What Can You Do For Your Favorite Authors?

Apologies for this post being a little late today, but I wanted to get some other writing stuff done first. This week has been … chaotic.

But now it’s here. So then, what’s that title all about?

Well, I’d be lying if I said there wasn’t a bit of self-serving logic behind this. Because, after all, I am an author, and yes, I do like to see support!

But it’s a question I’ve not just heard from my own readers, or mused on my own about. I’ve heard folks in person talking about their favorite book saying “Well, I read it, I bought it, so I don’t know what else to do.”

It’s a legitimate question! After all, unlike musicians, authors don’t go “on tour” in the same way, doing “writing concerts” and mosh-pitting. And when they do go on book tours, they’re something that is free to attend. At most, people buy a new book to get it signed, but many of the people that show up already have a book they want signed.

Same with panels or conventions. The authors that come to those do so out of their own pocket. They may sell items in a vendor hall, but no one pays them for paneling or putting in appearances. It’s all voluntary.

The point I’m making here is that authors aren’t like a lot of other celebrities or purveyors of the arts. They don’t get paid for public appearances, they don’t get paid for gigs … They make money from their books, and their books alone. Maybe some movie rights if they get lucky. Or merchandising. But you’ve got to be big for those to happen. Big enough that the money is just extra on top of a very stable income.

They’re not like musicians where you can buy an album, then a t-shirt, then go to a concert … Authors, basically, just don’t have the same avenues of support other artists have.

Sands, we’ve almost come to expect that too. It’s just become  the culture of our society. Who would pay money to see an author in person? For that matter, just look at this site. No ads, each Monday a new article on writing going up, all for free. Because that’s just how authors are in society.

Okay, I don’t honestly want to delve into that too far. The point I wanted to drive home was, as I said, that authors are kind of in a tricky space, insofar as fans “funding” them. There’s not much to it but book sales and merchandising.

This is why, I think, you have so many people who read a good book, enjoy said book, and then think to themselves (or say aloud, as I’ve heard it before) “I really liked this author, but what else can I do besides enjoy them?

Again, this makes sense. If you read something you enjoy, chances are you’d like to read more of it. Which means you want there to be more created, so you want to support the creator and let them know “Hey, this is good, make more of it!”

But with authors, those avenues are slim. So, how then, do you support an author you enjoy?

Well, there are ways. Let’s look at a few.

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The Shifting Tide of Employment – The Sci-Fi Future is Already Here

Alright, I’m gonna preface this with the note that I hadn’t planned on writing this post today, but employment and job-related issues are on my mind since my part time job is, well, no longer any-time. Which means financially, I’m about to hit … well, I wouldn’t call it a speed bump. How about a guardrail? Or just the ditch?

Basically, I really appreciate those book sales, Kindle Unlimited reads, and Patreon Supporters right now. In the meantime, I’m digging around for similar part-time work or gigs and selling off a few unneeded items.

That’s all I’ll say on the matter, but it has put the context of this post in mind. Which has been one I’ve been meaning to write for a while now. Because, well, what was Science Fiction a decade ago is right now becoming Science Fact (or already is), and in some cases I worry too many aren’t noticing.

All right, I’ll back up. What really sparked the genesis of this post was a post I read about six-seven months ago on someone else’s site that was, though I don’t remember the exact title,  basically “Automation is a Paper Tiger.” This article, from a fellow Sci-Fi author, mind you, was basically a giant opinion piece against automation (and in this context, we mean the broad-scale rollout of AIs and robots to replace most human workers).

If you’re thinking ahead and wondering “Hey, what happens to all those workers?” you’re on the right track. But let me get back to that.

This was, the article writer declared, impossible. Not only was it decades, maybe centuries away, it was a pipe dream. Companies will always need human employees, and robots couldn’t possibly do a job that a human did. They offered examples of jobs they (and commentators) believed were impossible for a machine to take over, like trucking (18-wheeler shipping). They were adamant that it was all just fearmonging, that no one had any cause to be worried about their job disappearing, it was all hearsay, etc etc.

I believe they were wrong. Actually, no, they are wrong. Why? Well, for starters, some of the very jobs they offered as examples of jobs that couldn’t be replaced by robots? Well …

Yeah, they’re already being replaced.

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Being a Better Writer’s Summer of Cliche Writing Advice: Read a Book

Welcome readers, to another installment of Being a Better Writer’s Summer of Cliche Writing Advice! We are rolling right along and into week six of this feature, and the cliche advice just keeps coming.

Okay, really quick let’s have a brief aside here for the new folks who haven’t encountered Being a Better Writer or the Summer of Cliche Writing Advice before. What on Earth is this?

Pretty straightforward, really. The Summer of Cliche Writing Advice is a feature running this summer on Being a Better Writer. BaBW, by the way, is exactly what it sounds like on the tin. It’s a weekly dose of writing advice on a variety of topics, from pacing, to plotting, to character development (sorry, had to break the alliteration there). Running every Monday save holidays for almost six years now, it totals hundreds of articles to browse through and learn from.

The Summer of Cliche Writing Advice, on the other hand, is a special temporary feature. If you’ve ever told someone that you’re writing a book, or even thinking about it, you’ve doubtlessly had the experience of “Oh, well be sure you do …” followed by some bit of quick, cliche advice that seems to follow writers like a lawyer follows an ambulance. Even if it’s your second, or third, or twelfth book, you’re practically guaranteed to have one of this cliche sayings tossed at you, usually from folks that have never written anything, but they heard it somewhere. Sands, my part-time job did a book launch for a world-famous author a year or so ago, and I would fully expect that had anyone in the office talked with them, they would have immediately started spouting off this sort of advice.

