Being a Better Writer: Planning and Executing Heavy Worldbuilding

Welcome back, writers! It’s Monday, and it’s also Halloween! Not usually a vacation holiday, so I don’t plan on taking one. You know, as evidenced by the fact that you’re looking at this post right now.

But before we get talking about writing for this week and wrap up October, I do have one little tidbit to remind you all of: Dead Silver is on sale for 99 cents until midnight tonight! This spooky little (it’s a full novel, but by my standard) tale is perfect for Halloween and hey, it was my second published book, so it’s got a soft place in my heart. Following Hawke Decroux as he heads out to the sleepy New Mexican mining town of Silver Dreams to help Jacob Rocke catch a chupacabra, things soon take a turn for the worse, Silver Dreams seemingly caught in events more out of a nightmare than a dream.

Like I said, 99 cents until Halloween is over. You can click the link above or click the cover on the right. Either way, I hope you have a spooky and thrilling—in a good way—Halloween!

Now, with that all said, this is still a post about writing, so how about we get down to it? Today we’re going back to a classic topic that’s on a lot of minds. So much so, in fact, that the tag for it on the site is … substantial, to put it lightly.

But it’s a commonly discussed topic for a multitude of reasons, one being that it’s such a vast topic, but second to that because a lot of writers find it to be both a major source of inspiration and a major stumbling block in equal measure. Thus, it will not be a surprise to many of you to learn that today’s topic is a reader request from our last topic call!

So, let’s get down to it. Let’s talk about heavy worldbuilding. The in-depth, up-to-your-elbows-in-it sort of stuff. But with one gigantic context: making it useful, and then executing on that vision to craft a story, not just a bunch of excess files cluttering up a hard drive somewhere.

Hit that jump. Let’s talk worldbuilding.

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Being a Better Writer: Story Bibles and Other Forms of Story Organization

Well, after a wild weekend consisting of both roller coasters and more viewers in a day to the site than I normally see in six months, I’m back! To those of you who are regular readers, hello again, and to any of you who are new, I hope you like what you see and stick around!

Right, down to business, or brass tacks, or whatever other work-based colloquialism you might be able to think of. Today I’m tackling another reader request topic, but before I do, I’ve started to notice a trend with these. Lately, a lot of the requested topics have been—How to put this?—mostly on one side of the writing spectrum. Dealing with structural topics, such as organization, motivation, or the like, rather than close-in topics like characters, tropes, or plots.

I’m not complaining. It’s just that I’ve noticed the trend, hence I’m not going to be using requested topics all the time as I’d like to keep BaBW from focusing solely on one aspect of writing like that. As important as things like motivation, goals, and other bits “surrounding” the act of writing can be, I don’t want to write solely about them for a long period of time because there are readers out there who want to hear about characters, pacing, tropes, and other fun topics that you’ll run into in the act of writing. So in the future I’m going to try to make sure to balance that a little better, as I feel that lately a lot of the topics I’ve discussed have been that “infrastructure,” for lack of a better word, surrounding writing that doesn’t as commonly prove to be an issue with writers.

That said, this week’s topic probably rests somewhere in the middle between those two points. Story bibles, along with other forms of story organization, are a particularly common tool in the toolbox of most writers, even among those that are primarily the “write-as-you-go,” pantsing sort. No matter what someone is working on, there’s usually a point where it can’t hurt to have a little bit of a reminder sitting there to help them keep track of what they’re working towards. Or to have something to serve as reference material.

Now, this is actually trickier to write about than most would probably expect (and certainly moreso than I expect the reader who requested this topic guessed), and not because of how tired I am (pretty tired) but more because this is one of those topics where so much of it boils down to both individual preference between authors and the story itself, changing from project to project. For example, while I usually create a story bible for most of my works, there have been times when I have not. The forth-coming Colony, for instance, despite being a juggernaut of a book and universe, never had a story bible. No, the most I ever wrote up for it was a few lines about one of the main characters back when I was starting out, and a simple checklist timeline of “This needs to happen by the end of the book.” And Colony is one of my longer epics to date.

But it didn’t need a story bible. Though to be fair, it was also a book where I wanted to see how I did pantsing a story, so not having one was deliberate (Knowledge gained from this experiment? It took me twice as long to write Colony—six months—as it did the similar-length story Beyond the Borderlands I wrote right after it which had a full story bible).

My point is that there’s no “right” way for me or anyone else to follow here. There’s no set “proper method” for doing a story bible. There’s no right way to do an outline. At the end of the day, whatever assists you in getting your story written is what you want, and that can be anything from a large, complex story bible to a simple checklist of events you want your story to wind its way across.

No, in this case, the only thing that could be said to be “correct” is that the outline, checklist, bible, or whatever else you create does its job in helping you formulate and write your story. As long as it does that, its good. That’s all it needs to do!

Right, now, that all said, there are undoubtedly a few readers out there who are looking for a few pointers on where to start, so let’s go a bit past the name. Let’s look at story bibles, but also a few other other frameworks of organization and planning that various authors make use of.

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