Being a Better Writer: Holidays

Hey there readers! Quick note before I let you go on: Don’t forget that we’re currently undergoing a Topic Call for Topic List 11! That’s right, Being a Better Writer‘s topics of choice don’t just spring from my head, but from yours as well! Got a writing topic you want to hear about (or hear more on)? Then hit the link and let me know, and I’ll add it to the list! Do it now while it’s still open!

Right! Got that out of your system? Ready to move ahead? Then let’s go! No sense beating around the bush today; we’re diving right in!

So, Holidays! What on Earth am I talking about when it comes to Holidays?

No, I’m not talking about the practice of going on holiday yourself (to use the British term for it), though we have touched on it before (take a break every so often, readers, and keep moderation in all things!). No, I want to talk about holidays in your story.

This is an obscure bit of world-building that doesn’t come up that often, but I want to bring it up for that reason exactly. So let me start with a question: When was the last time you read a book, story, whatever that talked about a holiday that the characters and cast celebrated or revered. Can you think of one?

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Being a Better Writer: Good Subversions

Welcome back, readers, to another Being a Better Writer post!

Okay, so it’s not that surprising. After all, these things have been dropping like clockwork each Monday for almost five years now, so any surprise at this point either means you’re new or really poor at picking up on patterns. But in any case, it’s Unusual Things‘ … well, thing!

Anyway, I got all relevant news out of the way last week with the last news post, and there’s nothing new that’s worth bringing up at this time, so let’s just dive in to today’s topic shall we? And, oh yes, this is a request topic (clearing out the last of Topic List Ten, so get ready to suggest new topics), one that’s been a long time coming!

So, today we’re going to talk about writing good subversions. Which, almost immediately, means that our first question is going to be “What is a subversion?”

Well, it’s both simple and more complicated than it seems at the same time. But a subversion is when the story sets up an expected path, event, trope, etc, and then when the moment arrives to bring that same event/trope/story element to its expected conclusion … something happens to turn everything the reader expected about said element on its head. It’s called a subversion because when you subvert something, you undermine the established “traditional” narrative, or disrupt it. In other words, you—the author—have become a subversive element to an established trope, event, etc.

Let’s talk examples, and pick one of the more famous ones: The classic fantasy damsel in distress. We’ll start with an even more common story-arc in this formula, that of the princess being kidnapped by a dragon, and a heroic knight sent out to rescue her in return for her hand in marriage. That’s the classic setup echoed across fairy-tale and folklore for the longest time.

Now? Let’s subvert it! Sat we follow this story, it’s novella length, from the knight’s perspective as he travels across the land, in pursuit of this dragon and hunting for its lair. Then, after a time and some arduous travels, he arrives to find … That the princess doesn’t want to be rescued, thank you very much. She’s best friends with the dragon, been pen pals for years, and her dragon friend wasn’t kidnapping her but saving her from … Oh, an abusive parentage, or an arranged marriage of political convenience that the knight was specifically not told about (so that the king can conveniently backstab him later). The princess isn’t being poorly treated, but in fact is living well and finding her true calling as a baker …

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Being a Better Writer: When Readers like It … but It’s Bad

This is an interesting one, and one that I’ll freely admit I never would have thought of on my own—at least not in such context. Which means that, yes, today’s post is another reader-requested topic (which reminds me, we’re getting closer to needing more of these, so start thinking of questions you’d like me to address).

But first, some quick news. Those of you who read my LTUE recap might remember the uncertainty around the Barnes & Noble upset? Well, it’s still going. Though it didn’t seem to make the news most places, hundreds of former B&N employees have now spoken up an confirm that yes, almost most if-not-all full-time employees of the last remaining physical book retailer have been let go. At least a thousand people from one department alone confirmed as gone. B&N has since seen that yes, it has “saved” the 40 million it won’t be paying those employees … but it’s stock has also tanked (dropping by around 60% in a single day last I heard) and seen a massive bailing of investors and stock offloads.

So head to your nearest B&N store and pick out the furniture you’d like to take home, because they’ll be selling it soon!

Second, Alpha Editing on Shadow of an Empire continues to progress. The good news is that we’re not seeing any major changes, just tiny alpha tweaks. The bad news? Well, you can’t read it yet, I suppose. But soon! Still looking at a spring release!

Right, that’s the news! Onward to bad writing!

So, you’ve just put the finishing touches on your latest story. Maybe it’s a fanfic, maybe it’s something original you put together after a workshop or on the train ride to work. What matters is that it’s yours. You wrote it, and you’re proud of it.

Well … almost. Or crud, maybe you are in the moment. Point is, you’re excited and enthused, and with a few clicks you throw your story out there into the wild. It hits the net … and your readers love it. You go about your day, and come home to a barrage of comments, attention, and fanfare. Great!

Except there’s just one problem. The comments aren’t what you expected, and as you look over your own story you realize that in the excitement of getting this idea down on paper it kind of slid past you how bland the rest of the story really is outside of that concept. You start noticing all the errors that you should have fixed before posting, all the flaws, but at the same time …

All these readers love it. Is it really so bad?

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Being a Better Writer: Overpowered and Beyond Characters

So, this topic is an interesting one. In a way, it’s sort of the inverse of a prior Being a Better Writer post on Overpowered and Underpowered characters. Or perhaps an extension of that same post. I’ll let you be the judge, though both probably work depending on what part of that post stood out to you.

