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Being a Better Writer: Checklisting

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Hey readers! Welcome back to another installment of Being a Better Writer. Not only that, but it’s a normal installment! That’s right, the Summer of Cliche Writing Advice is over and done!

It was a huge hit too, especially with some of the more common sayings. However, just because it’s over doesn’t mean that if you missed it all is lost. Just check out the tag ‘Summer of writing advice” to locate the whole set once more if you’re looking for them.

So, we’re back to regular Being a Better Writer posts, which means we’re back to discussing the topic of writing and all the various aspects of it we can improve at. So, for today? I’ve got an interesting topic for all you readers and writers out there. Readers, I’m sure, have noticed it, as I myself have found it on display in more than one book. And writers? Well, let’s just say this is a common error that anyone can slip into. Even with Jungle I’ve found this issue cropping up more than once and had to make some edits. Today’s trap is something all writers, novice and experienced, can fall into.

Today, I’m talking about checklisting.

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Classic Being a Better Writer: Pacing

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Welcome back to another classic Being a Better Writer post!

Confused? New around here? Don’t be! Being a Better Writer is a weekly writing guide posted to this site every Monday designed to help writers of all experience hone their craft. Beginning or experienced and in need of a refresher, BaBW has been a staple of Unusual Things since actually before the site existed. You could say it’s one reason my site exists.

Anyway, although each post is carefully tagged and organized, as well as searchable via the site search function, there’s still a lot of material to go through after the years. Classic posts are a way to bridge the gap and make it easier for some to find the topics that they’re interested in.

This week? Pacing! An oft overlooked by quite vital aspect of any story.

Pacing—
Have you ever seen a film or a read a book where things started out with a bang and just kept exploding? Or a tense film that just stayed tense and never gave you a moment to relax? And by about halfway through, you’re actually bored with both of them? That’s because the pacing was poor. You can only keep an audience in a constant state of tension/suspense/action before the audience is tired of it. They need a moment to relax, to digest. To think about what’s happened. They need a slower moment where they can catch their breath, and if they don’t get it, they’re going to stop enjoying whatever it is they were watching.

Pacing – Part II—
If I were to put it in my own words, pacing is the measure of timing that flows through your story. It is the rate at which things happen, the length and depth of scenes and sentences, and even the rhythm by which the events in the story flow …

… Because contrary to what a lot of young writers think, there’s more to writing than simply getting the right words down on the page. You can write a wonderful, otherwise well-written story full of heart, character, and adventure, and yet create something that fails to deliver to the reader at all because of improper pacing. There’s more to writing than simply getting all the right words out. You need to have the right length and timing to go with everything.

The Try/Fail Cycle and the Evolving Story—
Now, I’m going to preface things with a caveat here: We know that the hero is going to win. Usually. 95% of the time, it’s a safe bet that the hero will emerge victorious in some fashion or another. But on the journey there? A hero who simply crushes all in their path doesn’t really make for an entertaining read because the reader always knows what is going to happen. If your hero fights mook after mook, takes down trap after trap, and comes out on top every time, well, even if your action is written in an incredibly well-done manner, you’re still going to start running into readers who just start skipping over things. Why?

Because they’ve gotten bored.

 

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Being a Better Writer: Pacing – Part II

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Don’t forget, Unusual Events: A “Short” Story Collection is out now!

This post was originally written and posted December 15th, 2014, and has been touched up and reposted here for archival purposes.

Pacing.

If there was ever a topic that I felt needed to be discussed with young writers—crud, or at the very least referenced in a basic high school English education—that sadly seems to be completely overlooked or ignored, it would have to be pacing. A measuring stick of the writer’s toolbox, pacing is a lot like the sextant—an ancient, invaluable tool in many scenarios, but completely ignored by most because they’ve never been taught what it is or how to use it. Worse, there’s no modern equivalent of it such as a GPS to replace it, which means that many simply stumble through their works, never once picking up this ancient ruler and measuring their story with it.

Alright, you’re probably getting the idea. Pacing is important. But what is this “pacing” of which I speak? As I’ve pointed out, it’s something that isn’t really understood or taught to a lot of people. While most young writers have certainly heard the term, the actual application of it often doesn’t come with it. Most more experienced authors will mention the term from time to time—usually with a quick mention of how important it is—but unless you’re attending a panel or workshop on it, hardly anyone ever actually spends time explaining what pacing is, or better yet how to use it.

So then, let’s start with the basics: what is pacing?

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