Being a Better Writer: Nintendo’s Rule of Three

Welcome back, writers! It’s the first Being a Better Writer article post LTUE! So, in fact, maybe that should also be “Welcome, new writers,” because there may be a number of you checking out Unusual Things for the first time post-convention.

Now, if you are new and looking at that title wondering “What? I know Nintendo. That’s video games. What does that have to do with writing?” you’re probably one of a few. And it’s a fair question. But as prior followers of the site will attest, knowledge of writing and application can come from some very unique and unexpected sources. So there are often titles that may make one wonder “How on Earth could that have anything to do with writing?” that then go hard into the details and end up a pleasant—and educational—surprise.

So, don’t fret that you’ve arrived on the wrong site just because of the word “Nintendo” up above. You’re in the right place, and today we’re talking writing.

Well, as soon as we get through the usual allotment of site news. Most of it’s what you would expect: LTUE happened this last weekend, and it was an absolute blast. You can check out the write-ups for more details, but the short of it is that I had a great time, appeared on some fantastic panels, rubbed shoulders with some great folks and fellow writers, and sold out on Axtara before the third day had even hit noon.

Yeah, she’s really soaring. Shadow of an Empire paperbacks were selling as well, but in an inverse of last year, this time it was Axtara‘s turn to fly for the sky.

Anyway, LTUE is an awesome and fantastic experience that as always, I recommend wholeheartedly. I ran into several first-time attendees, and they were amazed and excited by the breadth and depth of knowledge on display at the con.

Okay, enough about LTUE. Some of you are probably tired of it or rolling your eyes. It’s awesome, this last weekend was great, and after a nice Sunday spent recharging via sleep and decompressing via some relaxation, I am so pumped to finish up this Jacob Rocke novel and get to work on Axtara – Magic and Mayhem.

But first. we’ve got today’s Being a Better Writer to discuss. So, without further ado, let’s get to it, and talk about Nintendo’s Rule of Three, and how you can apply it to your plotting to make a better story.

Weird, I know. But trust me. This is cool. Hit the jump.

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Being a Better Writer: PLS Explain Book

Or, recognizing disparate audience expectations.

Welcome once again writers, to another Monday, and therefore another installment of Being a Better Writer. This week we’ve got an interesting topic for all of you, one that doesn’t get talked about much even inside writing circles, but in my personal opinion should be acknowledged more. In addition, it’s a topic that like our last few seems to be gravitating toward audience, making our recent string of posts discussing such a bit of a trend.

Now, as usual, before we dive into things in earnest, there are a few small news tidbits that we need to talk about. The first is that either today or tomorrow will see a version 1.01 update for Starforge. A few attentive fans have caught a few typos that slipped past our editing team—not out of the ordinary, especially for a 500,000+ word book—that have now been fixed, and we’ll be pushing that fix out ASAP. Anyone who downloads the book to read after that fix goes out will get the tweaked version, while those of you that have already downloaded your copy via a storefront will just need to refresh it. It’s not a lot of fixes, however (about six or seven across the whole book), so that’s why it’s a 1.01 update. But it will be going out soon.

Second, we’re nearing the end of Topic List #21. Which means that in the coming weeks we’ll be hosting a topic call for new Being a Better Writer topics to discuss. So put your thinking caps on and starting thinking about what writing concepts you’d like to hear about that BaBW hasn’t discussed before, or perhaps needs to discuss in a new fashion.

I know, that’s daunting. At this point Being a Better Writer totals some four hundred or so posts. But the world of writing is vast, and we’ve tackled topics a second or even a third time before.

So, there’s a new topic call coming, so if you’ve got a topic you’d like us to cover, jot it down on a slip of paper, or make a note on your phone—whatever it takes so that you’re ready when the topic call arrives!

All right, there’s one more news item to discuss: Life, The Universe, And Everything.

Yes, that capitalized letter on the “and” is intentional. That’s because Life, The Universe, And Everything, or LTUE, is a writing con that is once again upon us!

That’s right, it’s nearly time for LTUE 2023! Once again hordes of writers and other Fantasy/Sci-Fi creators are gearing up to descend en masse to Provo, Utah for a convention that’s all about the creation of Sci-Fi and Fantasy, be that in writing, sculpture, comic, or film.

Seriously, LTUE is awesome. And not just because once again I’ll be paneling (though you should definitely attend those panels if you’re writing). This year the guest lists includes Phil Foglio and Nina Kiriki Hoffman, among others. It’s three days of book signings, panels by authors you know and love on every writing topic under the sun, and more.

Basically, if you like Being a Better Writer, you’ll love LTUE. Check out the site here, and I hope to see you there.

Oh, and if you’re a student of some kind, your entry fee is $5, the cost covered by the sales of LTUE’s excellent collection of anthology short story collections such as A Dragon and Her Girl. So definitely swing on by!

We’d love to see you there. Now, on with the post! And you know what? We’re not going to spend time on the preamble before the jump. So just go ahead and hit that link, and let’s dive into the post proper. See you on the other side!

