Welcome to Episode 0 of Fireteam Freelance readers! The episode is beyond the jump to save anyone from spoilers, so hit it to get started! A list of all episodes can be found at the Fireteam Freelance page.
Just a final heads up for you happy readers, but Episode 0 of Fireteam Freelance, aptly named “0” drops tomorrow morning! Swing by the site this weekend and check it out! That is all!
Not sure what Fireteam Freelance is? Hit the jump for an excerpt from the FAQ!
Hello readers! Max here with some really good news, and a question for you: Do you like art?
Let me be more specific. Would you like this art? As a 12″ x 24″ glossy print suitable for framing?
This is the glorious cover image from Shadow of an Empire in all it’s full-sized glory, and there’s definitely a good reason I’m asking.
As most of you know (but some may not, hence the statement), LTUE is next week! That’s right, Life, The Universe, and Everything is next Thursday through Friday. The big writing con … and if you’re still drawing a blank, check this post for details.
So, at LTUE there’s a book signing and sale event, where you can get books and whatnot from your favorite authors. And yes, I will be there. Not with physical copies, sadly. Not this year. But I will have facilities for folks to grab my books anyway (I’m pretty proud of that).
But as I’m getting things printed up, well … this is a lovely cover for Shadow of an Empire, and I’m curious … how many of you attending LTUE would be interested in a 12″ x 24″ glossy of it? The kind of thing you could stick in a frame and hang on your wall?
Because I can print some up and bring them to the con. They’d be $14 cash or if someone showed me receipts right then and there for having just bought Colony, Jungle, and Shadow, complimentary.
If I print up a couple. So now I turn to you, readers. Are any of you attending LTUE interested in something like this? Post in the comments below and let me know!
Other good news: I would expect the first chapter of Fireteam Freelance this weekend. Just … letting that one out there.
Hello there readers! Welcome back to Being a Better Writer! I hope you’ve all had a great weekend, got some fun reading done. I certainly did. I made a jaunt to my local library, picked up, and have already read through one of the books I knew I needed to bring up at one of my panels at LTUE. Which is a good segue into some quick news reminders about LTUE. It’s almost upon us, people! In fact, it’s just over a week away! So you’re pretty much at the last chance grab your registration in advance! If you don’t now, you’d best be prepared to pay your way in at the door!
Once you’re there, though, you’ll have a veritable smorgasbord of writing advice and guidance available to you from hundreds of panels, all of which you can see in a grid here (PDF warning; it’ll likely download on a mobile). By the way, some of those panels? I’m on them! So swing by if you’re at LTUE, as they’re some excellent panels on excellent writing topics!
Now, with the LTUE reminder taken care of, let’s get down to business with today’s post. Today I wanted to talk about getting by on as little detail as possible. Or, from my perspective, one of the core components of a short story.
Okay, I realize that might sound a bit strange to some of you. And others might be nodding. Or wondering about other core components of short stories, which there definitely are a few of (for example, a really core one is a story that fits inside a short … which is another topic for another time).
But getting by on as little detail as possible is key for keeping a short story, well, short. See, it’s one thing in a book to have a character come into a setting and take a quick look around it, noting who is present and who’s speaking to who, or perhaps what the setting itself looks like. After all, with a traditional book you’ve got hundreds of pages waiting to be filled, so spending a hundred words establishing a setting for the next few pages? Not such a big deal. In fact, it’s expected.
For a short story, however, where you’re limited in both space and wordcount, taking those hundred words to describe a setting or a scene? Suddenly they’re a much larger blow against the “budget” of space you have to work with. And if you go ahead and write as though you have all the space available to you as one normally would, upon reaching the end you might find that your “short story,” initially directed to be around a few-thousand words, is now nearing novella size.