Hello readers! Welcome back after the (for many) Thanksgiving Holiday Weekend! A bit of an odd one given the pandemic issues sweeping the country at the moment, but a Holiday Weekend all the same. Like many, I stayed home, making a Thanksgiving meal for one—by which I mean I’ll be eating leftovers for a while now—and then got all my Christmas shopping done in a single, several hour stint of buying on Friday. It’s a bit easier when you’ve had some gifts in mind for a while.
Anyway, it was a pretty nice weekend past that. Got a bit further in The Pinch, which I’ll be talking a little bit about when I’m done, and also tore through Ori and the Will of the Wisps, which I can absolutely recommend as a worthy successor to the first title, Ori and the Blind Forest. Very evocative story-telling, to the point that yes, just like with the first game I teared up a little. Moon Studios is really good at getting that Pixar-like empathy with the audience going, all without dialogue.
Which actually ties in to what I wanted to talk about today, actually! Because yes, both Ori titles do a fantastic job of selling emotion, in a way that’s very reminiscent of the opening to Pixar’s Up (yes, that opening), and selling emotion like that is what we’re talking about today. So hit that jump, and let’s get started!Continue reading