Welcome back readers! No news this week, we’re just diving right in! I felt that with the United States celebrating Independence Day this last weekend, today’s post topic felt timely. Though it wasn’t inspired by current events. This topic has been on the list for several months, inspired by a combination of commentary on various book and writing locales online as well as some very public statements by a gaming company on the nature of politics and stories (statements I disagreed with, personally).
So then, with no further ado, let’s jump in and talk about politics and writing. This is going to be a rather involved post, and as well, I suspect, somewhat controversial, because as of late culturally the idea of talking about politics has become fairly divisive in and of itself. Or to put it bluntly: Many seem to only think politics should be spoken about as long as what’s being said supports their position (no matter what it is) with as little friction as possible.
Which is kind of a genesis of sorts for this post. See, today we’re not going to talk about how to write political intrigue in our stories, nor how to write a book that focuses on politics and governmental drama. Not at all (besides, you approach that like any other topic: lots of research). No today we’re discussing the idea of having “politics” be something in a story at all.
You may have heard this statement before from someone in person or online, or at least a statement akin to it: “I don’t like politics in my story. There’s no need for them. [Creator] can just make a story without politics in it.”
Yeah, this is a popular phrase being parroted around these days. If you haven’t heard it, count yourself lucky, because any following discussion devolves into madness, usually quite quickly. However, this commonality of this statement does raise a legitimate question: are they right?