In any case, today’s topic comes via a request from a reader, who was wondering how one could write characters that were bonafide reality warpers, like the imfamous Q from Star Trek: The Next Generation, without breaking their story. A valid question, considering that such characters are typically powerful enough to solve a story’s problems with a snap of their fingers … or at the very least usually a similarly light level of exertion. How can one have a story while still playing around with a character that’s capable of solving everything with a flick of their near-omnipotent wrist? How do you have any sort of tension with a character like that around?

Well, the answer is at once both simpler and more complex than you might expect. The first, because there are some pretty common workarounds to the “problem” a reality-warper character presents for your narrative. And complicated because, well, while the solution sounds simple, pulling it off poorly leaves the reader with a bad taste in their mouth. A case of “simple solution, tough execution” if you will.

We’ll start with the simple bit: Give them limits. Yes, reality-warpers and nigh-omnipotent beings. Limits. It may seem like a contradiction, but if you recall the post on overpowered and underpowered characters linked at the beginning of this blog, having characters with limits, and then exploring how that character overcomes them, create some of the best narrative experiences.

Now, I can already see some of you younger readers shaking your head and saying “Limits? But an all-powerful character can’t have limits. That’s the point!”

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Being a Better Writer: PoV Strengths

Welcome back readers, to Being a Better Writer! Yes, it’s a day late, but I warned you guys. Unfortunately, I have that part-time job, and sometimes that means they want me for most or all of Monday.

Now, a quick update! Prior Alpha Readers, as in, those who have Alpha Read for me before! You should have an invite to the Shadow of an Empire Alpha in your inbox. If you have not received one, then something has gone wrong, please get in touch with me so I can update your contact information or pull you from the list if you’re no longer interested.

On that note, if you’ve not been an Alpha Reader before, or have elsewhere an are interested in being an Alpha Reader on Shadow of an Empire, contact me as well. The more critical eyes I have on this, the better. As always, I want this story to be the best it can be, and that takes some solid effort.

Last note, then we’ll jump to the meat of the post. There’s a new feature coming soon to this site. I’m not going to say exactly what it is, but if you’ve kept up with the news of my projects these last few months, you’ve heard whispers and mentions of a side project almost a whole year in coming that’s finally hit. It’s not another book; I’ll tell you that up front. But it will be something you guys may enjoy hearing about. Which is all I’ll say for now.

So, news is done. Let’s talk writing!

So today’s topic is, as almost usual these days, a request topic. I don’t recall which reader specifically requested this one (sorry), but it’s a good topic that, in light of some discussions I’ve seen online that all but floundered on this same point, seems to have come at a good time. Today, we’re going to be talking about PoV, or Point of View.

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Being a Better Writer: Sympathetic Villains

URGENT: READ THIS FOLLOW-UP IF YOU READ THIS POST! It clarifies a few important things.

… are a mistaken understanding.

Okay, that’s a strong statement as a lead-in for today’s post, but it has merit! Welcome back to Being a Better Writer, the weekly writing guide post where we discuss, well, writing topics of all kind.

Today’s topic, Sympthetic Villains, is another request topic. It’s also a topic that I knew would inspire a bit of controversy when I tackled it, particularly among newer writers, because of the amount of misunderstanding I’ve seen concerning it. Misunderstanding that comes from, unfortunately, the name itself and the oft-mistaken misuse of two similar but different words: sympathy … and empathy.

See, a lot of people use the former when they mean the latter. And, to be fair, the two share similar meanings. Sympathy is defined firstly as “feelings of pity and sorrow for someone else’s misfortune,” and empathy is defined as “the action of understanding, being aware of, being sensitive to, and vicariously experiencing the feelings, thoughts, and experience of another.”

Pretty close, right? Well, you’d think so until you saw the second, third, or even fourth definitions (depending on the dictionary) of sympathy, which move from “feelings of” to “sharing understanding” or even “agreeing with.”

Uh-oh. Can you see where the the use of the wrong word can cause a problem for young, newbie writers yet? Or even for more experienced authors? The problem is that while empathy means understanding a character’s perspective, sympathy means agreeing with it.

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Being a Better Writer: Finding a Good Writing Group

Thanks, ocalhoun!Welcome back readers! Ready for more Being a Better Writer? I am! And with one of the more requested topics of the last few months. But first …

That’s right, it’s time for the news. Two things to discuss, snap-quick, and then we’ll be on to the post.

The first is that whoa, did Friday’s Op-Ed on The Indie Hypocrisy blow up. Not with views, though it did do really well there, but with thoughts. I’ve had posts hit 5,000 views that got less commentary than this piece. At the moment, split between here and another discussion forum the piece was linked, I’m clocking twenty-five comments (up to thirty as of the posting of this article, discussing the concept with both other posters, offering their own thoughts on the matter, and just in general making their voices heard on the topic. And as much as I’d like to reply here … this is a Being a Better Writer post. That said, the sheer volume of long, thought-out responses is more than enough to warrant a follow-up post to get everyone’s ideas and suggestions out into the open. So that’s scheduled for later this week.

Second bit of news: Patreon Supporters, expect your December reward this week. Apologies for the delay, but I was really determined to finish that draft of Jungle.

Okay, that’s the updates out of the way, let’s talk about writing groups.

We’re going to start with a giant disclaimer. The kind that comes with a flashing neon sign, and would be said by someone speaking 128 words-per-minute in a radio ad: Only once have I ever been in a writing group. It was for a period of several months, during one of my college creative writing courses. That said, it was still a writing group, and I gave my participation my all. But with only the one writing group under my belt, realize that my perspective on things may be a bit skewed. Most of what else I know about writing groups comes from second-hand advice and stories collected from other authors.

Crud, I’m not even in a writing group now. And honestly, I’m not really interested in joining one. But does that mean you shouldn’t be?

Absolutely not.

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