It’s pervasive. It’s everywhere. Social media, random conversations. If you announce you’re writing, you’re going to hear something like “Oh, show don’t tell,” “nothing new under the sun,” or “kill your darlings.”

So here’s what the Summer of Cliche Writing Advice is all about answering: Are any of these sayings actually useful? Because one of the problems with one-line, easily repeated advice is that over time it can come to mean the opposite of what the original saying went for. It either loses context, meaning … or maybe it doesn’t?

That’s the trick. With all these easily and oft-repeated sayings out there, how do we know which ones are worth paying attention to and which ones aren’t? Are they all good? All bad? Somewhere in the middle? Well, the Summer of Cliche Writing Advice is here to answer that question as we tackle saying after saying, digging into it, seeing what makes it tick, and how much of it is really worth paying attention to. And as for this week?

Want to be a writer? Read a Book.

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Being a Better Writer: Knowledge and Inspiration

Welcome back readers! I hope you all had a fantastic weekend!

So, thanks to Friday’s gargantuan news post—which you should check up on if you haven’t, as it basically announces all my projects for the rest of the year—all the news that’s worth mentioning is already out in the open. So there’s no need to repeat it here. Which means … we’re diving right into today’s post.

Knowledge and inspiration then. Let’s get down to it. What, with a title like that, am I getting at?

Well, probably not what you expected. See, today’s post isn’t about the tiny details of everything, from character to voice, or specific writing techniques. No, today is about a different—but no less important—bit of writing: acquiring knowledge of subject.

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The LTUE 2018 Report

It’s time for another LTUE (Life, The Universe, and Everything) report! And this time, not in place of Monday’s Being a Better Writer post!

Why, you may ask? Okay, and you may be asking “What’s LTUE?” as well. So, in reverse order then.

LTUE is one of the best “secret” cons for writers out there, if not the best. It always has a massive, smashing guest list full of friendly authors, editors, and publishers, hundreds of awesome panels those same people participate in … and then just plenty of fun stuff too. Want to learn how to write romance, or common submission pitfalls? Want to catch the latest scuttlebutt and undercurrents from the industry, or hear embarrassing mistakes from now-famous authors?

Okay, you might not get all of that in one year, simply because you’d probably have to hit multiple panels at the same time, but all of that can be found at LTUE. It’s a convention for writers, about writers, by authors passing on their knowledge. If you like BaBW, LTUE is a con you should go to. February of every year in Provo Utah.

Now, the second question: Why is this report going up early? Oh, and shorter? Well, quite simply because I wasn’t paneling this year and was too broke to go to all three days (much sadness on that point). LTUE is a con, after all. Expect to pay (though students get in for $5 a day).

Anyway, with my knee dragging my finances down, I only was able to afford going to a single day. Naturally, I picked the day I most wanted to go to, which included a relaxed sit-down with Larry Correia (because the guy is fun to talk with), and went then.

So, what’d I pick up from this year’s LTUE? It was a mixed bag. Not at all because the con wasn’t as good this year or something, but because, personally, where I’m at.

Look, I’ll get two things out of the way right away. The first is that LTUE is fun. Like, ridiculously fun. Even if you’re there flying solo, it’s a good time. Everyone is there to talk about writing in some facet or another, from just starting out, to being stuck in a death spiral, to trying to submit their first manuscript. That’s awesome.

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Being a Better Writer: Imitation … or Copying?

This’ll be a short one today, guys. I’m actually still sick, but I really feel bad about missing last week’s post (in truth, my whole week went by in a blur of “ack, bleck, cough cough cough, can’t think, play Sonic Mania/X-Com 2). So you’re getting a post today. Not the one I’d planned (my brain’s not quite functional enough for the more in-depth companion piece to Horizontal and Vertical Storytelling), but a post nonetheless that instead serves as a sort of semi-follow-up piece to this one, instead.

You’ll note the similarity of the titles if you click the link. That’s intentional.

Oh, and really quick: Patreon Supporters, there will still be an August reward. I just … need to stop being sick first.

Okay, so today’s short topic. This was brought on by a post I ran across on a forum the other day that was directed as “advice” for new writers.

It was … poor advice. I’ll give you the quick summary. It postulated that in order to become good, what one should do was find an author whose writing that they wanted to emulate, pick a story or excerpt of theirs that you wanted to emulate, and then just … copy it. Type out the same words, massaged slightly with your characters and the details changed so that it wasn’t outright word-for-word plagiarism. Their reasoning was that this would help you ‘create’ something very much like the author’s you idolized, but still your own.

No.

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The LTUE 2017 Report

As usual, this year’s LTUE report is going to take the place of today’s (well, technically yesterday’sBeing a Better Writer post. Three day’s summation of the best writing-related con stuff ever? You bet!

So, where to start? How about with a quick reminder of what LTUE is? For those who’re missing out (and yes, you are), LTUE is short for Life, The Universe, and Everything, and it is a writing con by writers and editors of genre fiction, for writers and editors of genre fiction. And anyone else who wants to come (*cough cough* unlike certain other cons I could think of).

Which basically means it’s freaking awesome. The guest list is, as always, insane. L.E. Medesitt Jr. Mary Robinette Kowal. Dan Wells. Lisa Mangum, Larry Correia … Seriously, that’s barely scratching the surface. Everyone from Sanderson to Wiesskopf has showed up at LTUE before (and many are regular attendees). It’s probably one of the best-kept “secret” cons out there.

And you really should be going. Seriously.

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