvis (which was due to one knee being weaker than the other) and made all those muscles go berserk … Long story short, there was a period on Friday, before I found an exercise video that made these muscles release, where even moving could make me gasp in pain.

Yay! More material for another book!

Anyway, it definitely disrupted my weekend. I spent my days lying on the floor, trying to keep my back as straight as possible to try and even things up. Thanks to a massage therapist, the muscles in my back and pelvis have mostly relaxed, but the vertebrae is still out of position, so I’ve got an appointment with a chiropractor …

Anyway, point being I almost cancelled today’s Being a Better Writer so that I could catch up on things … but that wouldn’t really be fair. Besides, I’ve got some good topics coming up, and really want to get to them. So, without any further talk, let’s get to today’s topic: the cliffhanger.

Cliffhangers are a pretty classic bit of storytelling, as well as pretty self-explanatory. At least, as a concept. A cliffhanger is when you end a chapter or a story with a character hanging from a cliff in some fashion. Not a literal cliff (at least, not always), but in a sense that the protagonist is under an imminent or some sort of danger. And at the most basic, that’s pretty much all you need to know: End a chapter or a story on a moment where your characters are in peril. This ratchets up the tension, and keeps your reader wanting to turn the next page. But is that all there is to it? Well … no. Because like anything else in writing, there are good and bad ways to do this, and other elements such as pacing to take into consideration.

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