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Being a Better Writer: Realism, Storytelling, and Suspension of Disbelief

Welcome back writers! It’s another Monday, and that means it’s time for another Being a Better Writer post! There’s not much news to discuss, or really any since everything immediately relevant was discussed in last Thursday’s post about what occurred last year and what’s coming down the pipeline right now, so rather than spend any text on that, today we’ll just dive right in! With a brief aside to say that if you are curious about what’s happened and what’s on the way, check out that post.

Anyway, today’s topic is, fittingly enough for the new year, a Reader Request! The last one on Topic List #21. Which I will add is getting a bit empty these days. We’ll be looking at #22 soon enough!

But anyway, today’s topic was requested with what I see as darn good reason, because it’s actually part of an almost endless debate that circles online communities and critics alike. In fact, it’s such a common debate that to start us off today, I’m actually going to request that you read this Schlock Mercenary strip, which will open in a new tab. Don’t worry, it’s digestible without context.

Once you’ve done that, don’t get sucked into the archive (at least, not right now), but come back, hit the jump, and let’s talk about it.

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Being a Better Writer: Balancing Beats and Exposition

Welcome back, writers, to the final Being a Better Writer installment of 2022!

I know, right? It really doesn’t feel like we should have come this far already, but … here we are. 2022 is drawing to a close in less than three weeks. As to why that would make this post the last of 2022, I still need my Christmas Vacation, which is usually around two weeks this time of year. Which means that, to my surprise, when I looked at the calendar today to check my schedule, I realized that if I wanted my customary vacation, this was going to have to be the last BaBW post of 2022.

Now, this doesn’t mean all the posts will vanish for a while. There’s always a Christmas post. And there are usually a few other posts scattered in there about the usual odds and ends. Plus my vacation won’t officially start until next week. So this week I’ll continue to chug along on that latest Jacob Rocke book, plus keep up with the usual (or is it “unusual” right now?) stuff.

Anyway, if you find yourself hungering for Being a Better Writer while I’m on my Christmas break, you can always browse a selection of the site’s classic posts! At this point, pretty much typing any writing question into the site’s search bar will bring you a BaBW post that touches on the topic. Nine years of Monday updates (since August of 2013) will do that.


All right, so that’s the Christmas break discussed, but we’ve got a few other items of important business to tackle before we get down to nuts and bolt’s with today’s post. The largest of which is pretty easy to guess: How’s Starforge doing?

The answer is pretty awesome: It’s doing great. The whole trilogy is. Now that another week has passed it’s pretty clear that this is definitely one of my strongest, if not the strongest, launches ever. Starforge is tearing it up on page reads and purchases, along with both the first two books in the trilogy. I’m not certain if anyone’s managed to finish it yet, since it is such a titan (you could fit six large paperbacks inside this juggernaut), but from what I’m hearing and seeing everyone’s loving the journey.

Although if you have finished it, do please consider leaving a rating or a review on Amazon, Goodreads, or wherever you read and rate books. Ratings help new folks who haven’t heard about the series via word of mouth if they want to pick it up!

Now, related to this news item, and honestly the other big news item of the weekend, is a little snippet about Colony, the first book in the trilogy. It is a quarterfinalist in the Self-Published Sci-Fi Contest! The reviewers had some pretty nice things to say about it as well. Now it moves ahead to the next phase of the annual contest: culling for the finals!

We’ll see if it makes it. I hope it does. Regardless, it was pretty nice to see out of nowhere a bunch of nice words lavished on Colony about how much it was worth reading.


Okay, one last bit of news. I promise. And it’s short. If you haven’t seen it already, be sure you don’t miss last Friday’s post on the Ten Year Price Update. This weekend most of the price changes on a number of my books went through, but there are still a few that haven’t been completely updated (for boring technical reasons, quite honestly), but will in the coming weeks. The new prices are now up, the chart explains them in full, and if you’re curious about any of them you can hit that link to the above post.

Got it? Okay, good. It’s time to talk about today’s topic. Which, I will note, is a request topic! That’s right, we’re finally getting around to it! And I can very easily see why it is a request topic: because it’s a hard one!

If you hadn’t gathered the full nature of today’s topic from the title—and no shame there, don’t worry—the request for this post posited how one could properly balance their story beats with their exposition. This is a completely understandable topic to have concern about.

That said, it’s also a difficult skill to properly pull off in any book. How difficult? I’ve read award-winning titles that have swept notable awards from “important” organizations that have flummoxed their exposition and their story beats. This is something that writers of all experience levels struggle with.

It’s also something that you are not going to be getting perfectly the first time around. Or the second. Or the third. You can work on it, you can improve it, but the odds are that this is going to be one of the things your early editing folks look for. In fact, this is one of the things that the Alpha Reading looks for during that stage of editing. And wouldn’t you know it, I know for a fact that authors that sell tens of millions of books still have folks going through their manuscripts looking for exactly today’s topic and helping the author refine things.

My point being that this is a lifelong struggle for every author, and very much a part of the job that every author and writer, from the newest noob to the most decorated of wordsmiths has to pay close attention to.

