You know, I think if I were to sit down and list all the topic requests I’ve received since I started Being a Better Writer, and probably even some of the requests I received before starting it, comedy would likely be at the top of the heap. This is a constantly asked-after topic. And yet, for four-plus years, I’ve steadily declined. Why?
Simple: I don’t write comedy. Sure, I have funny moments here and there in my stories, and may write a short or a chapter every once in a while that prompts quite a bit of snickering, but I don’t see that as being a comedy writer. I write adventures, reflective pieces, etc, etc, but almost never have I sat down and told myself “I’m going to write a really funny story.” Those moments of comedy in my stories? Those are the characters being funny. And sure, the characters are an extension of myself and my intent, but at the same time, I don’t see that as “comedic writing.” That’s characters and situations I have taking advantage of the moment to be funny, rather than me writing a story with the express purpose of delivering laugh after laugh. This doesn’t mean that I don’t enjoy writing characters or scenarios that produce a good laugh—to the contrary, I welcome it—but that the comedy is never the sole goal of the story … save perhaps with one exception, that being the short story Kitchen Creature from Unusual Events. Comedy is a side dish, yes, like fries to go with the burger, but it’s never the main course in my works.
Why? Well, I’ll go back and repeat the old adage once more: Dying is easy, comedy is hard. You might recognize that in variance from my post on tragedy, but the fact is that it keeps coming up because comedy is hard. Crud, Battletoads-slash-classic-Nintendo-hard.
Actually, let me rephrase that a bit as we finally begin to circle inwards towards today’s topic: Good comedy is hard. Cheap comedy? Fairly easy … but, well, cheap. Low-cost, really. And, on that note, fairly low-brow as well.