Being a Better Writer: Making the Mundane Engaging

Greetings readers! Welcome to another Monday in which I am not present. I’m writing to you from the past, using perhaps the best-known means of time-travel, so that you can have this post on a day when I am very likely still busy and away in Alaska.

Maybe not. We’re reaching the part of the scheduling now where I may in fact have returned, but also may not have. I’ve become quantum!

Those of you that know how awful and interpretation that is may begin plotting my death now.

Anyway, regardless of my current limbo, let’s talk about writing. There’s no news I can talk about, since I’m in the past, so we’re just going to dive write in and talk about today’s topic: the mundane made awesome.

The idea for this post came to me on a rewatch of the new Dune movie (which is utterly fantastic). There’s a moment in the flick (minor spoilers) where the Duke and his entourage go out on a flight to actually watch a spice-harvesting operation take place (and if you don’t know what this is, definitely consider reading the book, seeing the film, or both). But here’s what struck me about this scene: it could very realistically be a documentary of some kind.

In fact, it almost is. The characters circle the spice harvester while a character explains to both them and the audience how the process works, what the job is like, what the crew is doing or watching out for, etc.

In other words, it’s very much the picture of exposition, and fairly mundane exposition at that. In our world, it would very closely be the equivalent of explaining how a dump truck works on a construction site. Which is about the most mundane thing ever, right?

Save that on this rewatch, I realized how invested everyone in the room was in this scene. I sat back, looked at the crowd, and all of them were hanging on every word coming out of the exposition character’s mouth.

There’s a reason for that. Despite this being the equivalent, at least taken flatly, of watching a documentary explain how a dump truck works, there is a reason no one in the room was bored, but instead fascinated by this explanation of, in-universe, something that was largely ordinary.

The story had made the mundane engaging. Taken something everyday and bland, and presented it in a way that was fascinating to learn about.

So let’s talk about how they did it. And then, of course, how you can do the same in your own writing.

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Being a Better Writer: Lengthening without Padding

Hello readers!

Normally at this point I’d express hope that you all had a good weekend, but given the events of the last few days, some of you most assuredly did not. Instead, I’ll express that I hope you had a safe weekend with all the civil unrest going on, and that you did at least glean a moment of joy from the success of the successful SpaceX launch this weekend. If you haven’t seen it yet, I recommend heading over to YouTube and checking it out, as it marks a new era of space travel.

If you’re not sure why I’d make such a grand statement, here’s the quick summary: A commercial company, SpaceX, successfully launched two astronauts to the International Space Station aboard their own capsule and their own rocket, with their own space suits. Oh, and once again, the rocket that launched them was an RLV, or Reusable Launch Vehicle, which means that rather than crashing into the Atlantic and being a sunk cost it instead landed atop a barge to be refueled and reused later.

We’ve had that latter one, or rather SpaceX has, for a while. But a manned capsule launch? That’s good news. Something to somewhat offset all the lousy news that swept over the weekend.

All right, let’s move on to today’s topic. Which is a reader request, as most of the topics on the current topic list are. So thank you to the reader that suggested this topic, and I hope my explanation aids you in working through this question! Because today’s topic is an interesting one: lengthening without padding.

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Being a Better Writer: When Exposition Stops Being Entertaining

This post was originally written and posted February 2nd, 2015, and has been touched up and reposted here for archival purposes.

Welcome back everyone after another fun weekend! Anyone do anything awesome? I did! I spent my Saturday experiencing the sights and sounds of Comic-con, spending lots of money on said Comic-con (seriously, swag!) and then getting killed in an unexpected, but much enjoyed, run-in with Borderlands‘s own Krieg.

Thankfully, being an author, my budget is pretty small and limited, but getting respawned at the nearest New-U station wasn’t too wallet breaking. Now, my wallet slightly lighter and my goodie-bag full, I’m back once again, and ready to start another week off with a discussion on writing.

This week’s topic is one that comes from a reader and, to be honest, it’s a pretty darn good question, because it’s one concerning exposition. This is an area that has flummoxed not just young writers from around the world and across time, but even experienced ones, leading to many heads meeting desks. It’s a conundrum that pops up even in well-received works, be they movies, books, or any other medium with a plot. This conundrum? Well, I’ll let our seeker do their own explaining first. Here’s what they asked:

What do you do, when you’re writing, and the story really needs to get this information across in order to move the plot forward, but the narrative or dialogue to convey this information to the reader is soooooo boring that you don’t want to write it and you wouldn’t want to read it, either?

I’m sure that “think of a less boring way to convey the information” is a technically correct answer, but I hope you have some guidance in this area.

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