I realize that may be upsetting to some of you, including perhaps the individual that requested this topic, but it shouldn’t be. Learning how to balance your exposition with your story beats—or better yet, carefully interweave them—is akin to learning exactly how much traction a race car’s tires have on each spot of pavement during a complicated, winding course. In other words it isn’t something you learn about and then forget, but something that will be important to keep in mind with every twist and turn of your book.

Okay, so with all this said, let’s hit the jump and start talking about the how as opposed to anything else. You ready? You know what to do.

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Being a Better Writer: Making the Mundane Engaging

Greetings readers! Welcome to another Monday in which I am not present. I’m writing to you from the past, using perhaps the best-known means of time-travel, so that you can have this post on a day when I am very likely still busy and away in Alaska.

Maybe not. We’re reaching the part of the scheduling now where I may in fact have returned, but also may not have. I’ve become quantum!

Those of you that know how awful and interpretation that is may begin plotting my death now.

Anyway, regardless of my current limbo, let’s talk about writing. There’s no news I can talk about, since I’m in the past, so we’re just going to dive write in and talk about today’s topic: the mundane made awesome.

The idea for this post came to me on a rewatch of the new Dune movie (which is utterly fantastic). There’s a moment in the flick (minor spoilers) where the Duke and his entourage go out on a flight to actually watch a spice-harvesting operation take place (and if you don’t know what this is, definitely consider reading the book, seeing the film, or both). But here’s what struck me about this scene: it could very realistically be a documentary of some kind.

In fact, it almost is. The characters circle the spice harvester while a character explains to both them and the audience how the process works, what the job is like, what the crew is doing or watching out for, etc.

In other words, it’s very much the picture of exposition, and fairly mundane exposition at that. In our world, it would very closely be the equivalent of explaining how a dump truck works on a construction site. Which is about the most mundane thing ever, right?

Save that on this rewatch, I realized how invested everyone in the room was in this scene. I sat back, looked at the crowd, and all of them were hanging on every word coming out of the exposition character’s mouth.

There’s a reason for that. Despite this being the equivalent, at least taken flatly, of watching a documentary explain how a dump truck works, there is a reason no one in the room was bored, but instead fascinated by this explanation of, in-universe, something that was largely ordinary.

The story had made the mundane engaging. Taken something everyday and bland, and presented it in a way that was fascinating to learn about.

So let’s talk about how they did it. And then, of course, how you can do the same in your own writing.

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Being a Better Writer: Lengthening without Padding

Hello readers!

Normally at this point I’d express hope that you all had a good weekend, but given the events of the last few days, some of you most assuredly did not. Instead, I’ll express that I hope you had a safe weekend with all the civil unrest going on, and that you did at least glean a moment of joy from the success of the successful SpaceX launch this weekend. If you haven’t seen it yet, I recommend heading over to YouTube and checking it out, as it marks a new era of space travel.

If you’re not sure why I’d make such a grand statement, here’s the quick summary: A commercial company, SpaceX, successfully launched two astronauts to the International Space Station aboard their own capsule and their own rocket, with their own space suits. Oh, and once again, the rocket that launched them was an RLV, or Reusable Launch Vehicle, which means that rather than crashing into the Atlantic and being a sunk cost it instead landed atop a barge to be refueled and reused later.

We’ve had that latter one, or rather SpaceX has, for a while. But a manned capsule launch? That’s good news. Something to somewhat offset all the lousy news that swept over the weekend.

All right, let’s move on to today’s topic. Which is a reader request, as most of the topics on the current topic list are. So thank you to the reader that suggested this topic, and I hope my explanation aids you in working through this question! Because today’s topic is an interesting one: lengthening without padding.

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Being a Better Writer: When Exposition Stops Being Entertaining

This post was originally written and posted February 2nd, 2015, and has been touched up and reposted here for archival purposes.

Welcome back everyone after another fun weekend! Anyone do anything awesome? I did! I spent my Saturday experiencing the sights and sounds of Comic-con, spending lots of money on said Comic-con (seriously, swag!) and then getting killed in an unexpected, but much enjoyed, run-in with Borderlands‘s own Krieg.

Thankfully, being an author, my budget is pretty small and limited, but getting respawned at the nearest New-U station wasn’t too wallet breaking. Now, my wallet slightly lighter and my goodie-bag full, I’m back once again, and ready to start another week off with a discussion on writing.

This week’s topic is one that comes from a reader and, to be honest, it’s a pretty darn good question, because it’s one concerning exposition. This is an area that has flummoxed not just young writers from around the world and across time, but even experienced ones, leading to many heads meeting desks. It’s a conundrum that pops up even in well-received works, be they movies, books, or any other medium with a plot. This conundrum? Well, I’ll let our seeker do their own explaining first. Here’s what they asked:

What do you do, when you’re writing, and the story really needs to get this information across in order to move the plot forward, but the narrative or dialogue to convey this information to the reader is soooooo boring that you don’t want to write it and you wouldn’t want to read it, either?

I’m sure that “think of a less boring way to convey the information” is a technically correct answer, but I hope you have some guidance in this area.

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